Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Último Round: Last Round, Spanish Edition

Último Round: Last Round, Spanish Edition

Cortazar, Julio

Paperback

General Fiction

Currently unavailable to order

ISBN10: 8492480173
ISBN13: 9788492480173
Publisher: Rm
Published: Jul 28 2014
Pages: 220
Weight: 1.50
Height: 0.80 Width: 6.70 Depth: 10.40
Language: English

Segundo de los libros-almanaques de Julio Cortázar, se publicó por primera vez en México en 1969 y fue diseñado por Julio Silva. Cortázar se respondía a sí mismo en una autoentrevista sobre el contenido: ... en Último round hay un 'Homenaje a Alain Resnais' que se puede leer permutatoriamente, lo que modifica cada vez el sentido al mismo tiempo que conserva el clima inicial de 'L'année dernière à Marienbad'. Hay también una despedida a Teodoro W. Adorno, que se ha convertido al catolicismo; hay varios cuentos, largos y cortos, hay una especie de diario de un día de vida en mi aldea provenzal de Saignon. Hay una defensa de Salvador Dalí ( oh!); hay un examen general de los problemas del erotismo en la expresión literaria latinoamericana; hay un ensayo sobre el cuento breve y sus alrededores, cuestión que me sigue preocupando y sobre la cual no se ha escrito gran cosa. Te bastan esos botones, o necesitás todo el costurero?

This second of Julio Cortázar's almanac-books was first published in Mexico in 1969 and designed by Julio Silva. In an interview with himself, Cortázar described the contents: In Último round there is a 'Homage to Alain Resnais' which can be read in a permutational fashion, in such a way that its meaning changes even as the initial atmosphere of L'année dernière à Marienbad is preserved. There is also a farewell to Theodor W. Adorno, who has converted to Catholicism; there are several stories, long and short; and there is a sort of diary of a day in my life in the Provençal village of Saignon. There is a defense of Salvador Dalí (ah!); there is a general analysis of the problem of eroticism in Latin American literature; there is an essay on the short story and its surroundings, a subject which continues to preoccupy me and about which not much has been written. Are these samples enough, or do you want the whole sewing basket?

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