Photography Instruction in 2021

Projection Apparatus, Accessories and Slides by

New Ways in Photography; Ideas for the Amateur by Deschin, Jacob

Transactions of the Society of Motion Picture Engineers (1921); 12 by

Handbook of Motion Picture Photography by

Richardson's Handbook of Projection (fifth Edition); 2 by

Photography With the Ciro-flex by Downes, Bruce

Anthony's Photographic Bulletin for ..; Vol 25 (1894) by Anonymous

The Photographic History of the Civil War: in Ten Volumes; 6 by Miller, Francis Trevelyan 1877-1959

The Photographic History of the Civil War: in Ten Volumes; 1 by Miller, Francis Trevelyan 1877-1959

Enlarging With Kodak Materials and Equipment by

Home Portraiture: for Amateur Photographers by Penlake, Richard

Bromide Paper: Instructions for Contact Printing and Enlarging by

The Art of Photography: Instructions in the Art of Producing Photographic Pictures by Schubert, Franz 1797-1828

The Photographic History of the Civil War: in Ten Volumes; 8 by Miller, Francis Trevelyan 1877-1959

Filmatheque Pathé-Baby; 16, 17 by

Photo-era; v.31 by Anonymous

Platinum Print: Journal of Personal Expression; Vol. 1 no. 7 Feb. 1915 by Anonymous

American Cinematographer (1924); 4 by

The Photographic History of the Civil War: in Ten Volumes; 5 by Miller, Francis Trevelyan 1877-1959

Portrait; v. 2 1910-1911 by

Photography With Emulsions: a Treatise on the Theory and Practical Working of the Collodion and Gelatine Emulsion Processes by

G.B.R.: [Great Barrier Reef]; v.3 by Yonge, Maurice

Bromide Enlarging and Contact Printing: How to Do It by

Longmore's Medical Photography by Longmore, Thomas A., Hansell, Peter, Ollerenshaw, Robert

Year-book of the Brooklyn Institute of Arts and Sciences by

Photography in Colours by

South Africa Through the Centuries by Elliott, Arthur 1870-1938

A Treatise on Photography: Containing the Latest Discoveries and Improvements Appertaining to the Daguerreotype by

Photo-era; v.49 by Anonymous

Photo-era Magazine; v.48 by Anonymous

Platinum Print: Journal of Personal Expression; vol. 1 no. 3 March 1914 by Anonymous

Photo-era; v.38 by Anonymous

Platinum Print: Journal of Personal Expression; vol. 2 no. 2 1915 by Anonymous

British Kinematography (1953); 21, 22 by

Americancinematographer13-1933-05 by

The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal R by Werge, John

Photoengraving in Black and Color; or, Photoengraving Primer. Concise Instructions for Apprentice Engravers or for Those Seeking Simple yet Practical by

Evening Work for Amateur Photographers by

The British Journal of Photography; v.21 (1874) by Anonymous

Elements of Color in Professional Motion Pictures by

Photography With Emulsions: a Treatise on the Theory and Practical Working of the Collodion and Gelatine Emulsion Processes by

The Photographic History of the Civil War: in Ten Volumes; 5 by Miller, Francis Trevelyan 1877-1959

Portrait; v. 8 1916-1917 by

Making Better Color Slides by

The Philadelphia Photographer; 1872 v.9 by Anonymous

The Photographic History of the Civil War: in Ten Volumes; 9 by Miller, Francis Trevelyan 1877-1959

Weegee's Creative Camera, by Weegee [pseud.] by

Filters and Pola-screens by

The Photographic History of the Civil War: in Ten Volumes; 10 by Miller, Francis Trevelyan 1877-1959

Photoengraving in Black and Color; or, Photoengraving Primer. Concise Instructions for Apprentice Engravers or for Those Seeking Simple yet Practical by

Production of Micro-forms by Hawkins, Reginald Robert 1902-

British Kinematography (1951); 18, 19 by

Plain Directions for Obtaining Photographic Pictures by the Calotype, Energiatype, and Other Processes on Paper, Including the Chrysotype, Cyanotype, by

Photo-era; v.46 by Anonymous

New Ways in Photography; Ideas for the Amateur by Deschin, Jacob

Portrait; v. 5 1913-1914 by

Photography With Emulsions: a Treatise on the Theory and Practical Working of Gelatine and Collodion Emulsion Processes by

Portrait; v. 7 1915-1916 by

The Photographic and Fine Art Journal; v. 10 1857 by Anonymous

Handbook of Motion Picture Photography by

The Stereoscope and Stereoscopic Photography by

The ABC of Modern (dry Plate) Photography by Anonymous

Ferric & Heliographic Processes: a Handbook for Photographers, Draughtsmen, and Sun Printers by

The Philadelphia Photographer; 1881 v.18 by Anonymous

Secrets of Taking Good Pictures by Knopf, Aaron A.

Cinematograph Films: Their National Value and Preservation by

The Philadelphia Photographer; 1879 v.16 by Anonymous

Production of Micro-forms by Hawkins, Reginald Robert 1902-

The Photographic History of the Civil War: in Ten Volumes; 4 by Miller, Francis Trevelyan 1877-1959

Agfa Cameras and Film for Amateur Use by

The Philadelphia Photographer; 1881 v.18 by Anonymous

Photo Handbook: Hundreds of Clever, Practical Ideas for Taking and Developing Better Pictures and Making Your Own Equipment by

Annual Salon of the Cleveland Camera Club; 1 by

The Photographic History of the Civil War: in Ten Volumes; 9 by Miller, Francis Trevelyan 1877-1959

The Photographic History of the Civil War: in Ten Volumes; 4 by Miller, Francis Trevelyan 1877-1959

British Kinematography (1951); 18, 19 by

The Photographic and Fine Art Journal; v. 10 1857 by Anonymous

The Photographic and Fine Art Journal; v. 7 1854 by Anonymous

Photo Handbook: Hundreds of Clever, Practical Ideas for Taking and Developing Better Pictures and Making Your Own Equipment by

The Amateur Photographer; v.17 (1893) by Anonymous

The Photographic History of the Civil War: in Ten Volumes; 2 by Miller, Francis Trevelyan 1877-1959

Motion Picture News (Oct 1915); 21 by

Photo-era; v.32 by Anonymous

The Philadelphia Photographer; 1871 v.8 by Anonymous

The Amateur Photographer; v.15 (1892) by Anonymous

Photo-era Magazine; v.50 by Anonymous

The Photographic Image: a Theoretical and Practical Treatise of the Development in the Gelatine, Collodion, Ferrotype and Silver Bromide Paper by

Platinum Print: Journal of Personal Expression; vol. 1 no. 6 Nov. 1914 by Anonymous

Ferric & Heliographic Processes: a Handbook for Photographers, Draughtsmen, and Sun Printers by

Correct Exposure in Photography by Morgan, Willard Detering 1900-1967

The Photographic Studio: a Guide as Its Construction, Design, and the Selection of a Locality by Bolas, Thomas

The Philadelphia Photographer; 1871 v.8 by Anonymous

Yosemite Valley Through the Stereoscope by Turner, Charles Quincy

A Complete Treatise on the Art of Retouching Photographic Negatives: and Clear Directions How to Finish & Colour Photographs by Johnson, Robert

J.F. Shew & Co.: Inventors, Manufacturers and Patentees of Specialities in Photographic Apparatus and Dealers in Every Description of P by

The Science and Practice of Photography [microform]: an Elementary Textbook on the Scientific Theory and a Laboratory Manual by

Photographic Pastimes: a Series of Interesting Experiments for Amateurs for Obtaining Novel and Curious Effects With the Aid of the Camera by Schnauss, Hermann

U.S. Camera '62 by Maloney, Tom 1904-

Circular of the Bureau of Standards No. 437: Optical and Mechanical Characteristics of 16-millimeter Motion-picture Projectors; NBS Circular 437 by Stephens, Robert E.

Motion Picture Exhibitor (Dec 1962-Mar 1963); 69 by

Richardson's Handbook of Projection (fifth Edition); 3 by

Pictorial Continuity: How to Shoot a Movie Story by Gaskill, Arthur L.

Lighting in Photography by Simmons, Robert 1931-

Transactions of the Society of Motion Picture Engineers (1922); 14 by

Anthony's Photographic Bulletin for ..; Vol 30 (1899) by Anonymous

Modern Portraiture by Jordan, Stanley R.

Motion Picture Almanac 1932 by

Americancinematographer18-1937-04 by

The Skylight and the Dark-room: a Complete Text-book on Portrait Photography: Containing the Outlines of Hydrostatics, Pneumatics, Acoustics, Heat, Op by Anderson, Elbert

The Artistic Side of Photography in Theory and Practice by

The Story of a Face by Bailey, Hillary G.

Photographic Optics and Colour Photography [electronic Resource]: Including the Camera, Kinematograph, Optical Lantern, and the Theory and Practice of by

Americancinematographer10-1930-02 by

Transactions of the Society of Motion Picture Engineers (1924); 18,19,20 by

Correct Exposure in Photography by Morgan, Willard Detering 1900-1967

Pictorial Continuity: How to Shoot a Movie Story by Gaskill, Arthur L.

Home Portraiture Made Easy by

Filmatheque Pathé-Baby; 16, 17 by

The Stereoscope and Stereoscopic Photography by

Platinotype Printing: a Simple Book on the Process by

Pictorial Lighting by Mortensen, William

Lighting in Photography by Simmons, Robert 1931-

Transactions of the Society of Motion Picture Engineers (1921); 12 by

Making Better Color Slides by

Longmore's Medical Photography by Hansell, Peter, Ollerenshaw, Robert, Longmore, Thomas A.

The Ferrotype, and How to Make It by

Studio Lighting for Product Photography by

Polaroid Land Photography Manual; a Technical Handbook by Adams, Ansel 1902-1984

How to Shoot a Movie Story; Technique of Pictorial Continuity by

The Negative: Exposure and Development by Adams, Ansel 1902-1984

How to Shoot a Movie Story; Technique of Pictorial Continuity by

Modern Printing Processes: Gum Bichromate and Platinotype Papers by

Motion Picture News (Oct 1915); 21 by

Weegee's Creative Camera, by Weegee [pseud.] by

The Negative: Exposure and Development by Adams, Ansel 1902-1984

Platinum Toning: Including Directions for the Production of the Sensitive Paper by Clark, Lyonel

Pocket Kodak Portraiture by

How to Take Better Photographs by

Photo-trichromatic Printing, in Theory and Practice by

The British Journal of Photography; v.16 (1869) by Anonymous

G.B.R.: [Great Barrier Reef] [picture]; v.1 by

Amateur Enlarging by

The Practical Photographer; an Illustrated Monthly of Technical Photography; no.9 by Anonymous

Platinum Print: Journal of Personal Expression; Vol. 2 No. 1 1915 by Anonymous

Americancinematographer11-1930-07 by

Photo-era; v.27 by Anonymous

Ozotype: the New Carbon Printing Process Without Transfer, Actinometer or Safe Edge by Manly, Thomas

The Art of Photography: Instructions in the Art of Producing Photographic Pictures by Schubert, Franz 1797-1828

The British Journal of Photography; v.17 (1870) by Anonymous

Portrait; v. 7 1915-1916 by

The Photographic Primer: a Manual of Practice by

Photo-era; v.47 by Anonymous

The Philadelphia Photographer; 1879 v.16 by Anonymous

Professional Printing With Kodak Photographic Papers by

New Screen Techniques by

The Photographic History of the Civil War: in Ten Volumes; 1 by Miller, Francis Trevelyan 1877-1959

British Kinematography (1952); 19, 20 by

Photo-era; v.50 by Anonymous

The Photographic History of the Civil War: in Ten Volumes; 6 by Miller, Francis Trevelyan 1877-1959

Americancinematographer13-1933-10 by

Good Vacation Snapshots, How to Get Them by Young, George Allen

Photo-era; v.22 by Anonymous

The Ansco Guide to Picture Fun Made Easy by

Photo-graphic Art; vol. 3 no. 1 June 1916 by

Americancinematographer11-1930-10 by

Bausch & Lomb Optical Co., Manufacturers of Photographic Lenses, Shutters, Prisms, Etc.: Branch Office and Warerooms, 130 Fulton Street, New York City by

British Kinematography (1953); 21, 22 by

Portrait; v. 10 1918-1919 by

Transactions of the Society of Motion Picture Engineers (1923); 16,17 by

Americancinematographer16-1935-08 by

Popular Photographic Printing Processes: a Practical Guide to Printing With Gelatino-chloride, Artigue, Platinotype, Carbon, Bromide, Collodio-chlorid by

The Photographic Negative: Written as a Practical Guide to the Preparation of Sensitive Surfaces by the Calotype, Albumen, Collodion, and Gelatin by

American Cinematographer (1926); 6 by

Portrait; v. 6 1914-1915 by

Available Light and Your Camera by

G.B.R.: [Great Barrier Reef]; v.4 by Yonge, Maurice

The Modern Practice of Retouching Negatives, as Practiced by French, German, English & American Experts by Piquepe, Paul

New Retina Eye-level Reflex Guide, Applicable to Retina Rangefinder, Kodak 35, Pony, and Signet Cameras by Tydings, Kenneth S.

Anthony's Photographic Bulletin for ..; Vol 25 (1894) by Anonymous

Treasure Spots of the World: a Selection of the Chief Beauties and Wonders of Nature and Art by Naish, Francis Clement

American Cinematographer. (Vol. 31, 1950); 31 by Anonymous

Infrared and Uultraviolet Pphotography by

Photo-era; v.42 by Anonymous

The Photographic History of the Civil War: in Ten Volumes; 8 by Miller, Francis Trevelyan 1877-1959

Motion Picture Photography for the Amateur by

Natural-light Photography by Adams, Ansel 1902-1984

Art Principles in Portrait Photography: Composition, Treatment of Backgrounds, and the Processes Involved in Manipulating the Plate by Beck, Otto Walter

Pictorial Lighting by Mortensen, William

Flash! Seeing the Unseen by Ultra High-speed Photography by Edgerton, Harold Eugene 1903-1990

Polaroid Land Photography Manual; a Technical Handbook by Adams, Ansel 1902-1984

Camera Learner: Get To Know Camera Basics: How To Use Camera by Wesemann, Vinnie

David Busch's Canon EOS R5/R6 Guide to Digital Photography by Busch, David D.

¿Post-analógico?: Entre mitos, pixeles y emulsiones by Sel, Susana, Armand, Sergio, Pérez Fernández, Silvia

Finding Wildlife On Safari by McDaniel, Joe &. Jan

Cyanotype Toning: Using Botanicals to Tone Blueprints Naturally by Golaz, Annette

Why Muslim Women and Smartphones: Mirror Images by Waltorp, Karen

Digital Macro & Close-Up Photography: New Edition by Hoddinott, Ross

The Photoshop Layers and Selections Workshop by Dewis, Glyn

The Photographer's Guide to Luminar AI by Carlson, Jeff

La Guía "The Friedman Archives" Para La Sony A1: "Consejo profesional para el fotógrafo experimentado" by Friedman, Gary L.