Opera in 2021

An Exploration of Compositional Technique in the Operas of Kaija Saariaho and Christian Jost by Kern, Friedrich Heinrich

The Empire at the Opéra: Theatre, Power and Music in Second Empire Paris by Everist, Mark

Chinese and Japanese Music-Dramas by

Curating Opera: Reinventing the Past Through Museums of Opera and Art by Mould, Stephen

Music in the London Theatre from Purcell to Handel by

Bizet's Carmen Uncovered by Langham Smith, Richard

La Boheme by Giacosa, Giuseppe, Illica, Luigi

Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception by Havelková, Tereza

The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome by

The Pre-history of 'The Midsummer Marriage': Narratives and Speculations by Savage, Roger

Performing Homer: The Voyage of Ulysses from Epic to Opera by

Puccini's La fanciulla del West and American Musical Identity by Fenton, Kathryn

Von Musen und Musik: Zu Oper, Libretto und Singspiel by Koch, Hans-Albrecht

Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Parr, Sean M.

The Voice of Judith in 300 Years of Oratorio and Opera by Leneman, Helen

Kurt Weill's America by Graber, Naomi

Don Giovanni's Reasons: Thoughts on a masterpiece by Baker, Felicity, Tessing Schneider, Magnus

Musical Analyses and Musical Exegesis: The Shepherd's Melody in Richard Wagner's Tristan and Isolde by Nattiez, Jean-Jacques

Knowing Britten by Bedford, Steuart

The Operetta Empire: Music Theater in Early Twentieth-Century Vienna by Baranello, Micaela

The Magic of Their Singing by Werner, Donald H.

The Consolations of History: Themes of Progress and Potential in Richard Wagner's Gotterdammerung by Shapiro, Alexander

Régine Crespin: La vie et le chant d'une femme by Pesqué, Jérôme

Il Baritono Verdiano: Un contributo alla sua definizione: caratteristiche, gradazione ed impiego drammaturgico-musicale nelle opere di Giuse by D'Urso, Graziano

Le Chant Intime: The Interpretation of French Mélodie by Raynaldy, Romain, Le Roux, François

The Musical World of Marie-Antoinette: Opera and Ballet in 18th Century Paris and Versailles by James, Barrington

Nineteenth-Century Opera and the Scientific Imagination by

The Cambridge Haydn Encyclopedia by

Il Figlio dell'Eterno by D'Agostino, Giovanni

Einstein on the Beach: Opera beyond Drama by

Heroic Soul: Learn About Mr. Lanza's History: Mario Lanza Devotee by Ludvigson, Deeann

Mario Lanza: The Voice Of The Century: Discover History Of Mario Lanza by Lemin, Wendy

Indeed The Tenor: Know Facts About Mario Lanza: Explore Historic Musical Phenomenon by Mielcarek, Emanuel

From Silence: Finding Calm in a Dissonant World by Welser-Moest, Franz

Classically Romantic: Classical Form and Meaning in Wagner's Ring by Buller, Jeffrey L.

The Cambridge Stravinsky Encyclopedia by

Die Frist ist um: Navigate the Language of 10 German Operas by Hendricks, Bernd

Opera Voodoo: Casting for Regional Operatic Productions by Rusthoi, Keri

The Definitive Diva: The Life and Career of Maria Callas by Digaetani, John Louis

Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet and a Film by MacDonald, Hugh

Opera in Postwar Venice: Cultural Politics and the Avant-Garde by Boyd-Bennett, Harriet

Orpheus in the Academy: Monteverdi's First Opera and the Accademia Degli Invaghiti by Schwindt, Joel

Joan Sutherland by Braddon, Russell

Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev by

Disturbing the Universe: Wagner's Musikdrama by Vernon, David

Digital Scenography in Opera in the Twenty-First Century by Vincent, Caitlin

Barrie Kosky on the Contemporary Australian Stage: Affect, Post-Tragedy, Emergency by Farrell, Charlotte

Opera in Performance: Analyzing the Performative Dimension of Opera Productions by Risi, Clemens

Wagnerism: Art and Politics in the Shadow of Music by Ross, Alex

The Operas of Rameau: Genesis, Staging, Reception by

Gioachino Rossini's the Barber of Seville by Poriss, Hilary

Avidly Reads Opera by Kinney, Alison

Nineteenth-Century Music: The Western Classical Tradition by Finson, Jon W.

Understanding the Women of Mozart's Operas by Brown-Montesano, Kristi

The Divine Claudia: The Life and Career of Claudia Muzio by Marek, Dan H.

A Bit More Like Work, or Life After D'Oyly Carte by MacKie, David

Francesco Algarotti: AN ESSAY ON THE OPERA (Saggio sopra l'opera in musica) The editions of 1755 and 1763 by

The Original Portrayal of Mozart's Don Giovanni by Schneider, Magnus Tessing

Maria Callas's Lyric and Coloratura Arias by Dellenbaugh, Ginger

Verdis "Nabucco" und das Alte Testament by Augustin, Matthias

D'Oyly Carte: The Decline and Fall of an Opera Company by Seeley, Paul

Staging 'Euridice' by Carter, Tim, Fantappiè, Francesca

Ernani: A tragic opera in four acts by Verdi, Giuseppe

Performing Arts in Changing Societies: Opera, Dance, and Theatre in European and Nordic Countries around 1800 by

The Operatic Archive: American Opera as History by Renihan, Colleen

Staging Voice by Grover-Friedlander, Michal

Popular Opera in Eighteenth-Century France by Charlton, David

Un Giorno Di Regno: Melodramma Giocoso in Two Acts by Felice Romani Volume 2 by Verdi, Giuseppe

The Power of Why 29 Musicians Climbed to Superstar by St Germain, Glory

Disinformation in Mass Media: Gluck, Piccinni and the Journal de Paris by Jerold, Beverly