• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Opera in 2020

Alceste Ou Le Triomphe d'Alcide, Tragedie. Academie Royale de Musique, 1724: Remise Au Théâtre, 22 Janvier 1739 by Quinault, Philippe
Cadmus Et Hermione, Tragédie. Remise Au Théâtre En 1703 Et Le 22 Aoust 1737 by Quinault, Philippe
Aida bis Zauberflöte (Großdruck): 55 populäre Opern auf den Punkt gebracht - Ein Opernführer für Anfänger und Liebhaber by Knapp-Klatsch, Dorle
Kein Opernhaus in Oberhausen: Wissenswertes und Gesangloses zu 99 deutschen Opernspielstätten by Deiss, Richard
Manon Lescaut: A Lyric Drama In Four Acts by Puccini, Giacomo
Aida: An Opera in Four Acts by Ghislanzoni, Antonio, Verdi, Giuseppe
La voix d'airain by Chatillon, Christine
Singing in Signs: New Semiotic Explorations of Opera by
Pirates of the High Cs: Opera Bootlegging in the 20th Century by Limansky, Nicholas E.
The Oxford Handbook of Music and Medievalism by
Mozart in Vienna: The Final Decade by Keefe, Simon P.
Georges Bizet's Carmen by Furman, Nelly
The Operas of Sergei Prokofiev by Guillaumier, Christina
Von Operfranken bis Operösterreich: Wissenswertes und Gesangloses zu 44 Opernspielstätten in Süddeutschland und den Alpenländern by Deiss, Richard
The Other Worlds of Hector Berlioz: Travels with the Orchestra by Van Rij, Inge
Jacques Offenbach and the Making of Modern Culture by Senelick, Laurence
The Cambridge Verdi Encyclopedia by
Bel Canto in Theory and Practice by Wettig, Karin
PARSIFAL by R. Wagner: for Brass Quintet by Macrì, Alessandro
The Operatic Archive: American Opera as History by Renihan, Colleen
Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater by Ray, Marcie
Performing Arts in Changing Societies: Opera, Dance, and Theatre in European and Nordic Countries around 1800 by
FANTASIA on airs from CAVALLERIA RUSTICANA: for Brass Quintet by Macrì, Alessandro
The Opera Stage of Sarah Caldwell: A Directing Philosophy in Practice by Bendikas, Kristina
English Opera from 1834 to 1864 with Particular Reference to the Works of Michael Balfe by Biddlecombe, George
The Last Troubadours: Poetic Drama in Italian Opera, 1597-1887 by O'Grady, Deirdre
Building a Career in Opera from School to Stage: Operapreneurship: CMS Emerging Fields in Music by Harrington, James
The Politics of Princely Entertainment: Music and Spectacle in the Lives of Lorenzo Onofrio and Maria Mancini Colonna by de Lucca, Valeria
The Music of Leos Janácek: Motive, Rhythm, Structure by Skoumal, Zdeněk
The Rival Sirens: Performance and Identity on Handel's Operatic Stage by Aspden, Suzanne
Grétry's Operas and the French Public: From the Old Regime to the Restoration by Arnold, R. J.
Dissonance in the Republic of Letters: The Querelle Des Gluckistes Et Des Piccinnistes by Darlow, Mark
The Business of Opera by
Playing by Ear: Reflections on Sound and Music by Brook, Peter
Carmen Abroad: Bizet's Opera on the Global Stage by
Society, Culture and Opera in Florence, 1814-1830: Dilettantes in an "Earthly Paradise" by Garlington, Aubrey S.
La plume et la colombe by Chatillon, Christine
Alceste Ou Le Triomphe d'Alcide, Tragédie by Quinault, Philippe
The New Book of Opera Anecdotes by Mordden, Ethan
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera by Cruz, Gabriela
Salomé: A Tragedy in One Act by Wilde, Oscar
Wagnerism: Art and Politics in the Shadow of Music by Ross, Alex
The Cambridge Companion to Wagner's Der Ring Des Nibelungen by
The Cambridge Companion to Wagner's Der Ring Des Nibelungen by
The Politics of Verdi's Cantica by Marvin, Roberta Montemorra
Cathy Berberian: Pioneer of Contemporary Vocality by Placanica, Francesca, Verstraete, Pieter, Karantonis, Pamela
Storytelling in Opera and Musical Theater by Penner, Nina
Beethoven and the Lyric Impulse: Essays on Beethoven Song by Glauert, Amanda
The Oxford Handbook of the Operatic Canon by
Storytelling in Opera and Musical Theater by Penner, Nina
Forests, Flowers, and Fairytales: The Operas and Ballets of Claude Debussy, Paul Dukas, and Maurice Ravel by Trygar, Stephen J.
Deviant Opera: Sex, Power, and Perversion on Stage by Englund, Axel
Middlebrow Modernism by Chowrimootoo, Christopher
Middlebrow Modernism by Chowrimootoo, Christopher
Verdi in Victorian London by Zicari, Massimo
Verdi in Victorian London by Zicari, Massimo
Thomas Adès in Five Essays by Massey, Drew
Contextualizing Melodrama in the Czech Lands: In Concert and on Stage by Mabary, Judith A.
My Travels with Wagner: Music As Balsam for the Soul by McQuaid, Chris
Touring the Antebellum South with an English Opera Company: Anton Reiff's Riverboat Travel Journal by
My Travels with Wagner: Music As Balsam for the Soul by McQuaid, Chris
Disinformation in Mass Media: Gluck, Piccinni and the Journal de Paris by Jerold, Beverly
Ideology in Britten's Operas by Harper-Scott, J. P. E.
Theatre and Internationalization: Perspectives from Australia, Germany, and Beyond by Severn, John R., Garde, Ulrike
Die Türkenoper. Geschichte und Faszination by Fischer, Moritz
Opera in the Flesh: Sexuality in Operatic Performance by Abel, Sam
Learning as a Generative Activity: Eight Learning Strategies That Promote Understanding by Mayer, Richard E., Fiorella, Logan
Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film by Leppert, Richard
African Theatre 19: Opera & Music Theatre by
Ernani: A tragic opera in four acts by Verdi, Giuseppe
Medievalism and Nationalism in German Opera: Euryanthe to Lohengrin by Richardson, Michael S.
Puccini's La Bohème by Wilson, Alexandra
The Politics of Opera: A History from Monteverdi to Mozart by Cohen, Mitchell
Beyond the Aria: Artistic Self-Empowerment for the Classical Singer: Why You Want It, Why You've Been Denied It, and How to Achieve It by Goren, Neal
English Dramatick Opera, 1661-1706 by Walkling, Andrew R.
New Music Theatre in Europe: Transformations between 1955-1975 by
Wagner's Ring and the Germanic Tradition by Cleary, Collin
Wagner's Ring and the Germanic Tradition by Cleary, Collin
Opera, Emotion, and the Antipodes Volume II: Applied Perspectives: Compositions and Performances by