• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Music Reference in 1990

And Do You Also Play the Violin? by Flesch, Carl F.
The Sound of Light: A History of Gospel Music by Cusic, Don
Music Alone by Kivy, Peter
Austria as Theater and Ideology: The Meaning of the Salzburg Festival by Steinberg, Michael P.
Beethoven's Critics: Aesthetic Dilemmas and Resolutions During the Composer's Lifetime by Wallace, Robin
Remaking the Past by Straus, Joseph N.
The Language of Music by Cooke, Deryck
The Life of Music in North India: The Organization of an Artistic Tradition by Neuman, Daniel M.
The Renaissance: From the 1470s to the End of the 16th Century by
The Cambridge Music Guide by Latham, Alison, Sadie, Stanley
Blues Fell This Morning: Meaning in the Blues by Oliver, Paul
Elementa Rhythmica: The Fragment of Book II and the Additional Evidence for Aristoxenean Rhythmic Theory by Aristoxenus
Doulce Memoire by Houle, George
The History of Violin Playing from Its Origins to 1761 by Boyden, David D.
The Piano by Ehrlich, Cyril
Music from the Tang Court: Volume 5 by
The Well-Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissanceessays in Honour of F.W. Sternfeld by
On Record: Rock, Pop and the Written Word by Goodwin, Andrew, Frith, Simon
The Imperfect Art: Reflections on Jazz and Modern Culture by Gioia, Ted
The Recorder Today by O'Kelly, Eve E.
Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries by Stowell, Robin
The Music of Britten and Tippett: Studies in Themes and Techniques by Whittall, Arnold
The Glenn Gould Reader by Page, Tim
Elgar Studies by
Roger North's the Musicall Grammarian 1728 by North, Roger
Music and the Historical Imagination by Treitler, Leo
Arnold Schoenberg: The Composer as Jew by Ringer, Alexander L.
Mozart-Da Ponte Operas: The Cultural and Musical Background to Le Nozze Di Figaro, Don Giovanni, and Cosi Fan Tutte by Steptoe, Andrew
Music and Discourse: Toward a Semiology of Music by Nattiez, Jean-Jacques
Authenticity in Performance: Eighteenth-Century Case Studies by Huray, Peter Le
The Music of Benedetto and Alessandro Marcello: A Thematic Catalogue with Commentary on the Composers, Repertory, and Sources by Selfridge-Field, Eleanor