Film Studies in 2012
Traumbilder - Die surrealistische Umsetzung von Träumen in Bilder am Beispiel von Luis Buñuels "Belle de jour" und "Der diskrete Charme der Bourgeoisi
by
Nobach, Marius
Horror and the Horror Film
by
Kawin, Bruce F.
Jerome Moross's The Big Country: A Film Score Guide
by
Whitmer, Mariana
I See You: The Shifting Paradigms of James Cameron's Avatar
by
Grabiner, Ellen
Horror and the Horror Film
by
Kawin, Bruce F.
Cinema as Pulpit: Sherwood Pictures and the Church Film Movement
by
Parker, J. Ryan
Forgotten Horrors: The Original Volume -- Except More So
by
Turner, George E., Price, Michael H.
Deleuze and Film: A Feminist Introduction
by
Rizzo, Teresa
The Cinema of Iciar Bollaín
by
Santaolalla, Isabel
Contemporary German cinema
by
Cooke, Paul
Watching the World: Screen Documentary and Audiences
by
Austin, Thomas
Alejandro Amenábar
by
Jordan, Barry
Beckett on Screen: The Television Plays
by
Bignell, Jonathan
Cinema of Choice: Optional Thinking and Narrative Movies
by
Shaul, Nitzan Ben
Lost Objects of Desire: The Performances of Jeremy Irons
by
Nicholls, Mark
Navajo Talking Picture: Cinema on Native Ground
by
Lewis, Randolph
Der Parteitagsfilm "Triumph Des Willens" Von Leni Riefenstahl: Rituale Der Mobilmachung
by
Loiperdinger, Martin
Negotiating the Auteur: Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux
by
Dobson, Julia
Spirited Away: Hayao Miyazaki: Pocket Movie Guide
by
Robinson, Jeremy Mark
Zum Leben erweckt: Vom Comic zum Trickfilm
by
Lipp, Bianca
Speaking of Monsters: A Teratological Anthology
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Picart, Caroline Joan S., Browning, John Edgar
Digitales Kino im Kontext der Neuen Medien
by
Purath, Anna
Peeping Tom (Michael Powell, 1959)
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Purath, Anna
Out Spoken: A Vito Russo Reader - Reel One
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Russo, Vito
Out Spoken: A Vito Russo Reader - Reel Two
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Russo, Vito
Narratives of Gendered Dissent in South Asian Cinemas
by
Kurian, Alka
Blood 'n' Thunder's Cliffhanger Classics
by
Neyer, Daniel J., Taves, Brian, Layton, Rex W.
Silent Films of Harry Langdon (1923-1928)
by
Neibaur, James L.
Green Street Hooligans: Stand Your Ground - And Your City!
by
Weigel, Marcel
Die Fernsehreportage im Wandel der Zeit
by
Urbschat, Jens
Indie Horrors The Unmissable, the Acceptible and the Forgettable
by
Atkinson, Barry
The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture
by
Pisters, Patricia
The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture
by
Pisters, Patricia
Feminist Film Studies
by
Hollinger, Karen
Feminist Film Studies
by
Hollinger, Karen
Hollywood Enigma: Dana Andrews
by
Rollyson, Carl
Hunting the Dark Knight: Twenty-First Century Batman
by
Brooker, Will
Pittsburgh Film History: On Set in the Steel City
by
Tiech, John
Collaborations with the Past: Reshaping Shakespeare Across Time and Media
by
Henderson, Diana E.
A Theory of Adaptation
by
Hutcheon, Linda
Morality and the Movies
by
Shaw, Dan
Faszination der inszenierten Realität.: Motive für Rezeptionen deutscher Scripted-Doku-Soaps.
by
Wunder, Oliver Eric
Grusel, Terror, Videospiel: Der Zombie im Film und sein Weg in die amerikanische Populärkultur
by
Hurka, Christoph
A Theory of Adaptation
by
Hutcheon, Linda
Untote in Pittsburgh. George A. Romeros "Night of the living Dead" als Schwellenfilm des amerikanischen Horrorkinos
by
Hurka, Christoph
Electric Dreamland: Amusement Parks, Movies, and American Modernity
by
Rabinovitz, Lauren
The Great Black Spider on Its Knock-Kneed Tripod: Reflections of Cinema in Early Twentieth-Century Italy
by
Syrimis, Michael
Electric Dreamland: Amusement Parks, Movies, and American Modernity
by
Rabinovitz, Lauren
Es kommt immer anders als gefühlt: Serialität und die finale Umkehrung in GREY'S ANATOMY
by
Gronmaier, Danny
Representing History, Class, and Gender in Spain and Latin America: Children and Adolescents in Film
by
Seminet, Georgia, Rocha, Carolina
Representing History, Class, and Gender in Spain and Latin America: Children and Adolescents in Film
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Seminet, Georgia, Rocha, Carolina
Tender Comrades: A Backstory of the Hollywood Blacklist
by
Buhle, Paul, McGilligan, Patrick
Ein Regime der Brüder: Das postödipale Triebwesen und die Gang im Hollywood-Kino der 80er und 90er Jahre
by
Gronmaier, Danny
Post-Soul Black Cinema: Discontinuities, Innovations and Breakpoints, 1970-1995
by
Grant, William R.
The Origins of Leftwing Cinema in China, 1932-37
by
Shen, Vivian
Seltsame Tage als Leihkörper: Christiane Voss' Modell von Leiblichkeit im Kino und Bigelows STRANGE DAYS
by
Gronmaier, Danny
Das Gesellschaftsbild der 1960er-Jahre bei George A. Romero, aufgegriffen im 1968 erschienenen Film "Night of the Living Dead"
by
Leser, Martina
Masochismus und "The Fight Club"
by
Purath, Anna
Welche Gründe sieht Walter Benjamin für die Veränderung des menschlichen Rezeptionsverhaltens bei der Betrachtung eines Films, im Gegensatz zu frühere
by
Robbin, Marcus
Theory Of Film: The Redemption Of Physical Reality
by
Kracauer, Siegfried
Australian Horror Films, 1973-2010
by
Shelley, Peter
Die filmische Darstellung von Kindern und Erwachsenen als Unterhaltung generierende Objekte am Beispiel der Doku-Soap "Die Super Nanny"
by
Garthaus, Sandra
American Culture Transformed: Dialing 9/11
by
Tucker, B., Walton, P.
American Culture Transformed: Dialing 9/11
by
Tucker, B., Walton, P.
Stan Without Ollie: The Stan Laurel Solo Films, 1917-1927
by
Okuda, Ted, Neibaur, James L.
No Traveler Returns: The Lost Years of Bela Lugosi
by
Kaffenberger, Bill, Rhodes, Gary D.
Psychoanalytiker im Spielfilm
by
Herb, Silvia
Andrei Tarkovsky: Pocket Guide
by
Robinson, Jeremy Mark
Andrei Tarkovsky: Pocket Guide
by
Robinson, Jeremy Mark
First Cut 2: More Conversations with Film Editors
by
Oldham, Gabriella
Soviet Animation and the Thaw of the 1960s: Not Only for Children
by
Pontieri, Laura
The Lord of the Rings: The Fellowship of the Ring: Pocket Movie Guide
by
Robinson, Jeremy Mark
Lindsay Anderson: Cinema authorship
by
Hannan, Kathryn, Izod, John, Magee, Karl
Theorizing Ambivalence in Ang Lee's Transnational Cinema
by
Chiang, Chih-Yun
The Basque Nation On-Screen: Cinema, Nationalism, and Political Violence
by
Pablo, Santiago De
The Basque Nation On-Screen: Cinema, Nationalism, and Political Violence
by
Pablo, Santiago De
Filmmusik unter ökonomischen Aspekten
by
Schütte, Rika
Analyse der Mousetrap-Szene in den Hamlet-Verfilmungen Kenneth Branaghs, Laurence Oliviers und Michael Almereydas
by
Schaaf, Angela
Der Rhythmus der Filme -Once Upon a Time in America- und -Cotton Club- in Bezug auf das Verhältnis von Ton und Montage
by
Robbin, Marcus
Digitales Kino - Alchemie des Computers
by
Purath, Anna
What If I Had Been the Hero?: Investigating Women's Cinema
by
Thornham, Sue
Shock Theatre Chicago Style: Wbkb-Tv's Late Night Horror Showcase, 1957-1959
by
Glut, Donald F.
The Jaws Log
by
Gottlieb, Carl
Walt's People - Volume 12: Talking Disney with the Artists who Knew Him
by
Edited by Didier Ghez
John Walker's Passage
by
Varga, Darrell
Die Herstellung Filmischer Paranoia im Hollywood-Thriller am Filmbeispiel "Der Manchurian Kandidat"
by
Garthaus, Sandra
Gilles Deleuze: Cinema and Philosophy
by
Marrati, Paola
Library Goes Hollywood oder Wie kommt die Berliner Staatsbibliothek nach Köln?: Ein Überblick über Bibliotheken im Film
by
Tornow, Ingo
Freudian Fadeout: The Failings of Psychoanalysis in Film Criticism
by
Ouweneel, Arij
Studying Fight Club
by
Ramey, Mark
Das Main Title Design von Kinoproduktionen
by
Möllers, Nadine
Mystery Movie Series of 1930s Hollywood
by
Backer, Ron
John Carter and the Gods of Hollywood: How the sci-fi classic flopped at the box office but continues to inspire fans and filmmakers
by
Sellers, Michael D.
France, Film, and the Holocaust: From Génocide to Shoah
by
Banaji, F.
Der Mythos Robin Hood im amerikanischen Film des 20. Jahrhunderts
by
Christen, David
Relationscapes: Movement, Art, Philosophy
by
Manning, Erin
Hitchcock: The Murderous Gaze
by
Rothman, William
Musikfernsehen im 21. Jahrhundert
by
Rychetsky, Julia
Blutiger Schnee und Fellmützen - Über mise-en-scène, Charakterdarstellung und Handlung in 'Fargo'
by
Kieke, Simon
Military Comedy Films: A Critical Survey and Filmography of Hollywood Releases Since 1918
by
Erickson, Hal
Making Places While Building Networks: An exploration of the role of the urban environment in book publishing
by
Heebels, Barbara
How To Present The Gilbert And Sullivan Operas
by
Bassuk, Albert Oliver
Framing Pictures: Film and the Visual Arts
by
Jacobs, Steven
"Gorillas im Nebel" - Eine Untersuchung hinsichtlich des Mediums Film in der Wissenschaft und der Rolle der Frau in der Primatologie
by
Ehlers, Christin
North Korean Cinema: A History
by
Schönherr, Johannes
The Cinema of Germany
by
Garncarz, Joseph, Ligensa, Annemone
The Cinema of Germany
by
Garncarz, Joseph, Ligensa, Annemone
Making Tootsie
by
Dworkin, Susan
Transnational Television Drama: Special Relations and Mutual Influence Between the US and UK
by
Weissmann, Elke
Emilio Fernández: Pictures in the Margins
by
Tierney, Dolores
The Cinema of Álex de la Iglesia
by
Buse, Peter, Willis, Andy, Triana-Toribio, Nuria
Julio Medem
by
Stone, Robert
The new pornographies: Explicit sex in recent French fiction and film
by
Best, Victoria, Crowley, Martin
How to Draw Animated Cartoons
by
Epstein, Alvin
Ethan and Joel Coen
by
Ian Nathan
Popeye's How To Draw Cartoons
by
Musial, Joseph W.
The Fictional Christopher Nolan
by
McGowan, Todd
J.R.R. Tolkien: Pocket Guide
by
Robinson, Jeremy
Gone with the Wind on Film: A Complete Reference Work
by
Molt, Cynthia Marylee
Citizen Kane
by
Mulvey, Laura
Racial Stigma on the Hollywood Screen from World War II to the Present: The Orientalist Buddy Film
by
Locke, Brian
Jesus at the Movies (Revised)
by
Tatum, W. Barnes
Jesus at the Movies
by
Tatum, W. Barnes
Kyoto Animation: A Critical Study and Filmography
by
Cavallaro, Dani
A Hundred Years of Japanese Film: A Concise History, with a Selective Guide to DVDs and Videos
by
Richie, Donald
The New Neapolitan Cinema
by
Marlow-Mann, Alex
Hollywood Surf and Beach Movies: The First Wave, 1959-1969
by
Lisanti, Thomas
The Beauty Is Relentless: The Short Movies of Emily Vey Duke and Cooper Battersby
by
Vey Duke, Emily, Battersby, Cooper
Pulp Fiction - Komödie oder Gewaltverherrlichung?
by
Müller, Sarah
Umsetzung der Erzählstrategien und narrativen Muster des Romans "Knallhart" von Gregor Tessnow in der Verfilmung von Detlev Buck
by
Streitfelder, Alexandra
Motiv der Traumerzählung bei David Lynch
by
Müller, Sarah
Historical Dictionary of Crime Films
by
Mayer, Geoff
Mourning Films: A Critical Study of Loss and Grieving in Cinema
by
Armstrong, Richard
Video Journalism for the Web: A Practical Introduction to Documentary Storytelling
by
Lancaster, Kurt
Geraldine Farrar: Opera's Charismatic Innovator, 2D Ed.
by
Nash, Elizabeth
Shocked But Connected: Notes on Laughter
by
Roemer, Michael
Cinema of John Boorman
by
Hoyle, Brian
Toi Tarzan, Moi Fan
by
Aziza, Claude
Darstellung der Geschlechter von Krimiermittlern/Innen in TV-Krimiserien
by
Streitfelder, Alexandra
Video Journalism for the Web: A Practical Introduction to Documentary Storytelling
by
Lancaster, Kurt
Hollywood's Italians: From Periphery to Prominenti
by
Lagumina, Salvatore J.
The New American Crime Film
by
Sorrento, Matthew
Cinema's Sinister Psychiatrists: From Caligari to Hannibal
by
Packer, Sharon
British Crime Film: Subverting the Social Order
by
Forshaw, Barry
Figurenanalyse am Beispiel der Mina in Bram Stoker's "Dracula"
by
Harings, Andrea
Die Digitalisierung des Stereoskopen Kinofilms: Eine Analyse der Einflüsse dreidimensionaler Filme auf das Erlebnis "Kino" mit besonderem Augenmerk au
by
Niedermeyer, Birte
Historical Dictionary of Scandinavian Cinema
by
Thorsen, Isak, Andersson, Lars Gustaf, Sundholm, John
Königinnen des Films in Italien: Gina Lollobrigida - Sophia Loren - Anna Magnani - Giulietta Masina
by
Probst, Ernst
The Forrest J Ackerman Oeuvre: A Comprehensive Catalog of the Fiction, Nonfiction, Poetry, Screenplays, Film Appearances, Speeches and Other Works, wi
by
O'Brien, Christopher M.
British Crime Film: Subverting the Social Order
by
Forshaw, Barry
Filmspeak: How to Understand Literary Theory by Watching Movies
by
Tomarken, Edward
Die Auferstehung des dunklen Lords: Mediale Gewaltdarstellung in "Harry Potter und der Feuerkelch"
by
Harings, Andrea
Unzuverlässige Erzählformen im US-amerikanischen Kino der Jahrtausendwende: Filmanalysen von "Fight Club", "The Usual Suspects" und "Memento"
by
Mühlhausen, Nicole
L'Oeil Et l'Objectif: La Psychologie de la Perception a l'Epreuve Du Style Cinematographique
by
Zernik, Clelia
