Film Studies in 2008

Heartland TV: Prime Time Television and the Struggle for U.S. Identity by Johnson, Victoria E.

The New Face of Political Cinema: Commitment in French Film Since 1995 by O'Shaughnessy, Martin

Russia and Its Other(s) on Film: Screening Intercultural Dialogue by

A Feminine Cinematics: Luce Irigaray, Women and Film by Bainbridge, Caroline

Screening Novel Women: From British Domestic Fiction to Film by Brosh, Liora

Stagecoach to Tombstone: The Filmgoers' Guide to the Great Westerns by Hughes, Howard

Modular Narratives in Contemporary Cinema by Cameron, A.

Heartland TV: Prime Time Television and the Struggle for U.S. Identity by Johnson, Victoria E.

Cinema and Community by McKiernan, D.

Eric Rohmer by Tester, K.

Richard Hoggart and Cultural Studies by

Joseph L. Mankiewicz: Interviews by

Writing and Filming the Painting: Ekphrasis in Literature and Film by Sager Eidt, Laura M.

Miradas Sobre Pasado Y Presente En El Cine Español (1990-2005) by

Hosting the Monster by

Movement as Meaning in Experimental Film by Barnett, Daniel

Zwischenwelten by Wollnik, Sabine

Theorizing Desire: From Freud to Feminism to Film by Gorton, K.

Hollywood Heroines: Women in Film Noir and the Female Gothic Film by Hanson, Helen

Hollywood Winners and Losers: From A to Z by Thise, Mark M.

Toward a New Film Aesthetic by Isaacs, Bruce

Kitano Takeshi by Gerow, Aaron

In a Door, Into a Fight, Out a Door, Into a Chase: Moviemaking Remembered by the Guy at the Door [Large Print] (Large Print Edition) by Witney, William

Philosophy of Motion Pictures by Carroll, Noël

Canyon Cinema: The Life and Times of an Independent Film Distributor by MacDonald, Scott

Filmförderung in Frankreich by Monagas, Alexander

The Griffith Project, The Volume 7: Films Produced in 1913 by Usai, Paolo Cherchi

'Then It Was Destroyed by the Volcano': The Ancient World in Film and on Television by Pomeroy, Arthur J.

The Real Gaze: Film Theory after Lacan by McGowan, Todd

Innovation and Firm Performance: An Empirical Investigation for German Firms by Peters, Bettina

Maiden USA: Girl Icons Come of Age by Sweeney, Kathleen M.

Nicole Kidman by Thomson, David

Contact Zones: Memory, Origin, and Discourse in Black Diasporic Cinema by Petty, Sheila

Phantoms of War in Contemporary German Literature, Films and Discourse: The Politics of Memory by Fuchs, A.

Fernsehen heute und in der Zukunft: Digitalfernsehen, Kabel- und Satellitengesellschaften, IPTV und Handy-TV by Flath, Herbert

The North American Review V57 (1843) by North American Review Corporation

The North American Review V82 (1856) by North American Review Corporation

The North American Review V206, Part 1 (1917) by North American Review Corporation

The North American Review V56 (1843) by Dumas, Alexandre, North American Review Corporation, Dickens, Charles

The North American Review V115 (1872) by North American Review Corporation

The Picture of Abjection: Film, Fetish, and the Nature of Difference by Chanter, Tina

More Than Night: Film Noir in Its Contexts by Naremore, James

D.W. Griffith's the Birth of a Nation: A History of the Most Controversial Motion Picture of All Time by Stokes, Melvyn

Screening Modernism: European Art Cinema, 1950-1980 by Kovács, András Bálint

D.W. Griffith's the Birth of a Nation: A History of the Most Controversial Motion Picture of All Time by Stokes, Melvyn

Tom Cruise: An Unauthorized Biography by Morton, Andrew

Shyamalan's "Everyday Hero" by Broodryk, Chris

Becoming the New Man in Post-Postmodernist Fiction - Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahniuk's Fight C by Delfino, Andrew Steven

Dissecting Hannibal Lecter: Essays on the Novels of Thomas Harris by

Genre and Contemporary Hollywood by

Theorising National Cinema by

The Influence of Imagination: Essays on Science Fiction and Fantasy as Agents of Social Change by

Readings in Contemporary Chinese Cinema: A Textbook of Advanced Modern Chinese by Chiang, Joanne, Chou, Chih-P'Ing

African Americans and the Oscar: Decades of Struggle and Achievement by Mapp, Edward

Image and Mind: Film, Philosophy and Cognitive Science by Currie, Gregory

Carlos Sauras Version des Carmen-Stoffes im Kontext seines filmischen Oeuvres by Kutzner, Ann-Katrin

Cinema and Fascism: Italian Film and Society, 1922-1943 by Ricci, Steven

Film Festivals: From European Geopolitics to Global Cinephilia by Valck, Marijke De

Turbulence and Flow in Film: The Rhythmic Design by Biro, Yvette

Documentary Time: Film and Phenomenology Volume 21 by Wahlberg, Malin

The Sacred Cinema of Andrei Tarkovsky by Robinson, Jeremy Mark

Indian Literature and Popular Cinema: Recasting Classics by

Toward a New Film Aesthetic by Isaacs, Bruce

The Cinema of Robert Gardner by

Hollywood's American Tragedies: Dreiser, Eisenstein, Sternberg, Stevens by Merck, Mandy

The Cinema of Robert Gardner by

Makhmalbaf at Large: The Making of a Rebel Filmmaker by Dabashi, Hamid

Symbolik im Film am Beispiel von Tom Tykwers "Lola rennt" by Buchholz, Sabine

Faszination Fernsehserie. Erklärungsansätze für das Phänomen Fernsehserie als Zuschauermagnet: "Alle Tage wieder ..." by Buchholz, Sabine

Reel Histories by

Licence to Thrill: A Cultural History of the James Bond Films by Chapman, James

Smoke (Paul Auster und Wayne Wang 1994) - Fotografie im Film - Zufall und Zeit - ein Lob auf die Langsamkeit by Kutzner, Ann-Katrin

Networks of Entertainment: Early Film Distribution 1895a 1915 by

Crash Politics and Antiracism; Interrogations of Liberal Race Discourse by

Defining Visions: Television and the American Experience in the 20th Century by Watson, Mary Ann

Defining Visions 2e by Watson, Mary Ann

Better Living Through Television by Ouellette, Laurie, Hay, James

Building Bridges: The Cinema of Jean Rouch by

Crash Politics and Antiracism; Interrogations of Liberal Race Discourse by

L.A. Noir: Nine Dark Visions of the City of Angels by Hare, William

Entwicklung einer TV-Movie-Package-Strategie für den deutschen Fernsehmarkt by Hoffmann, Stefan

Better Living Through Reality TV: Television and Post-Welfare Citizenship by Ouellette, Laurie, Hay, James

John Carradine: The Films by Weaver, Tom

Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business by Mamet, David

Screening Novel Women: From British Domestic Fiction to Film by Brosh, Liora

Latinos in American Films by Häntzschel, Jana

Eric Rohmer: Film as Theology by Tester, K.

Films of Sergio Leone by Cumbow, Robert C.

Zombie Culture: Autopsies of the Living Dead by

Post-Stalinist Cinema and the Russian Intelligentsia, 1953-1960 - Strategies of Self-Representation, De-Stalinization, and the National Cultural Tradi by Kapterev, Sergei

One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine l'Engle and Orson Scott Card by Oziewicz, Marek

Television in the Multichannel Age: A Brief History of Cable Television by Mullen, Megan

The Hollywood Historical Film by Burgoyne, Robert

The Contemporary Hollywood Film Industry by

Auteurs and Authorship: A Film Reader by

Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age by McGrath, Jason

"The Taming of the Shrew": William Shakespeare 1593/94 und Franco Zeffirelli 1967 by Glubrecht, Vera-Marlene

Die Zukunft der Kinematographie by Stalla, Philippe

Jonas Mekas und das New American Cinema by Maldunaite-Christ, Laima

Lecons De Cinematique: Professees A La Sorbonne (1897) by Koenigs, Gabriel

The Quest for American Manhood - Issues of Race and Gender in David Rabe's Vietnam Trilogy by Altwein, Sabine

Analyse der Erzählstruktur von Memento by Wildt, Andrea

Sydney Pollack: A Critical Filmography by Meyer, Janet L.

Science Fiction Serials: A Critical Filmography of the 31 Hard SF Cliffhangers; With an Appendix of the 37 Serials with Slight SF Content by Kinnard, Roy

Im Tal der Stereotypen - Zur Menschendarstellung Serdar Akars "Tal der Wölfe" by Can, Malte

To be or Not to be by Barnes, Peter

Sights Unseen: Unfinished British Films by

John Wayne und 'Chisum': "Big Duke does it again?" - Eine Sequenzanalyse by Lippe, Carsten

Cult Films: Taboo and Transgression: A Select Survey Over 9 Decades by Havis, Allan

Theaters of Occupation: Hollywood and the Reeducation of Postwar Germany by Fay, Jennifer

Hollywood Independents: The Postwar Talent Takeover by Mann, Denise

Italian Locations: Reinhabiting the Past in Postwar Cinema by Steimatsky, Noa

Federalism, Nationalism and Development: India and the Punjab Economy by Singh, Pritam

The Poison Murders of Jack the Ripper: His Final Crimes, Trial and Execution by Gordon, R. Michael

Stardom, Italian Style: Screen Performance and Personality in Italian Cinema by Landy, Marcia

Politics of Documentary by Chanan, Michael

Popular Front Paris and the Poetics of Culture by Andrew, Dudley, Ungar, Steven

The Magnificent Showman the Epic Films of Samuel Bronston (hardback) by Martin, Mel

The Magnificent Showman the Epic Films of Samuel Bronston by Martin, Mel

Palestinian Cinema: Landscape, Trauma, and Memory by Gertz, Nurith, Khleifi, George

Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing by

Stalinist Cinema and the Production of History: Museum of the Revolution by Dobrenko, Evgeny

The History of Media and Communication Research: Contested Memories by

Mirror Images; Popular Culture and Education by

Politische Talkshows: Bühne frei für moderne Politikvermittlung oder Politikerinszenierung? by Stillert, Silvia

The Spoken Words of Spirit: Lessons from the Other Side by Fargiano, Jim

V for Vendetta as Cultural Pastiche: A Critical Study of the Graphic Novel and Film by Keller, James R.

From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West by Napier, S.

Film Consciousness: From Phenomenology to Deleuze by Shaw, Spencer

Theorizing Desire: From Freud to Feminism to Film by Gorton, K.

Bette Davis: The Performances That Made Her Great by McNally, Peter

English in International Deaf Communication by

Moral Spectatorship: Technologies of Voice and Affect in Postwar Representations of the Child by Cartwright, Lisa

She's Gotta Have It: A Narrative Case Study by Odom, Christopher C.

George Raft by Wallace, Stone

Le Nouvel Age Du Cinema d'Auteur Francais by Vasse, David

Reading the French New Wave: Critics, Writers and Art Cinema in Franceâ by Ostrowska, Dorota

Studying Gladiator: Instructor's Edition by Irvine, Sandy

Studying City of God by Muir, Stephanie

Studying the Usual Suspects: Instructor's Edition by Gunn, Judith

Studying the Wicker Man: Instructor's Edition by Rolston, Lorraine, Murray, Andy

Studying the Sixth Sense: Instructor's Edition by Kirwan-Hayhoe, Mark

Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly by

Adapting Nathaniel Hawthorne to the Screen: Forging New Worlds by Raw, Laurence

Cinema and Television in Singapore: Resistance in One Dimension by Tan, Kenneth

George Raft by Wallace, Stone

Elemente des Film Noir in den Filmen "Blue Velvet" und "Lost Highway" von David Lynch by Lühn, Sebastian

Ingmar Bergman Revisited: Performance, Cinema, and the Arts by

Movie Medievalism: The Imaginary Middle Ages by Haydock, Nickolas

Masculine Singular: French New Wave Cinema by

Masculine Singular: French New Wave Cinema by Sellier, Geneviève

Production Culture: Industrial Reflexivity and Critical Practice in Film and Television by Caldwell, John Thornton

Charakteristika des neusachlichen Films: Berlin - Die Sinfonie der Großstadt by Hochmuth, Teresa

Production Culture: Industrial Reflexivity and Critical Practice in Film and Television by Caldwell, John Thornton

Der Wandel des Männlichkeitsbildes im Neuen Britischen Kino: Analysiert auf der Grundlage der dargestellten Männlichkeiten in Billy Elliot von Stephen by Cornelius, Christine

'Weltfernsehen' - die internationale Vermarktung der Quizshow 'Wer wird Millionär?' by Hochmuth, Teresa

Ted Bundy vs. Fritz Haarmann: Ein Vergleich der Inszenierung von Serienmördern im Film by Stamatovic, Helena

Fernsehen im geteilten Deutschland by Ziplys, Stephanie

Welche Bedingungen sind an Fan Fiktion gebunden?: Die Voraussetzungen des Fernsehtextes und der Rezipienten für die Aneignung von Serien by Hillegaart, Maria

Die Behandlung und Darstellung des Holocaust in "Jakob der Lügner" und "Jakob the Liar": Eine vergleichende Analyse von Frank Beyers DEFA-Verfilmung u by Goldbrunner, Evi

Judenrollen: Darstellungsformen Im Europäischen Theater Von Der Restauration Bis Zur Zwischenkriegszeit by

Fernsehen aus der Ferne gesehen: Ein Überblick über die jüngere Geschichte der wissenschaftlichen Analyse von Fernsehrezeption by Fink, Patrick

D. W. Griffith: "Intolerance" - Historische Einordnung und soziale Botschaft by Schwarzkopf, Ansgar

A Foreign Affair: Billy Wilder's American Films by Gemünden, Gerd

Hartmut Bitomsky "Der VW-Komplex": Eine Analyse by Gries, Cordula

Sociology Through the Projector by Bagge Laustsen, Carsten, Diken, Bulent

French Colonial Documentary: Mythologies of Humanitarianism by Bloom, Peter J.

Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses by Hampton, Howard

Black Space: Imagining Race in Science Fiction Film by Nama, Adilifu

The Cult Film Reader by

Why Did It Have to Be Snakes: From Science to the Supernatural, the Many Mysteries of Indiana Jones by Gresh, Lois H.

Paul Dahlke in Gastrollen der ZDF-Fernsehproduktionen "Der Kommissar", "Derrick" und "Der Alte" by Rauch, Mirco

Why Did It Have to Be Snakes: From Science to the Supernatural, the Many Mysteries of Indiana Jones by Gresh, Lois H.

A Foreign Affair: Billy Wilder's American Films by Gemünden, Gerd

Mirror Images; Popular Culture and Education by

The Decline of Sentiment: American Film in the 1920s by Jacobs, Lea

Isuma: Inuit Video Art by Evans, Michael Robert

The Early Sartre and Marxism by Coombes, Sam

Freud's Drive: Psychoanalysis, Literature and Film: Psychoanalysis, Literature and Film by de Lauretis, Teresa

The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media by

Über das Essayistische in Bill Violas 'Hatsu-Yume' by Wildt, Andrea

Ästhetik des Politischen im Film "Die bleierne Zeit" von Margarethe von Trotta by Gries, Cordula

Hitler in der Filmkomödie: Exemplarische Fallstudien zur Funktion des Komischen by Beigel, Frauke

The Actor's Art and Craft: William Esper Teaches the Meisner Technique by DiMarco, Damon, Esper, William

Remembering the Occupation in French Film: National Identity in Postwar Europe by Hewitt, L.

Road Movies: From Muybridge and Méliès to Lynch and Kiarostami by Orgeron, D.

Remembering the Occupation in French Film: National Identity in Postwar Europe by Hewitt, L.

The Politics of Caribbean Cyberculture by Best, C.

Road Movies: From Muybridge and Méliès to Lynch and Kiarostami by Orgeron, D.

The Films of Stephen King: From Carrie to Secret Window by Magistrale, T.

Reading Mark Strand: His Collected Works, Career, and the Poetics of the Privative by Nicosia, J.

The Films of Stephen King: From Carrie to Secret Window by Magistrale, T.

Das Zuschauermodell der psychoanalytischen Filmtheorie und des Neoformalismus: Eine Gegenüberstellung by Witte, Viktor

"Die Simpsons". Analyse der Serie by Nehlsen, Wolf-Dietrich

Once Upon a Time There Was a Country - National and Cynicism in the Post-1990s Balkan Cinema by Mazaj, Meta