Film Studies in 1993

Salt of the Earth by Wilson, Michael

From May Fourth to P by

Beyond the Stars 4: Locales in American Popular Film by

Documentary: A History of the Non-Fiction Film by Barnouw, Erik

Jüdische Lebenswelten in Spielfilmen und Fernsehspielen by Pertsch, Dietmar

The Early Film Criticism of Francois Truffaut by Dixon, Wheeler Winston

In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic by Studlar, Gaylyn

Redefining Black Film by Reid, Mark A.

Richard Attenborough by Robinson, David

The Films of Alfred Hitchcock by Sterritt, David

Censorship and Hollywood's Hispanic Image: An Interpretive Filmography, 1936-1955 by Richard, Alfred

Helen Hayes: A Bio-Bibliography by Moore, Stephen, Murphy, Donn

Cinema and Spectatorship by Mayne, Judith

The Magnificent Ambersons: A Reconstruction by Carringer, Robert L.

West of Everything: The Inner Life of Westerns by Tompkins, Jane

Shoot the Piano Player: Francois Truffaut, Director by

States of Shock, Far North, and Silent Tongue: A Play and Two Screenplays by Shepard, Sam

La Jetée: Ciné-Roman by Marker, Chris

The Hidden Cinema: British Film Censorship in Action 1913-1972 by Robertson, James C., Robertson, James

Theorizing Documentary by

Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era by Cripps, Thomas

Screen Memories: Hollywood Cinema on the Psychoanalytic Couch by Greenberg, Harvey

Melodrama and Asian Cinema by

Songs of Love and Death: The Classical American Horror Film of the 1930s by Sevastakis, Michael

Poetic Justice: Filmmaking South Central Style by Singleton, John

Creating the Couple: Love, Marriage, and Hollywood Performance by Wexman, Virginia Wright

Innovation in Ethnographic Film: From Innocence to Self-Consciousness, 1955-1985 by Loizos, Peter

A Certain Realism: Making Use of Pasolini's Film Theory and Practice by Viano, Maurizio

The Euro-American Cinema by Lev, Peter

Hollywood vs. America by Medved, Michael

Cinema, Censorship, and the State: The Writings of Nagisa Oshima, 1956-1978 by Oshima, Nagisa

Black American Cinema by

Film as Film: Understanding and Judging Movies by Perkins, V. F.

Boris Karloff: A Bio-Bibliography by Buehrer, Beverly Bare

The Cinema's Third Machine by Hake, Sabine

Three Plays: The Broken Calabash, Parables for a Season, and the Reighn of Wazobia by Onwueme, Tess Akaeke

Gender and German Cinema - Vol I by

Gender and German Cinema - Volume I: Feminist Interventions by

The Monstrous-Feminine: Film, Feminism, Psychoanalysis by Creed, Barbara

French Film Theory and Criticism, Volume 1: A History/Anthology, 1907-1939. Volume 1: 1907-1929 by Abel, Richard

French Film Theory and Criticism, Volume 2: A History/Anthology, 1907-1939. Volume 2: 1929-1939 by Abel, Richard

Betty Grable: A Bio-Bibliography by Billman, Larry E.

The New Latin American Cinema: A Continental Project by Pick, Zuzana M.

Akira Kurosawa and Intertextual Cinema by Goodwin, James

Gender and German Cinema - Volume II: Feminist Interventions by

Shades of Noir by

The Academy Awards Index: The Complete Categorical and Chronological Record by Shale, Richard

Movies for Masses: Popular Cinema and Soviet Society in the 1920s by Youngblood, Denise J.

Hard Bodies: Hollywood Masculinity in the Reagan Era by Jeffords, Susan

Reinventing Reality-The Art and Life of Rouben Mamoulian by Spergel, Mark J.

Blood Cinema: The Reconstruction of National Identity in Spain by Kinder, Marsha

Cinema and Modernity by Orr, John

Before Mickey: The Animated Film 1898-1928 by Crafton, Donald

Star Gazing: Hollywood Cinema and Female Spectatorship by Stacey, Jackie

Contemporary Film Theory by Easthope, Antony