

Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.

In Persepolis, heralded by the Los Angeles Times as "one of the freshest and most original memoirs of our day," Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.
Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran. As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating.
In his first book since What Went Wrong? Bernard Lewis examines the historical roots of the resentments that dominate the Islamic world today and that are increasingly being expressed in acts of terrorism. He looks at the theological origins of political Islam and takes us through the rise of militant Islam in Iran, Egypt, and Saudi Arabia, examining the impact of radical Wahhabi proselytizing, and Saudi oil money, on the rest of the Islamic world.
The Crisis of Islam ranges widely through thirteen centuries of history, but in particular it charts the key events of the twentieth century leading up to the violent confrontations of today: the creation of the state of Israel, the Cold War, the Iranian Revolution, the Soviet defeat in Afghanistan, the Gulf War, and the September 11th attacks on the United States. While hostility toward the West has a long and varied history in the lands of Islam, its current concentration on America is new. So too is the cult of the suicide bomber. Brilliantly disentangling the crosscurrents of Middle Eastern history from the rhetoric of its manipulators, Bernard Lewis helps us understand the reasons for the increasingly dogmatic rejection of modernity by many in the Muslim world in favor of a return to a sacred past. Based on his George Polk Award-winning article for The New Yorker, The Crisis of Islam is essential reading for anyone who wants to know what Usama bin Ladin represents and why his murderous message resonates so widely in the Islamic world.
Reader's of Princess Sultana's true story, Princess, were gripped by her powerful indictment of women's lives behind the veil within the royal family of Saudi Arabia. Now, the princess and Jean Sasson turn the spotlight on Sultana's two teenage daughters, Maha and Amani. During her own youth, Sultana chafed under the harsh social system into which she was born. Today, despite untold wealth and privilege, Princess Sultana cannot buy the rights and freedoms women in other cultures possess, for herself, or for her daughters. Although Sultana lives with a constant fear of retribution--even death at the hand of her own father or brother, her passion to provide her two daughters with a better life transcends her fear and fuels her desire for change.As second-generation members of the royal family who have benefited from Saudi oil wealth, Maha and Amani have known nothing but opulence and wealth from the moment of their birth. Yet, stilled by the unbearable restrictive lifestyle imposed on them, Maha and Amani have reacted in equally desperate ways.Maha is a headstrong beauty driven by fear and isolation due to Saudi Arabia's feudal justice. Described by her father as a girl of brilliant fragments, Maha's gifted mind cannot focus on one goal. When Maha becomes involved in a lesbian relationship, she ends having an emotional breakdown and requires psychiatric treatment in London. Amani, the youngest daughter, rebels in her way during the religious frenzy of Haj, the annual Muslim pilgrimage to Makkah. Once a sweet and placid animal-lover, Amani emerges almost overnight from her dormant religious faith and embraces Islamic beliefs with unnerving intensity. Amani's fundamental fanaticism threatens to destroy her mother's personal quest to imporove women's lot in her native land. With candor and humility, Sultana shares the joy, frustration, and dark intervals of my fear of Saudi Arabian motherhood and marriage. She details the difficulties inherent in raising d

The left's leading critic takes on the Post-Cold War world, including the Gulf War, the Clinton Administration, and the Israeli-Palestinian question in a critique of Western government that focuses on the powerless, power-hungry, and power-mongers.

During the thirty years that award-winning journalist Robert Fisk has been reporting on the Middle East, he has covered every major event in the region, from the Algerian Civil War to the Iranian Revolution, from the American hostage crisis in Beirut (as one of only two Western journalists in the city at the time) to the Iran-Iraq War, from the Russian invasion of Afghanistan to Israel's invasions of Lebanon, from the Gulf War to the invasion and ongoing war in Iraq. Now he brings his knowledge, his firsthand experience and his intimate understanding of the Middle East to a book that addresses the full complexity of its political history and its current state of affairs.
Passionate in his concerns about the region and relentless in his pursuit of the truth, Fisk has been able to enter the world of the Middle East and the lives of its people as few other journalists have. The result is a work of stunning reportage. His unblinking eyewitness testimony to the horrors of war places him squarely in the tradition of the great frontline reporters of the Second World War. His searing descriptions of lives mangled in the chaos of battle and of the battles themselves are at once dreadful and heartrending.
This is also a book of lucid, incisive analysis. Reaching back into the long history of invasion, occupation and colonization in the region, Fisk sets forth this information in a way that makes clear how a history of injustice "has condemned the Middle East to war." He lays open the role of the West in the seemingly endless strife and warfare in the region, traces the growth of the West's involvement and influence there over the past one hundred years, and outlines the West's record of support for some of the most ruthless leaders in the Middle East. He chronicles the ever-more-powerful military presence of the United States and tracks the consequent, increasingly virulent anti-Western-and particularly anti-American-sentiment among the region's Muslim populations.
Fisk interweaves this history with his own vividly rendered experiences in Iraq, Iran, Afghanistan, Algeria, Israel, Palestine and Lebanon-on the front lines; behind the scenes; in the streets of cities and villages; and inside military headquarters, the hideouts of guerrillas, the homes of ordinary citizens. Here, too, are indelible portraits of Osama bin Laden, Ayatollah Khomeini and Yassir Arafat, among others-all of whom he has met face-to-face-revelatory in their apprehension of the individuals and the ideologies they represent.
Finally, "The Great War for Civilisation" is the story of journalists in war: of their attempts to report the first, impartial drafts of history, to monitor the centers of power, to challenge authority ("especially . . . when governments and politicians take us to war") and to battle an increasingly partisan worldwide media in their determination to report the truth.
Unflinching, provocative, brilliantly written-a work of major importance for today's world.


Since the Turks first shattered the glory of the French crusaders in 1396, the Ottoman Empire has exerted a long, strong pull on Western minds. For six hundred years, the Empire swelled and declined. Islamic, martial, civilized, and tolerant, in three centuries it advanced from the dusty foothills of Anatolia to rule on the Danube and the Nile; at the Empire's height, Indian rajahs and the kings of France beseeched its aid. For the next three hundred years the Empire seemed ready to collapse, a prodigy of survival and decay. Early in the twentieth century it fell. In this dazzling evocation of its power, Jason Goodwin explores how the Ottomans rose and how, against all odds, they lingered on. In the process he unfolds a sequence of mysteries, triumphs, treasures, and terrors unknown to most American readers.
This was a place where pillows spoke and birds were fed in the snow; where time itself unfolded at a different rate and clocks were banned; where sounds were different, and even the hyacinths too strong to sniff. Dramatic and passionate, comic and gruesome, Lords of the Horizons is a history, a travel book, and a vision of a lost world all in one.

The ninth published volume of twelve, presenting the whole work off the Oriental Institute's Iraq Expedition in the Diyala region. This volume focuses on Ishchali (usually identified as ancient Neribtum), which belonged to the independent kingdom of Eshnunna. The bulk of the report is devoted to the Kititum Temple.