Civilization and Its Discontents is one of the last of Freud's books, written in the decade before his death and first published in German in 1929. In it he states his views on the broad question of man's place in the world, a place Freud defines in terms of ceaseless conflict between the individual's quest for freedom and society's demand for conformity.
Freud's theme is that what works for civilization doesn't necessarily work for man. Man, by nature aggressive and egotistical, seeks self-satisfaction. But culture inhibits his instinctual drives. The result is a pervasive and familiar guilt.
Of the various English translations of Freud's major works to appear in his lifetime, only one was authorized by Freud himself: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey.
Freud approved the overall editorial plan, specific renderings of key words and phrases, and the addition of valuable notes, from bibliographical and explanatory. Many of the translations were done by Strachey himself; the rest were prepared under his supervision. The result was to place the Standard Edition in a position of unquestioned supremacy over all other existing versions.
It is filled with anecdotes, many of them quite amusing, and virtually bereft of technical terminology. And Freud put himself on the line: numerous acts of willful forgetting or "inexplicable" mistakes are recounted from his personal experience. none of such actions can be called truly accidental, or uncaused: that is the real lesson of the Psychopathology.
An eye-opening biography of one of the most influential psychiatrists of the modern age, drawing from his lectures, conversations, and own writings.In the spring of 1957, when he was eighty-one years old, Carl Gustav Jung undertook the telling of his life story. Memories, Dreams, Reflections is that book, composed of conversations with his colleague and friend Aniela Jaff , as well as chapters written in his own hand, and other materials. Jung continued to work on the final stages of the manuscript until shortly before his death on June 6, 1961, making this a uniquely comprehensive reflection on a remarkable life. Fully corrected, this edition also includes Jung's VII Sermones ad Mortuos.
A work of great personal courage and a literary tour de force, this bestseller is Styron's true account of his descent into a crippling and almost suicidal depression. Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.
"Whenever illness is associated with loss of soul," writes Shaun McNiff, "the arts emerge spontaneously as remedies, soul medicine." The medicine of the artist, like that of the shaman, arises from his or her relationship to "familiars"--the themes, methods, and materials that interact with the artist through the creative process. Art As Medicine demonstrates how the imagination heals and renews itself through this natural process. The author describes his pioneering methods of art therapy--including interpretation through performance and storytelling, creative collaboration, and dialoguing with images--and the ways in which they can revitalize both psychotherapy and art itself.
At last, the missing piece of the dysfunctional puzzle. It is not enough to understand or even relive our childhood traumas. Dr. Wolinsky shows us how we continue to recreate those traumas in our adult lives and how to stop creating them. Every uncomfortable emotional state, and many psychosomatic symptoms, are also states of trance. Trance is the "glue" that holds the problem in the present moment. Learning to identify the kind of trance state beneath a problem or symptom gives us the tool that finally dissolves the glue. This book offers a gold-mine of resources for those who suffer from dysfunctional patterns of behavior or for anyone who feels stuck in an undesirable emotional or addictive state. Learning to step out of the trance states that create our problems and symptoms is to learn to step into the present moment at last free of the baggage from our past.
We live in a world of mystery, wonder, and beauty. But most of us seldom participate in this real world, being focused rather on the part that is mostly strife, suffering, or meaninglessness. This situation is basically due to our not realizing and living our full human potential. This potential can be actualized by the realization and development of the human essence. The human essence is the part of us that is innate and real, and which can participate in the real world.The Diamond Heart series is a transcription of talks given by the author in both California and Colorado, for several years. The purpose of the talks is to guide and orient individuals who are engaged in doing the difficult work of realization.
In this brilliant exploratory attempt (written in 1912-1913) to extend the analysis of the individual psyche to society and culture, Freud laid the lines for much of his later thought, and made a major contribution to the psychology of religion.Primitive societies and the individual, he found, mutually illuminate each other, and the psychology of primitive races bears marked resemblances to the psychology of neurotics. Basing his investigations on the findings of the anthropologists, Freud came to the conclusion that totemism and its accompanying restriction of exogamy derive from the savage's dread of incest, and that taboo customs parallel closely the symptoms of compulsion neurosis. The killing of the "primal father" and the consequent sense of guilt are seen as determining events both in the tribal pre-history of mankind, and in the suppressed wishes of individual men. Both totemism and taboo are thus held to have their roots in the Oedipus complex, which lies at the basis of all neurosis, and, as Freud argues, is also the origin of religion, ethics, society, and art.
This book is about the individual's journey to psychological wholeness, known in analytical psychology as the process of individuation. Edward Edinger traces the stages in this process and relates them to the search for meaning through encounters with symbolism in religion, myth, dreams, and art. For contemporary men and women, Edinger believes, the encounter with the self is equivalent to the discovery of God. The result of the dialogue between the ego and the archetypal image of God is an experience that dramatically changes the individual's worldview and makes possible a new and more meaningful way of life.