The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic. Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.
The extraordinary debut novel that became a modern classic
Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose remarkable gift for companionship is epitomized by Almondine, Edgar's lifelong friend and ally. Edgar seems poised to carry on his family's traditions, but when catastrophe strikes, he finds his once-peaceful home engulfed in turmoil.
Forced to flee into the vast wilderness lying beyond the Sawtelle farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who accompany him, until the day he is forced to choose between leaving forever or returning home to confront the mysteries he has left unsolved.
Filled with breathtaking scenes--the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain--The Story of Edgar Sawtelle is a meditation on the limits of language and what lies beyond, a brilliantly inventive retelling of an ancient story, and an epic tale of devotion, betrayal, and courage in the American heartland.
See the Grishaverse come to life on screen with Shadow and Bone, now a Netflix original series.
Enter the Grishaverse with the #1 New York Times-bestselling Six of Crows, Book One of the Six of Crows Duology.
(previously published as The Grisha Trilogy)
Shadow and Bone
Siege and Storm
Ruin and Rising The Six of Crows Duology
Six of Crows
Crooked Kingdom The King of Scars Duology
King of Scars The Language of Thorns: Midnight Tales and Dangerous Magic
The Severed Moon: A Year-Long Journal of Magic Praise for the Grishaverse "A master of fantasy." --The Huffington Post
"Utterly, extremely bewitching." --The Guardian
"The best magic universe since Harry Potter." --Bustle
"This is what fantasy is for." --The New York Times Book Review
"[A] world that feels real enough to have its own passport stamp." --NPR
"The darker it gets for the good guys, the better." --Entertainment Weekly
"Sultry, sweeping and picturesque. . . . Impossible to put down." --USA Today
"There's a level of emotional and historical sophistication within Bardugo's original epic fantasy that sets it apart." --Vanity Fair
"Unlike anything I've ever read." --Veronica Roth, bestselling author of Divergent
"Bardugo crafts a first-rate adventure, a poignant romance, and an intriguing mystery!" --Rick Riordan, bestselling author of the Percy Jackson series
Sins of our flesh become sins of Hers
Following Her to the grave, unseen, unheard
The Sin Eater Walks Among Us. For the crime of stealing bread, fourteen-year-old May receives a life sentence: she must become a Sin Eater--a shunned woman, brutally marked, whose fate is to hear the final confessions of the dying, eat ritual foods symbolizing their sins as a funeral rite, and thereby shoulder their transgressions to grant their souls access to heaven. Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why. "A keenly researched feminist arc of unexpected abundance, reckoning, intellect, and ferocious survival" (Maria Dahvana Headley, author of The Mere Wife) Sin Eater is "a dark, rich story replete with humor, unforgettable characters, and arcane mysteries. It casts a spell on your heart and mind until the final page" (Jennie Melamed, author of Gather the Daughters).
A hero with Huck Finn's heart and charm, lighting by El Greco and jokes by Punch and Judy. . . . Riddley Walker is haunting and fiercely imagined and--this matters most--intensely ponderable. --Benjamin DeMott, The New York Times Book Review
This is what literature is meant to be. --Anthony Burgess
Russell Hoban has brought off an extraordinary feat of imagination and style. . . . The conviction and consistency are total. Funny, terrible, haunting and unsettling, this book is a masterpiece. --Anthony Thwaite, Observer
Extraordinary . . . Suffused with melancholy and wonder, beautifully written, Riddley Walker is a novel that people will be reading for a long, long time. --Michael Dirda, Washington Post Book World
Stunning, delicious, designed to prevent the modern reader from becoming stupid. --John Leonard, The New York Times
Highly enjoyable . . . An intriguing plot . . . Ferociously inventive. --Walter Clemons, Newsweek
Astounding . . . Hoban's soaring flight of imagination is that golden rarity, a dazzlingly realized work of genius. --Jane Clapperton, Cosmopolitan
An imaginative intensity that is rare in contemporary fiction.' --Paul Gray, Time
Riddley Walker is a brilliant, unique, completely realized work of fiction. One reads it again and again, discovering new wonders every time through. Set in a remote future in a post-nuclear holocaust England (Inland), Hoban has imagined a humanity regressed to an iron-age, semi-literate state--and invented a language to represent it. Riddley is at once the Huck Finn and the Stephen Dedalus of his culture--rebel, change agent, and artist. Read again or for the first time this masterpiece of 20th-century literature with new material by the author.
Bryan Stevenson was a young lawyer when he founded the Equal Justice Initiative, a legal practice dedicated to defending those most desperate and in need: the poor, the wrongly condemned, and women and children trapped in the farthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man who was sentenced to die for a notorious murder he insisted he didn't commit. The case drew Bryan into a tangle of conspiracy, political machination, and legal brinksmanship--and transformed his understanding of mercy and justice forever. Just Mercy is at once an unforgettable account of an idealistic, gifted young lawyer's coming of age, a moving window into the lives of those he has defended, and an inspiring argument for compassion in the pursuit of true justice. Winner of the Carnegie Medal for Excellence in Nonfiction - Winner of the NAACP Image Award for Nonfiction - Winner of a Books for a Better Life Award - Finalist for the Los Angeles Times Book Prize - Finalist for the Kirkus Reviews Prize - An American Library Association Notable Book "Every bit as moving as To Kill a Mockingbird, and in some ways more so . . . a searing indictment of American criminal justice and a stirring testament to the salvation that fighting for the vulnerable sometimes yields."--David Cole, The New York Review of Books "Searing, moving . . . Bryan Stevenson may, indeed, be America's Mandela."--Nicholas Kristof, The New York Times "You don't have to read too long to start cheering for this man. . . . The message of this book . . . is that evil can be overcome, a difference can be made. Just Mercy will make you upset and it will make you hopeful."--Ted Conover, The New York Times Book Review "Inspiring . . . a work of style, substance and clarity . . . Stevenson is not only a great lawyer, he's also a gifted writer and storyteller."--The Washington Post "As deeply moving, poignant and powerful a book as has been, and maybe ever can be, written about the death penalty."--The Financial Times "Brilliant."--The Philadelphia Inquirer