Revised 3rd edition. An annotated list of solos, graded method materials, reference reading, flute ensembles, music for alto flute, piccolo and bass flute. Over 3,500 entries, representing more than 1,700 composers and authors. Used throughout the world by flutists, artists, teachers, libraries and music dealers.

Expertly arranged B-Flat Clarinet Solo by Claude Debussy from the Kalmus Edition series. This is from the Impressionistic era.

Titles: Grand Solo No. 3, Op. 74 (J. L. Tulou) * Concertino, Op. 107 (C. Chaminade).

Accent on Achievement is a revolutionary, best-selling band method that will excite and stimulate your students through full-color pages and the most complete collection of classics and world music in any band method. The comprehensive review cycle in books 1 & 2 will ensure that students remember what they learn and progress quickly. Also included are rhythm and rest exercises, chorales, scale exercises, and 11 full band arrangements among the first two books. Book 3 includes progressive technical, rhythmic studies and chorales in all 12 major and minor keys. Also included are lip slur exercises for increasing brass instrument range and flexibility. Accent on Achievement meets and exceeds the USA National Standards for music education, grades five through eight.

Composed in 1877, Nicolai Rimsky-Korsakov's Concerto for Trombone and Military Band was composed for a marine officer friend and was first played at a concert at Kronstadt in1878. Includes: Allegro Vivace * Andante Cantabile * Allegro.

Yamaha Band Student will appeal to teachers looking for a well-paced lesson sequence that keeps students motivated to continue past the first critical year. It is affordably priced, attractively presented and meets the needs of today's students and educators. Each level includes numerous songs, duets, trios and four full-band arrangements right in the method itself---perfect for first-year concerts.

Each arrangement is designed to appropriately fit the indicated levels; key signatures, note ranges, phrasing and articulations were carefully considered and clearly marked. The arrangements in this series are completely compatible with each other, and can be played together or as solos. The included CD contains both performance tracks and accompaniment tracks. Titles are: Hedwig's Theme (from Harry Potter and the Sorcerer's Stone) * Across the Stars (from Star Wars Episode II: Attack of the Clones) * Duel of the Fates (from Star Wars Episode I: The Phantom Menace) * Fawkes the Phoenix (from Harry Potter and the Chamber of Secrets) * Gollum's Song (from The Lord of the Rings: The Two Towers) * October Sky (from October Sky) * Soul Bossa Nova (from Austin Powers) * There You'll Be (from Pearl Harbor) * James Bond Theme (from Die Another Day) * In Dreams (from The Lord of the Rings: The Fellowship of the Ring).

Chailley, a professor of music history at the Sorbonne, reveals the coherence of the opera and the hidden significance of its characters and situations. The author relates each of these elements to the esoteric tradition from which they emanate and to Mozart's own involvement with the Masonic brotherhood.

Each arrangement is designed to appropriately fit the indicated levels; key signatures, note ranges, phrasing and articulations were carefully considered and clearly marked. The arrangements in this series are completely compatible with each other, and can be played together or as solos. The included CD contains both performance tracks and accompaniment tracks. Titles are: Hedwig's Theme (from Harry Potter and the Sorcerer's Stone) * Across the Stars (from Star Wars Episode II: Attack of the Clones) * Duel of the Fates (from Star Wars Episode I: The Phantom Menace) * Fawkes the Phoenix (from Harry Potter and the Chamber of Secrets) * Gollum's Song (from The Lord of the Rings: The Two Towers) * October Sky (from October Sky) * Soul Bossa Nova (from Austin Powers) * There You'll Be (from Pearl Harbor) * James Bond Theme (from Die Another Day) * In Dreams (from The Lord of the Rings: The Fellowship of the Ring).