"Because of their relative stability, streets offer an incomparable framework for looking at the urban past and comparing it to the present," writes Millett in his introduction to Twin Cities Then and Now, which consists of seventy-two historic street scenes matched with new photographs taken from the same locations. Accompanying each scene is an informative essay that examines the often astonishing changes wrought by time and circumstance.
The historic photographs, some published here for the first time, include views taken from as long ago as the 1880s and as recently as the late 1950s. Jerry Mathiason's elegant new black-and-white photographs complement these historic images and provide superb visual comparisons between then and now, while Millett's lively text puts each scene into clear focus. Twin Cities Then and Now also includes four specially prepared maps along with detailed informational graphics that identify hundreds of significant buildings and places visible in the photographs.
Twin Cities Then and Now is an engaging, startling, and at times heartbreaking look at the dramatic march of progress in Minneapolis and St. Paul. For, as Millett also writes in his introduction, "to observe a city over time is to see, for better or worse, the remorseless power of change."
"A place is not a thing," writes Paul Gruchow in the foreword to Voices for the Land, "it is a relationship. A location becomes a place only in the context of time, of history." In this extraordinary tribute to the importance of the ordinary places in our lives, fifty-two Minnesotans write about the special, sometimes secret, places that give their lives meaning. For some it is their home or cabin or lake. For others, it's a family farm or neighborhood park, a backyard garden or north woods trail: all places where we find a personal and spiritual connection to the land.
Voices for the Land explores this complex relationship by linking these personal essays with striking images captured by award-winning photographer Brian Peterson. This marriage of words, images, and landscape provides a powerful reminder of our deep and abiding connection to the land. The writers share the experience of these favorite places through their senses, from the aching tingle of a cold winter night and the sound of ice "singing" to the buzz of mosquitoes and the acrid smell of burning peat.
The Voices for the Land project, organized by the nonprofit group 1000 Friends of Minnesota, encouraged Minnesotans to write about the land they love and to fight for its preservation. The Minneapolis Star Tribune published a selection of these essays, paired with Brian Peterson's photos, in an award-winning series. Voices for the Land brings these essays and photos together in book form for the first time.
"Ordinary places," writes Paul Gruchow, "are as necessary to a good community as are ordinary people." Voices for the Land speaks to the power of these ordinary places and the value of preserving them for the simple reason that they are special to someone.
Three Roads to the Alamo is the definitive book about the lives of David Crockett, James Bowie and William Barret Travis--the legendary frontiersmen and fighters who met their destiny at the Alamo in one of the most famous and tragic battles in American history--and about what really happened in that battle.
"The date, September 11, 2001, now has a certain permanence, graven on ourcollective memory, like a very few others December 7, 1941, and November 22, 1963, dates which seem to separate yesterday from today, and then from now. They become the rarest of moments; ordinary people will forever be able to tell you where they were and what they were doing when they first heard the news, as if the terrible deed had happened to them, which in some ways it did."
--from the introduction by David Halberstam
Thousands of people live in the subway, railroad, and sewage tunnels that form the bowels of New York City and this book is about them, the so-called mole people. They live alone and in communities, in subway tunnels and below subway platforms and this fascinating study presents how and why people move underground, who they are, and what they have to say about their lives and the "topside" world they've left behind.
In this celebration of one of America's oldest towns (incorporated in 1720), Michael Cunningham, author of the best-selling, Pulitzer Prize-winning The Hours, brings us Provincetown, one of the most idiosyncratic and extraordinary towns in the United States, perched on the sandy tip at the end of Cape Cod.
Provincetown, eccentric, physically remote, and heartbreakingly beautiful, has been amenable and intriguing to outsiders for as long as it has existed. "It is the only small town I know of where those who live unconventionally seem to outnumber those who live within the prescribed bounds of home and licensed marriage, respectable job, and biological children," says Cunningham. "It is one of the places in the world you can disappear into. It is the Morocco of North America, the New Orleans of the north."
He first came to the place more than twenty years ago, falling in love with the haunted beauty of its seascape and the rambunctious charm of its denizens. Although Provincetown is primarily known as a summer mecca of stunning beaches, quirky shops, and wild nightlife, as well as a popular destination for gay men and lesbians, it is also a place of deep and enduring history, artistic and otherwise. Few towns have attracted such an impressive array of artists and writers--from Tennessee Williams to Eugene O'Neill, Mark Rothko to Robert Motherwell--who, like Cunningham, were attracted to this finger of land because it was . . . different, nonjudgmental, the perfect place to escape to; to be rescued, healed, reborn, or simply to live
in peace. As we follow Cunningham on his various excursions through Provincetown and its surrounding landscape, we are drawn into its history, its mysteries, its peculiarities--places you won't read about in any conventional travel guide.
Government officials and missionaries wanted all Sioux men to become self-sufficient farmers, wear pants, and cut their hair. The Indians, confronted by a land-hungry white population and a loss of hunting grounds, sought to exchange title to their homeland for annuities of cash and food, schools and teachers, and farms and agricultural knowledge. By 1862 the Sioux realized that their extensive kinship network and religion were in jeopardy and that the government would not fulfill its promises.
With their way of life endangered, the Sioux turned to Little Crow to lead them in a war for self-preservation, a war that Little Crow had tried to avoid during most of his adult life. Within a year, the Sioux had been evicted from Minnesota, Little Crow was dead, and a way of life had vanished. Through his life-his biography-the complex interrelationship of Indian and white can be studied and, in some measure, understood.
Recreating the past landscape and life forms of the Southwest, this guidebook examines a pivotal period in the ecological history of five southwestern national parks -- Canyonlands, Grand Canyon, Chaco Canyon, Mesa Verde, and Big Bend -- recounting as well the coming of humans to the region and the ascendance of the ecosystems we see today.