"The James Gang raid on the bank at Northfield and its aftermath is America's penultimate rip-snorting horseback robbery story. The outlaws were the most daring and most wanted men in the nation. They dressed well, rode fine horses, were sociable and well-mannered. Conflicting reports arose about nearly everything that happened in the raid and to the participants afterwards. A century of writers made the confusion worse. Mr. Koblas doesn't purport to have all the answers. He presents a book based on exhaustive research that is essentially a presentation of all available reports. He adds much information about something virtually unknown: his research on the pros and cons of Bill Stiles being a ninth man at Northfield who escaped to die peacefully in Los Angeles years later. A masterpiece of historical research. The most detailed examination of a James Gang event to date. Should be required reading for every student of Western history." Paul Meredith, Violent Kin Magazine
A beautiful meditation on life in the Great Plains from award-winning author and poet Kathleen Norris.
Kathleen Norris invites readers to experience rich moments of prayer and presence in Dakota, a timeless tribute to a place in the American landscape that is at once desolate and sublime, harsh and forgiving, steeped in history and myth. In thoughtful, discerning prose, she explores how we come to inhabit the world we see, and how that world also inhabits us. Her voice is a steady assurance that we can, and do, chart our spiritual geography wherever we go.
U.S. Highway 66 was always different from other roads. During the decades it served American travelers, Route 66 became the subject of a world-famous novel, an Oscar-winning film, a hit song, and a long running television program. The 2,000 mile concrete slab also became a seven-year obsession for Susan Croce Kelly and Quinta Scott. They traveled Route 66, photographing buildings, knocking on doors, and interviewing the people who had built the buildings and run the businesses along the highway. Drawing on the oral tradition of those rural Americans who populated the edge of old Route 66, Scott and Kelly have pieced together the story of a highway that was conceived in Tulsa, Oklahoma; linked Chicago to Los Angeles; and played a role in the great social changes of the early twentieth century.
Using the words of the people themselves and documents they left behind, Kelly describes the life changes of Route 66 from the dirt-and-gravel days until the time when new technology and different life-styles decreed that it be abandoned to the small towns it had nurtured over the course of thirty years.
Scott's photographic essay shows the faces of those 66 people and gives a feeling of what can be seen along the old highway today, from the seminal highway architecture to the grainfields of the Illinois prairie, the windbent trees of western Oklahoma, the emptiness of New Mexico, and the bustling pier where the highway ends on the edge of the Pacific Ocean.
Route 66 uses oral history and photography as the basis for a human study of this country's most famous road. Historic times, dates, places, and events are described in the words of men and women who were there: driving the highway, cooking hamburgers, creating pottery, and pumping gas. As much as the concrete, gravel, and tar spread in a sweeping arc from Chicago to Santa Monica, those people are Route 66. Their stories and portraits are the biography of the highway.
This best-selling book is a look at Minnesota's history as told through the letters, diaries and photographs of people who lived it. You'll find actual letters, journal entries, photos and more woven into a marvelous documentary of Minnesota. Discover what Minnesota was like for her people--explorers, farmers, homemakers, socialites, children, laborers, lawyers and lumberjacks. A classic in its 13th printing.
Coming into the Country is an unforgettable account of Alaska and Alaskans. It is a rich tapestry of vivid characters, observed landscapes, and descriptive narrative, in three principal segments that deal, respectively, with a total wilderness, with urban Alaska, and with life in the remoteness of the bush.
Readers of McPhee's earlier books will not be unprepared for his surprising shifts of scene and ordering of events, brilliantly combined into an organic whole. In the course of this volume we are made acquainted with the lore and techniques of placer mining, the habits and legends of the barren-ground grizzly, the outlook of a young Athapaskan chief, and tales of the fortitude of settlers--ordinary people compelled by extraordinary dreams. Coming into the Country unites a vast region of America with one of America's notable literary craftsmen, singularly qualified to do justice to the scale and grandeur of the design.
Thousands of people live in the subway, railroad, and sewage tunnels that form the bowels of New York City and this book is about them, the so-called mole people. They live alone and in communities, in subway tunnels and below subway platforms and this fascinating study presents how and why people move underground, who they are, and what they have to say about their lives and the "topside" world they've left behind.
The modern woman who tries to juggle private and public roles with equilibrium will discover a spiritual ancestor in Alice Kirk Grierson. The colonel's lady spent most of her life at army outposts on the nineteenth-century western frontier, where she faced the problems of raising a large family while fulfilling the duties of a commanding officer's wife. Fortunately for history, she left a large and extraordinarily candid correspondence, which has now been edited by Shirley Anne Leckie.
Alice was the wife of Benjamin B. Grierson, a major general in the Civil War who won fame for a raid that contributed to the fall of Vicksburg. Her letters begin in 1866, when her husband reentered the army as colonel of the legendary buffalo soldiers of the Tenth Cavalry, and end with her death in 1888. During these years she chronicles the criticism experienced by her husband in commanding one of the army's two black mounted regiments and the frustration when he is repeatedly passed over for promotion, in part because he advocated a more humane Indian policy. All the while her position requires her to assume heavy responsibilities as a hostess. Her letters are just as unflinching in describing the daily hard-ships of raising a family at frontier posts like Forts Riley, Gibson, Sill, Concho, Davis, and Grant, where two of her seven children died young and two suffered from manic-depressive psychosis. They are extraordinary for their insight into nineteenth-century attitudes toward birth control, childbearing, marital roles, race relations, and mental illness.
More than 300 black-and-white illustrations vividly portray the fair and its many faces. Historic photographs show long-gone amusements-the wooden Cannon Ball roller coaster, an organ grinder and his monkey, reenactments of famous battles at the Grandstand-as well as early versions of fair scenes that know no era: crowds, traffic jams, trinket sellers, prize winners. Reproductions of advertisements, posters, ribbons, lapel pins, and newspaper cartoons give a glimpse of the cheerful hype of promoters and the tongue-in-cheek commentary that accompanied their efforts. And contemporary photographs capture the fair's varied moods and scenes, from the early-morning preparations in a church dining hall through the stresses and joys of showing animals, the thrill of the Midway, the lure of deep-fried foods, and the excitement of being crowned a queen, to the clean-up of tons of garbage in the night's wee hours.
Along with the glitter and the fun, the Minnesota State Fair has always been a microcosm of midwestern life. Almost 150 years of cultural, social, aesthetic, economic, and technological change have left their mark on the venerable institution. And, at the same time, the fair has made its mark on society-urban as well as rural. Displays of women's work or farm machinery, the fine arts or the prize bull-all have been part of the fair's dual mission of education and entertainment. Each of Blue Ribbon's chapters focuses on one such topic, showing how the state fair grew and responded to prevailing tastes and conditions-and how it sometimes acted as a powerful agent of change.
Art and architecture, politics, social movements, and agricultural history are all part of this story-along with the dimensions of giant radishes, the memories of early fairgoers, and a listing of the calories in favorite state fair foods. Like the fair itself, this book offers something for everyone. Here are the sights, if not the smells and sounds, of "The World's Greatest State Fair."
Joseph Mitchell was a legendary New Yorker writer and the author of the national bestseller Up in the Old Hotel, in which these two pieces appeared. What Joseph Mitchell wrote about, principally, was New York. In Joe Gould, Mitchell found the perfect subject. And Joe Gould's Secret has become a legendary piece of New York history.
Joe Gould may have been the quintessential Greenwich Village bohemian. In 1916, he left behind patrician roots for a scrappy, hand-to-mouth existence: he wore ragtag clothes, slept in Bowery flophouses, and mooched food, drinks, and money off of friends and strangers. Thus he was able to devote his energies to writing "An Oral History of Our Time," which Gould said would constitute "the informal history of the shirt-sleeved multitude." But when Joe Gould died in 1957, the manuscript could not be found. Where had he hidden it? This is Joe Gould's Secret.
" Mitchell is] one of our finest journalists."--Dawn Powell, The Washington Post
"What people say is history--Joe Gould was right about that--and history, when recorded by Mitchell, is literature."--The New Criterion