The first book on Paul Storr for more than fifty yearsBicentenary of the Battle of Waterloo, so Regency period in the newsPaul Storr (1770-1844), acknowledged to be the greatest silversmith of the Regency period, holds a special place in the history of English silver. The workshops he directed, first for the Royal Goldsmiths Rundell, Bridge & Rundell, and later on his own account, wrought some of the greatest silver of the first half of the nineteenth century. The designs were provided by well-known Regency names such as John Flaxman, William Theed, Edward Hodges Baily, and Thomas Stothard. Storr numbered among his clients not only British royalty and aristocracy, but continental European nobility and prominent Americans. The year 2015 marks the bicentennial of the Battle of Waterloo, which saw Britain emerge as the dominant power in Europe. Military campaigns on land and sea, a more international outlook, newly fashionable foods, changes in table settings, and above all the creation of great wealth for Britain resulted in a revolution in silverware.
The art of silversmithing dates back to centuries ago, and its history is an interesting and intricate one, but even Old Silver connoisseurs aren't familiar with all of the customs, laws, regulations, and fashions of the past. First published in 1937, The Book of Old Silver thoroughly chronicles the fascinating history of the art of this precious metal, starting in England, which produced more fine silver than any other country and ignited the craft's greatest flowering.Did you know the word "Sterling" originates from a band of immigrant Germans, the Easterlings, who were called on by King John in 1300 to refine the metal to make English coins? Or that the English government regulated the stamping of silver by law, and later punished the marking of inferior pieces with the sterling hallmark by death? Seymour B. Wyler follows the history of various types of silver pieces, including tea services, drinking articles, condiment sets, tableware, lighting appliances, and furniture, and details the history of silver in various parts of the United Kingdom, America, and Europe. Along with the history and traditions, Wyler provides instructions on how to properly care for and clean Old Silver, details how to identify antique pieces, and provides tables and illustrations of various silversmiths' marks. Including photographs of antiques dating back to the sixteenth century, this book is a must-have for every silver collector.
It covers the theory behind clock movement and design, including the particulars of escapements, pendulums, balance wheels, and even the sheet music for popular chimes. The American striking clock, the 400-day clock, and the alarm clock receive special attention. The in-depth information, including explanations of clock repairing terminology and details on the tools, materials, and supplies that are needed for success, will benefit even skilled enthusiasts.
This catalog presents a selection of the most representative pieces from the vast and diverse assortment of silverware produced in Europe between the 17th century and the early 19th century: from the old German states to the Italian peninsula, from France to England, the objects described in these pages testify to the great skill of master silversmiths in forging precious metals according to the artistic trends of their time, and together offer an exhaustive compendium of the main types of tableware and domestic objects used in the homes of the European upper classes over the course of three centuries. The book draws on the collection of the Villa san Luca in Ospedaletti, Italy, donated to the museum by collectors Luigi Anton and Nera Laura. With over 6,000 objects from Europe and Asia, the collection is one of Italy's most important private collections of decorative arts.
At the turn of the last century, miner Joseph Lesher attempted to raise the price of silver by privately minting octagonal "Referendum souvenir medal" coins with values of $1.25 or $1. They were common in Victor, Cripple Creek, Denver and other places in Colorado in the days after William Jennings Bryan fought unsuccessfully for free silver. Surviving an initial dust-up with the Secret Service, Lesher found a loophole to place them in circulation in 1900 and 1901. Today, coin collectors pay more than $1,000 for one. This is the story of Joseph Lesher and his audacious private mint, along with the merchants in the mining towns and elsewhere who supported him.
In 1904 Danish silversmith Georg Jensen (1866-1935) founded one of the world's most celebrated design companies. Famous for its signature silver tableware that combines gleaming sculptural forms with lush ornament, Jensen's eponymous firm has stood at the forefront of domestic design for over a century by combining an innovative and experimental spirit with a commitment to traditional craftsmanship. Tracing the evolution of Georg Jensen silver from its place in the company's initial emergence through its continuing role as a touchstone for the global identity of Danish design, this book examines the creative processes and business practices behind Jensen's stunning bowls, pitchers, coffee services, and other domestic objects.
Lavishly illustrated with works ranging in style from organic to industrial, Georg Jensen is full of new insights gleaned from the company's own archives and situates Jensen's work in the broader context of 20th-century design. This unprecedented study includes scholarly essays by Alison Fisher, Maggie Taft, and Thomas C. Thulstrup that delve into the significant and continuing impact of Georg Jensen silver on modern domestic taste.
Collectors all over the world prize the distinctive silver jewelry crafted by the Hopi people of northern Arizona. Margaret Wright's comprehensive guide, first published over thirty years ago and updated in 1998 to include new artisans, has long been considered the best available reference on Hopi silversmithing and is now available only from UNM Press.
Beginning with a brief look at the geographic area that helped form Hopi identity and culture, Wright moves on to examine Hopi silversmiths from the late nineteenth century to the end of the twentieth century. Included is the important role played by Mary Russell-Colten of the Museum of Northern Arizona, Flagstaff. Russell-Colten encouraged the Hopis to adopt a unique design style that would set their work apart from other Indian silver work, thereby making it more easily distinguishable and profitable. Wright also provides a survey of the tools utilized by the artisans.
The index of hallmarks utilized by more than 300 Hopi silversmiths, arranged chronologically and by type of symbol, with brief information about each artist is a necessity for anyone collecting Hopi silver work.
This magnificent display of all 166 plates from an extremely rare set of portfolios depicts scores of examples of the ironworker's art, among them beautiful gates, balustrades, balcony railings, window grilles, church screens, and lantern holders. A superb collection of royalty-free images for use by designers, architecture enthusiasts, and lovers of antiques.