This second volume in Kevin Starr's passionate and ambitious cultural history of the Golden State focuses on the turn-of-the-century years and the emergence of Southern California as a regional culture in its own right. How hauntingly beautiful, how replete with lost possibilities, seems that Southern California of two and three generations ago, now that a dramatically diferent society has emerged in its place, writes Starr.As he recreates the lost California, Starr examines the rich variety of elements that figured in the growth of the Southern California way of life: the Spanish/Mexican roots, the fertile land, the Mediterranean-like climate, the special styles in architecture, the rise of Hollywood. He gives us a broad array of engaging (and often eccentric) characters: from Harrision Gray Otis to Helen Hunt Jackson to Cecil B. DeMille. Whether discussing the growth of winemaking or the burgeoning of reform movements, Starr keeps his central theme in sharp focus: how Californians defined their identity to themselves and to the nation.
An architect for the Santa Fe Railway and the Fred Harvey Company, Colter laid the groundwork for female architects who followed. Seven of her remarkable structures are preserved in Grand Canyon's historic district. This is her story.
In the boomtowns of the Alaska-Yukon stampedes, where gold dust was common currency, the rarest commodity was an attractive woman, and her company could be costly. Author Lael Morgan takes you into the heart of the gold rush demimonde, that "half world" of prostitutes, dance hall girls, and entertainers who lived on the outskirts of polite society. Meet "Dutch Kate" Wilson, who pioneered many areas long before the "respectable" women who received credit for getting there first ... ruthless heartbreakers Cad Wilson and Rose Blumkin ... "French" Marie Larose, who auctioned herself off as a wife to the highest bidder, Georgia Lee, who invested her earnings wisely and became one of the richest women in the North, and Edith Neile, called "the Oregon Mare," famous for both her outlandish behavior and her softhearted generosity.
In November, 1864, Major General William Tecumseh Sherman led an army of veteran Union troops through the heart of the Confederacy, leaving behind a path of destruction in an area that had known little of the hardships of war, devastating the morale of soldiers and civilians alike, and hastening the end of the war. In this intensively researched and carefully detailed study, chosen by Civil War Magazine as one of the best one hundred books ever written about the Civil War, Joseph T. Glatthaar examines the Savannah and Carolinas Campaigns from the perspective of the common soldiers in Sherman's army, seeking, above all, to understand why they did what they did. Glatthaar graphically describes the duties and deprivations of the march, the boredom and frustration of camp life, and the utter confusion and pure chance of battle. Quoting heavily from the letters and diaries of Sherman's men, he reveals the fears, motivations, and aspirations of the Union soldiers and explores their attitudes toward their comrades, toward blacks and southern whites, and toward the war, its destruction, and the forthcoming reconstruction.
These unique full-color books capture the events and emotions of times gone by through beautiful postcard images, personal messages, and captivating text. Each book is designed to bring alive not only the sights of the last century, but also the sentiments--whether those of a young actress telling her family that she's landed a job with Rudy Vallee's revue, or of an army corporal letting his friend know that he'll be discharged by Christmas 1941. Perfect as mementos, pictorial histories, and gifts, the Postcards From . . . Series transports you back in time, allowing you to explore the events, places, and people that have enriched our country and our culture.
The history of the American West is being transformed by exciting new ideas, new questions, new scholarship. For many years this field was dominated by popular images of the lone cowboy and the savage Indian, and by Frederick Jackson Turner's concept of the frontier as a steadily advancing source of democracy and social renewal. But now historians and even the merchants of popular culture are reshaping our views of the frontier and the West by taking up a rich array of new subjects, including the stories of diverse peoples as well as the history of the land itself. A new generation of scholars is reformulating the broader questions also: What was the significance of the frontier in American history? What are the bases of western identity? What themes connect the twentieth-century West to its more distant past? The transformation of western history continues to be an open-ended, turbulent process. The original essays in this volume are reports from the frontier of change. In their diverging assumptions and conclusions, they reflect the vitality of this field. They succeed when they make the case for new questions and suggest possible answers. They advocate no single agenda. But taken together they well represent the passion and high craft with which scholars are creating a new western history.
The author presents 134 of Wisconsin's noted historical houses, offering color photos, histories and descriptions, and practical travel information for each. All of these houses are open to the public. Learning about and touring these houses is like living the history of Wisconsin. Most were homes of substance, built by barons of industry, while others are more modest homes of figures who later became famous personages. Some are very large, and some are very small, such as Frank Lloyd Wright's 880-square-foot Seth Peterson Cottage, on Mirror Lake. All will be of interest to those who travel Wisconsin's roads in search of adventure and delight.
"Johann Kohl was an educated, urbane, and well-trained German geographer, ethnologist, and popular writer. During his visit with the Lake Superior Ojibwa in 1855, he made useful and unbiased studies of their material culture, religion, and folklore. . . . The extent of Kohl's observations is really amazing. They cover the fur trade, canoe building, domestic utensils, quillwork, native foods, hunting, fishing, trapping, cooking, toboggans, snowshoes, gardening, lodge building, games and warfare."--Museum of the Fur Trade Quarterly
Frogtown is a discerning portrait of an ethnically mixed neighbourhood that lies within the shadow of the Minnesota State Capital near downtown St. Paul. Wing Young Huie combines 130 compelling black-and-white photographs, some 50 quotes from talks with residents, and his own commentary to produce a powerful depiction of life on Frogtown's streets and front porches, in its kitchens and backyards, shops and churches. The images are documentary in nature, but the perspective is that of an artist who leaves meanings open to interpretation. Drawn to Frogtown by his own abiding curiosity, Huie spent two years photographing and getting to know its people -- working class whites, Southeast Asian immigrants, African Americans, American Indians, and Latinos. These exquisitely rendered images of Frogtown show the multiple realities that make up a dynamic urban neighbourhood. At the same time, they reflect the changing faces of American cities.