More than 300 black-and-white illustrations vividly portray the fair and its many faces. Historic photographs show long-gone amusements-the wooden Cannon Ball roller coaster, an organ grinder and his monkey, reenactments of famous battles at the Grandstand-as well as early versions of fair scenes that know no era: crowds, traffic jams, trinket sellers, prize winners. Reproductions of advertisements, posters, ribbons, lapel pins, and newspaper cartoons give a glimpse of the cheerful hype of promoters and the tongue-in-cheek commentary that accompanied their efforts. And contemporary photographs capture the fair's varied moods and scenes, from the early-morning preparations in a church dining hall through the stresses and joys of showing animals, the thrill of the Midway, the lure of deep-fried foods, and the excitement of being crowned a queen, to the clean-up of tons of garbage in the night's wee hours.
Along with the glitter and the fun, the Minnesota State Fair has always been a microcosm of midwestern life. Almost 150 years of cultural, social, aesthetic, economic, and technological change have left their mark on the venerable institution. And, at the same time, the fair has made its mark on society-urban as well as rural. Displays of women's work or farm machinery, the fine arts or the prize bull-all have been part of the fair's dual mission of education and entertainment. Each of Blue Ribbon's chapters focuses on one such topic, showing how the state fair grew and responded to prevailing tastes and conditions-and how it sometimes acted as a powerful agent of change.
Art and architecture, politics, social movements, and agricultural history are all part of this story-along with the dimensions of giant radishes, the memories of early fairgoers, and a listing of the calories in favorite state fair foods. Like the fair itself, this book offers something for everyone. Here are the sights, if not the smells and sounds, of "The World's Greatest State Fair."
No figure has contributed as much to American culture as that of the cowboy. Describing American dreams and values as seen through the cowboy image, Jack Weston contrasts that image with reality: the hardworking rider who had to fight not only the elements but his employer in order to make a slender living. The Real American Cowboy is a fascinating account of real life in the Wild West-not glamorous as in the movies, but full of the excitement of a hard and dangerous trade. The very special treatment of the cowboy image in nineteenth-century journalism and the dime novel, and in the twentieth-century media as well, explains the growth of the cowboy myth and its effect on America's goals and assumptions. In analyzing the differences between the myth and the historical reality, this book offers an important new assessment of the Western-and the West-in fiction, film, and in life.
James McPherson has emerged as one of America's finest historians. Battle Cry of Freedom, his Pulitzer Prize-winning account of the Civil War, was a national bestseller that Hugh Brogan, in The New York Times Book Review, called "history writing of the highest order." In that volume, McPherson gathered in the broad sweep of events, the political, social, and cultural forces at work during the Civil War era. Now, in Abraham Lincoln and the Second American Revolution, he offers a series of thoughtful and engaging essays on aspects of Lincoln and the war that have rarely been discussed in depth.
McPherson again displays his keen insight and sterling prose as he examines several critical themes in American history. He looks closely at the President's role as Commander-in-Chief of the Union forces, showing how Lincoln forged a national military strategy for victory. He explores the importance of Lincoln's great rhetorical skills, uncovering how--through parables and figurative language--he was uniquely able to communicate both the purpose of the war and a new meaning of liberty to the people of the North. In another section, McPherson examines the Civil War as a Second American Revolution, describing how the Republican Congress elected in 1860 passed an astonishing blitz of new laws (rivaling the first hundred days of the New Deal), and how the war not only destroyed the social structure of the old South, but radically altered the balance of power in America, ending 70 years of Southern power in the national government.
The Civil War was the single most transforming and defining experience in American history, and Abraham Lincoln remains the most important figure in the pantheon of our mythology. These graceful essays, written by one of America's leading historians, offer fresh and unusual perspectives on both.
Government officials and missionaries wanted all Sioux men to become self-sufficient farmers, wear pants, and cut their hair. The Indians, confronted by a land-hungry white population and a loss of hunting grounds, sought to exchange title to their homeland for annuities of cash and food, schools and teachers, and farms and agricultural knowledge. By 1862 the Sioux realized that their extensive kinship network and religion were in jeopardy and that the government would not fulfill its promises.
With their way of life endangered, the Sioux turned to Little Crow to lead them in a war for self-preservation, a war that Little Crow had tried to avoid during most of his adult life. Within a year, the Sioux had been evicted from Minnesota, Little Crow was dead, and a way of life had vanished. Through his life-his biography-the complex interrelationship of Indian and white can be studied and, in some measure, understood.
Pulitzer Prize-winning author Wallace Stegner tells about a thousand-mile migration marked by hardship and sudden death-but unique in American history for its purpose, discipline, and solidarity. Other Bison Books by Wallace Stegner include Mormon Country, Recapitulation, Second Growth, and Women on the Wall.
The companion volume to the celebrated PBS television series, with a new preface to mark its twenty-fifth anniversary
With more than 500 illustrations: rare Civil War photographs--many never before published--as well as paintings, lithographs, and maps reproduced in full color