Pull up a chair (or 100) for this midcentury design showcase.
Here is a stylish guide to the top 100 most interesting, most controversial, or simply most beautiful chairs designed between 1930 and 1970. Get to know the designers of the Modern era, including the Eames, Jacobsen, Nakashima, Noguchi, Wegner, and many more, through their creative and unique chair designs. With notes on materials, manufacturers, and construction, entertaining quotes by designers and fans about each chair, a brief biography of each designer, the stories behind the designs, and even a 'chair timeline' showcasing the very best of European, Scandinavian, Japanese, and American design, 100 Midcentury Chairs And Their Stories is a must for Midcentury enthusiasts and design history fans everywhere.
Lucy Ryder Richardson is co-owner of the hugely successful brand Modern Shows, and has forged partnerships with brands including Elle Decoration (UK) and Saatchi & Saatchi, as well as advising TV producers and leading collectors. She writes for online design blogs Inside Modernism and Destination Modernism, and maintains the Modern Marketplace directory, an indispensable guide to dealers in midcentury furnishings as well as contemporary designers and retailers.
Studying, exhibiting, and collecting Gustave Stickley's austere, functional designs for furniture and other home furnishing continue to be major pursuits of scholars, curators, dealers, and collectors in the decorative field. This volume brings back into print two original Craftsmen catalogs illustrating and describing a broad range of Stickley's furniture designs, complete with the original captions citing materials, dimensions, and prices.
Among the furniture shown are armchairs, rockers, stools, settees, desks, beds, music cabinets, drop-leaf tables, nests of tables, chests of drawers, sideboards, china cabinets and dressers. The other items offered in the catalogs include wicker baskets, fabrics, pottery, lamps, china, silverware, and glass.
With over 200 detailed illustrations and descriptions, these two catalogs, first published in 1912 and ca. 1915, are essential reference materials and identification guides for Stickley furniture. In addition, they offer social historians and students of Americana documentation of the new design trend and philosophy that swept America in the early years of the twentieth century, creating a bold break with the past and setting new directions in modern design.
Acknowledged as the journal of record in its field, American Furniture presents new research on furniture design, use, production, and appreciation. Begun in 1993, this award-winning annual provides a comprehensive forum on furniture history, technology, connoisseurship, and conservation by the foremost scholars in the field. It is the only interdisciplinary journal devoted exclusively to furniture made or used in the Americas from the seventeenth century to the present.
Of the more than one hundred experiments in communitarian living that proliferated in America during the nineteenth century, the Untied Society of Believers in Christ's Second Appearing, whose adherents are best known as Shakers, is certainly one of the most interesting, successful, and enduring. This book is a collection of furniture made by members of this remarkable American religious sect.
Twentieth-century Brazilian furniture design is perhaps the last great largely unknown tradition of modernism, characterized by rich and sensually textured hardwoods and an ingenuity, grace, and simplicity that exemplify the national character of brasiliadade. With well over 400 historic images and new photography, Brazil Modern: The Rediscovery of Twentieth-Century Brazilian Furniture surveys the history and legacy of this innovative design tradition. Featuring the work of the titans of Brazilian design--Lina Bo Bardi, Oscar Niemeyer, Joaquim Tenreiro, and Sergio Rodrigues--as well as numerous designers whose work and reputations only recently reached foreign shores, Brazil Modern is the first comprehensive guide to this untapped vein of modernist design.
Inspired by the 150th anniversary of Canadian confederation -- the same year recognizing 375 years of settlement in Montreal -- Quebec antiques professional Peter E. Baker brings life to Canadian history and demonstrates how antiques and folk art can successfully be incorporated into a contemporary lifestyle, providing a home with a unique identity.
Drawing from a single collection, the author selects and showcases objects spanning three centuries of Canadian history, from the early days of French settlement to the creative boom of late-20th-century folk artists. Amply illustrated, and written in a conversational, easy-to-read style, this is not a traditional technical study of antiques representing a specific type or region. Celebrating Canada showcases the story and the artistic merits of each object.
Westerners have long admired Chinese furniture for its durability, inner strength, quiet restraint, and simple dignity. Especially attractive to the educated eye are its purity of line, devotion to detail, and flawless construction. This unabridged reprint of a rare classic provides lovers of Chinese furniture with an enlightened discussion of the accomplishments achieved by fine craftsmen over the centuries, including the aesthetic levels attained during the early Shang period (1766-1123 B. C.), the transitional phase of cabinetmaking during the Yuan Dynasty (1280-1368 A.D.), and the perfection in craftsmanship reached during the Ming Dynasty (1368-1644 A.D.). The text also reviews the origins and development of basic forms and methods of construction -- from the selection of wood to its processing, cutting, joining, ornamentation, and final polishing.
Long considered the definitive work on Chinese hardwood furniture in a Western language, this indispensable guide contains 161 superb plates that include photographs and drawings of tables, chairs, couches, cabinets, cupboards, and wardrobes. There are also measured drawings for 21 exquisitely crafted pieces for woodworkers interested in creating authentic Chinese furniture.
When the first edition of this volume was published more than 40 years ago in Peking, only 200 copies were printed. Today, each of the few remaining originals is worth several thousands of dollars. Now available in a handsome and affordable reprint edition, this volume is a unique addition to the libraries of woodworkers, art lovers, and anyone interested in Chinese culture and d cor.
A Field Guide to Identifying Woods in American Antiques & Collectibles is the authority on wood identification. Beginning with general information about the featured woods, the book then delves into hundreds of detailed photographs, even at a macroscopic level, depicting the critical characteristics used in identification. Ultimately, each wood is presented in two or more antique or collectible objects to illustrate the traits that confirm the wood's identification.