Finalist for Pulitzer Prize for General Nonfiction
Finalist for National Book Critics Circle Award for Nonfiction
Bob Dylan's lyrics are at once abstruse and evocative, urgent and timeless. But, as Mike Marqusee's compelling study makes clear, behind the anarchy and playfulness of Dylan's imagery lie meanings that are often highly charged with political and social concerns. politics that unlocked his own astonishing songwriting ability, evidenced by dazzling responses in the early 1960s to the civil rights movement and the threat of nuclear war. Marqusee traces the young song-writer's subsequent reluctance to be pigeonholed, his rejection of protest, and his turn to electric rock at the Newport Folk Festival in 1965. He shows the way folk tradition, modernism, and commercial popular culture are sublimely fused in Dylan's masterworks of the mid-1960s, notably on the albums Highway 61 Revisited and Blonde on Blonde, and discusses the artist's quest for American identity-amid the continuing carnage in Vietnam and growing chaos at home - in The Basement Tapes.
A study of the evolution of American women's clothing, When the Girls Came Out to Play traces the history of modern sportswear as a universal style that broke down traditional gender roles. Patricia Warner shows how this profound cultural shift, which did not reach fruition until World War II, originated during the previous century with the gradual expansion of socially acceptable physical activity for women. Behind this development was a growing interest in sports and exercise that was further nurtured by the establishment of schools of higher education for women.The participation of women in athletic pursuits previously reserved for men began with the relatively genteel sports of croquet and tennis. With the founding of women's colleges, these ladylike games were supplemented by more vigorous activities and competitive team sports, from gymnastics to swimming to basketball. At first, Warner points out, women literally had nothing to wear for these activities. Whereas such fashionable attire as corsets, petticoats, hats, and gloves could be worn while playing outdoor lawn games, more strenuous athletic endeavors required less physically restrictive clothing. Even so, change came only gradually, as women's colleges, shielded from public scrutiny and prying male eyes, permitted the adoption of looser, more comfortable apparel for physical education. Many of these new outfits featured trousers, garments considered taboo for women, though they often remained hidden beneath voluminous skirts.Over time, however, the practicality and versatility of such clothing led to social acceptance, laying the foundation for the emergence of the now ubiquitous yet distinctly American style known as sportswear. Although we take it for granted, Warner observes, this is the first time in the history of the world that such universality has existed in clothing, and it has lasted now for well over half a century--in itself a marvel, considering the speed of fashion change in an era of instant messages and images.
"A powerful book, hard to forget . . . Carcaterra is an excellent writer, changing pace here and there but never letting the reader go. . . . Sensitive, humorous, and harrowing, featuring dialogue with perfect pitch."--The Denver Post "A gut-wrenching piece of work . . . Lorenzo] Carcaterra's graphic narrative grips like gunfire in a dark alley."--The Atlanta Journal-Constitution "A terrifying account of brutality and retribution, searing in its emotional truth, peopled with murderers, sadists, and thugs, but biblical in its passion and scope."--People
Hip: The History is the story of how American pop culture has evolved throughout the twentieth century to its current position as world cultural touchstone. How did hip become such an obsession? From sex and music to fashion and commerce, John Leland tracks the arc of ideas as they move from subterranean Bohemia to Madison Avenue and back again. Hip: The History examines how hip has helped shape -- and continues to influence -- America's view of itself, and provides an incisive account of hip's quest for authenticity.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
"Obama's writing is incisive yet forgiving. This is a book worth savoring."--Alex Kotlowitz, author of There Are No Children Here "One of the most powerful books of self-discovery I've ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel."--Charlayne Hunter-Gault, author of In My Place
"Dreams from My Father is an exquisite, sensitive study of this wonderful young author's journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white."--Marian Wright Edelman
Studio 54 was the epicenter of disco culture and pre-AIDS debauchery. Now, journalist and nightworld denizen Anthony Haden-Guest takes us behind the velvet rope that separated the celebrities from the wanna-bes, into an all-night world of revelry, sensation, and decadence.
Going beyond the endless partying with Liza, Bianca, Halston, Andy, and Mick, Haden-Guest probes the seamy underside of Studio 54: the drugs, the deaths, and the corruption that eventually shuttered the club. It is the story of Studio 54's flamboyant owners, Steve Rubell and Ian Schrager, who achieved early success beyond their wildest imaginings, came within a hair's breadth of great power, and then crashed and burned.
"Chuck Klosterman IV" Consists of Three Parts:
THINGS THAT ARE TRUE
Profiles And Trend Stories: Britney Spears, Radiohead, Billy Joel, Metallica, Val Kilmer, Bono, Wilco, The White Stripes, Steve Nash, Morrissey, Robert Plant -- All With New Introductions And Footnotes.
THINGS THAT MIGHT BE TRUE
Opinions And Theories On Everything From Monogamy To Pirates To Robots To Super People To Guilt And (Of Course) Advancement -- All With New Hypothetical Questions And Footnotes.
SOMETHING THAT ISN'T TRUE AT ALL
This Is New Fiction. There's An Introduction, But No Footnotes. Well, There's A Footnote In The Introduction, But None In The Story.