A mystifying group of carpets and tapestries created along the Silk Route over five hundred years ago is the topic of this richly illustrated book. The carpets and tapestries with riveting yet puzzling designs have been preserved in closed treasure houses in the former Japanese capital since the fourteenth to fifteenth centuries. They are brought out only one day a year for a Shinto-Buddhist festival procession and quickly returned to storage. This book is about their shrouded origin in China, the pariahs who wove them, the meaning of their obscure motifs, and the reasons for the secrecy continuing to surround their exhibition. Early Carpets and Tapestries on the Eastern Silk Road is written by Gloria Granz Gonick, Art Historian and Research Associate at The Fowler Museum at UCLA, former Guest Curator for Matsuri Japanese Festival Arts, and former Museum Curator for the Los Angeles Craft and Folk Art Museum. She has studied the collections and their intriguing past over the past two decades during multiple research visits to China and Japan. The sites in Asia where the carpets and tapestries were created centuries ago, and over two hundred exemplary artworks have been photographed in color, and documented for this fascinating volume. Contents: Introduction: A Collection of Carpets and Painted Wool Tapestries; The Two Mystery Collections: The Pile Carpets and Painted Tapestries; The Search for Provenance; The Painted Tapestries Preserved in China; Manichaeanism - The Religion Of Light, Vegetarianism; Change: The Challenge in China: Time, Space, and Terminology; Chinese Minority Costumes and Textiles: The Monguor; Painter-devotees in Northwest China: Murals and Mandala; Features of the Carpets and Painted Tapestries Preserved in Japan; Manichaen Motifs Depicted on the Carpets And Painted Tapestries; Painted Tapestries ( crane tapestries ) Produced in China's Southern Coastal Towns; Conclusions."
Imperial Threads brings a new perspective to Islamic art by exploring the connection between four major dynasties--the Ottoman (1299-1923), Timurid (1370-1507), Safavid (1501-1736) and Mughal (1526-1857) empires--that mark the start of the early modern period.
(Due to the development of firearms during that period, these dynasties are commonly referred to as the "Gunpowder Empires.") Focusing on carpets as the primary medium, the volume also features manuscripts, metalwork, ceramics and more. Across a wide range of mediums, we find a selection of recurring motifs, some of which have maintained their original form or evolved stylistically to conform with cultural and artistic trends. These objects are contextualized within the politics and artistic production of their time.
- Foreign terms
- Place names
- The Oriental Rug lexicon
- Museums with notable rug collections
- Oriental rug internet sites
- Contains many previously unseen and unpublished pieces from a highly regarded collection- Book design by a top UK graphic designer, Misha Anikst, with photographs by the USA's leading specialist carpet/textile photographer, Don TuttleThis book features the collector/author's well informed views about a careful selection of mainly 19th century knotted pile carpets and flatwoven covers in various techniques from his own extensive collection, which has been built up over a period of more than five decades. Many of the rugs, which are all of the highest graphic and artistic quality, have been acquired without recourse to the open market and are therefore previously unseen and unpublished. Raoul (Mike) Tschebull's long experience in the genre allows insights that go beyond the conventional wisdom of the traditional antique oriental carpet bazaar. His collecting career began under the aegis of one of the great US collectors of a previous generation, Joseph V. McMullan. This beautifully illustrated book will include a general introduction to the region, which straddles the present-day border between north-western Iran and the Republic of Azerbaijan, setting the context for the focused presentation of some 70 examples, each with the author's comments about design, structure, technique and attribution, providing a matrix within which dating can be considered. In-country field experience colors some of his views, and extracts from his field notes and accompanying images will be included the book.
- First book on the subject of antique Azerbaijan silk embroideries - Contains previously unpublished research and previously unseen material- By a selection of world-leading experts and scholarsPublished on the occasion of an important international loan exhibition at The Azerbaijan National Museum in Baku, this multi-author book is much more than a mere catalog. Containing previously unpublished research and a wealth of previously hidden material from museums and private collections around the world, and written by a team of international museum professionals and independent scholars, it is the first coordinated and detailed study of the West Caspian region's characteristic silk embroideries. The book traces the history of embroidery in the Caucasus, the multi-cultural sources of domestic embroidery, iconography and designs in which the textile traditions of the Iranian and Turkic worlds meet, materials and needlework techniques, as well as the relationship between embroidery and the pile carpet weaving tradition in the region.
This book is regarded as the most authoritative work on tribal rugs. The colorful way of life, often associated with its arduous and ancient patterns of migrations through rugged and spectacular landscapes, forms the backdrop of this much needed book.This book paints a fascinating picture, not only showing superb examples of tribal rugs but also the way in which they are woven and the life of the tribes themselves.The author's many years of study and close association with the tribespeople responsible for these stunning rugs and fabrics enables her to speak with authority, not only about well-known groups such as the Qashqa'i of southwest Iran, the Baluch of the southeast, the widespread Kurds and the Turkoman, but also such important weaving groups as the Shahsavan of the north regions.In short, Jenny Housego is able to describe the rich elements in the design as well as giving technical notes on the weaving so that the text and pictures together form an essential introduction for anyone who knows or cares about rugs.