This is the first complete study and reappraisal of the remarkable collection of Japanese art at the Cincinnati Art Museum. It features a wealth of artifacts, including paintings and ceramics, metal objects and weaponry, screens, masks, cloisonn enamel, lacquer ware, ivory carvings, kimonos, and dolls, the majority dating from the Edo period (1615-1868) to the end of the Meiji Period in 1912.
In addition to an important introduction by Hou-mei Sung, curator of Asian art, there are contributions by two leading guest authors from Japan, professor Keiko Nakamachi and professor Masahiko Aizawa, who study the painted screens in the collection.
Howard Kottler (1930-1989) was one of the West Coast ceramists who helped to redefine the entire field of contemporary American ceramic art. Patricia Failing's comprehensive and richly illustrated study is the first survey and summation of his work and is based on a series of interviews Kottler initiated after learning of his terminal illness. The artist's remarks - informed and wittily unpretentious - provide a vivid subtext to Failing's own thoughtful and compelling observations linking Kottler's innovative work with other developments in American visual arts.
The book chronicles the evolution of an artist, thoroughly grounded in the traditional crafts and ceramics technology in the 1950s, who then established a rapport between his work and new directions in mainstream painting and sculpture. By the 1980s Kottler had become a conceptual artist who approached his materials as vehicles for art-historical commentary and physical eroticism, and as metaphors for probing the unbridgeable gap between the Self and the Other.
In assessing Kottler's position and influence, Failing discusses his long teaching career and his role as exuberant gadfly to the ceramics establishment, but the focus of her analysis is on the intellectual range and sophistication of his artistic accomplishment. She establishes the major influences on Kottler, including his earliest teachers at Ohio State University and Cranbrook, significant art movements, travel, and his enduring interaction with his students at the University of Washington. Her book affords a masterful review of Kottler's complex development as an artist and, in so doing, provides an index of the profound transitions undergone by the field of American ceramics since the late 1950s.
Whether called maiolica or majolica, vivid tin-glazed ceramics have delighted pottery lovers for centuries with a depth and luminosity that cannot be achieved using other decorative techniques. This unique ceramic process offers endless possibilities for functional pieces as well as more sculptural works. Ceramicists who wish to begin exploring this historic and increasingly popular coloring method will find everything they need to know in Maiolica, a handbook by celebrated potter and educator Daphne Carnegy.
This practical, concise guide covers the essential steps of creating maiolica ware, from clay selection to glaze firing. In a down-to-earth tone, Daphne Carnegy explains how to choose the right clay body, compose glazes, and use glaze application techniques such as brushwork, wax resist, decals, lusters, and enamels. Maiolica includes glaze recipes and a chapter on troubleshooting, as well as important health and safety information. Each procedure and concept is presented in clear detail, accompanied by color photographs and easy-to-read tables. In addition to providing how-to instruction, this inspiring book celebrates maiolica traditions as far back as ninth-century Mesopotamia. It also shares useful insights from many of the best artists working in the medium today.
With 100 full-color illustrations and supportive instruction from one of the world's finest potters, this beautiful and useful book is an excellent choice for novice potters and ceramics teachers alike.
Like most of China's amazing archaeological discoveries, the terracotta army was found by accident. It came to light in 1974 when local farmers were drilling a well. Since then, remarkable discoveries at the First Emperor's burial site have ben ongoing, revealing the wealth of China's ancient past.
With contributions from leading scholars, China's Terracotta Warriors presents a panoramic view of Qin artistic, military, and administrative achievements under the powerful ruler sho proclaimed himself First Emperor of China. In addition to findings from his tomb complex, it examines the period of Chinese history preceding the First Emperor's reign (246-210 BCE) and his establishment of the Qin empire and dynasty in 221 BCE.
The Qin state had been in existence for over half a millennium before the First Emperor came to the throne, and its rulers had played their parts in the evolution of a small state into a superpower. Only in recent years has that history been revealed through a series of remarkable and often accidental discoveries of tombs and burials of early Qin royals and aristocracy. In the absence of substantive and reliable written sources, it is this archaeological evidence which provides clues to Qin's rise from state to empire.
China's Terracotta Warriors is published to accompany exhibitions at the Minneapolis Institute of Arts and the Asian Art Museum of San Francisco
Used to embellish objects of great value and importance, enamelling is an artistic process that has been in existence for more than 1000 years. Craftsmen from throughout the world have experimented with this complex process that fuses layers of coloured glass to metal.
Flora S. Kaplan draws on several disciplines and techniques to describe, classify, and interpret style in the black-on-red glazed pottery tradition of Puebla, Mexico.
The concept of style although widely used in archaeology, ethology, and art history often is too vague to be useful in developing either an empirical methodology for its study or in illuminating the creative and cognitive processes in human beings. Kaplan, however, rigorously defines style in her study of a single functioning style of utilitarian folk pottery and seeks to explicate the conditions in which creative and cognitive processes take place. In her search for meaning in group style as well as for a replicable methodology for the systematic analysis and comparative study of style in material culture, Kaplan turns to the techniques of ethnology, archaeology, and linguistics, thus providing a basis for a testable model.
The markings, the color, the sizes, the shapes in short, the style of this black-on-red pottery are an expression of a number of ancient themes and myths that have shaped the Indian view of life over a long period. Some of these themes and myths have been rephrased with new meaning and expression over the years as changes have occurred, particularly the Spanish conquest and colonialism, independence, and revolution; but many more can be traced back to their Aztec roots. Viewing the history of this pottery as a microcosm of the history of the country and its people, Kaplan notes that "this folk pottery has transcended its homely origins to become a significant art form, one that conveys the essence of Mexicaness. The pottery and its use serve to define social relations among realigned classes in the region and nation."
Kaplan discusses the nature and extent of the community formed by the potters of black-on-red ware, describing and classifying the pottery and the raw materials used. She examines the technique of pottery making by focusing on the role of learning and specialization in the transmission of style. Kaplan explores the patterns of traditional pottery and looks at distribution of the ware as well as at the daily and ceremonial contexts of its use, suggesting that style in material culture is a system that embodies group identity and provides a basis for group action."
The designs of Clarice Cliff are among the most striking and collectable ceramics produced in the 20th century. Angular and uncompromising, embellished in strident primary colors, they were a sensation when they appeared in the 1920s, capturing the spirit of the Art Deco movement. Her teaware is as sought after today as it was then, her most collected designs, such as her Bizarre ware, commanding high prices. This beautifully photographed book evokes the mood of the Art Deco era as it conveys the enormous charm and range of Cliff's work in china tea services. It offers a complete record of her teaware designs as well as a fascinating look at her life and work.
Fall in love with flames, wood, and the effect that unique firing methods have on pottery. Move beyond the electric kiln and explore the dramatic surfaces of raku, the flashes of salt firing, and the rustic look of ash rivulets. In this book, Lindsay Oesterritter provides a crash course in the most accessible methods of alternative firing.
Raku firing requires minimal equipment and can easily be fueled with a standard propane tank. Likewise, pit and barrel firing do not require much in the way of initial investment. Yet all these techniques provide an immediate glimpse into the magic of firing. Bright reds and blues, dramatic black and white crackle, even metallic luster are instantly possible. For more experienced potters and studios looking to offer more, Oesterritter also explores wood-fired kilns. Drawing on years of experience and extensive interviews with fellow wood-fire potters, there is no comparable resource on the market.
Features on top potters working today get to the heart of specialty techniques and asides show firing variations and traditional kilns in different cultures around the world. A gallery of showstopping work from a diverse group of artists round out the package and inspire you to get started.
This practical and supremely useful manual is the first comprehensive, hands-on introduction to Japanese ceramics. The Japanese ceramics tradition is without compare in its technical and stylistic diversity, its expressive content, and the level of appreciation it enjoys, both in Japan and around the world. Inside Japanese Ceramics focuses on tools, materials, and procedures, and how all of these have influenced the way traditional Japanese ceramics look and feel. A true primer, it concentrates on the basics: setting up a workshop, pot-forming techniques, decoration, glazes, and kilns and firing. It introduces the major methods and styles that are taught in most Japanese workshops, including several representative and well-known wares: Bizen, Mino, Karatsu, Hagi, and Kyoto.While presenting the time-tested techniques of the tradition, author Richard L. Wilson also accommodates modern technologies and materials as appropriate. Wilson has gathered a wealth of information on two fronts--as a researcher of Japanese pottery and art history, and as a potter who has studied and worked for years with master Japanese potters. In his introduction, he provides a short history of Japanese ceramics, and in closing he looks beyond traditional methods toward ways in which Western potters can make Japanese methods their own. Richly illustrated with 24 color plates, over 100 black-and-white photographs, and over 70 instructive line-drawings, Inside Japanese Ceramics is indispensable for potters as well as connoisseurs and collectors of Japanese ceramics. Above all, it is an invitation to participate--to study, make, touch, and use the exquisite products of the Japanese ceramic tradition.
One of the world's great decorative art traditions still in vogue today, brilliantly colored hand-painted tiles have decorated Portuguese buildings for centuries, from the humblest homes to the most lavish palaces, villas, churches, and monasteries. More than 200 full-color illustrations, specially commissioned for this book, vividly capture this traditional art form in its architectural context. The details of tile craftsmanship are also shown in close-up images. The text provides an overview of the history of azulejos (tiles) and features sites in Lisbon and the surrounding region where the finest examples of azulejo art are found. Azulejos reflect the Moorish influences of the 16th century, the exuberance of Mannerism and the Baroque, the 18th century golden age of azulejos, and modernist styles as found in the underground metropolitano of Lisbon. Complete captions, a glossary, an explanation of techniques, and a list of commercial sources make this volume as practical as it is inspirational.