Light and water have a primordial appeal, but they also present many aesthetic, technical, and safety challenges to the growing numbers of ceramicists who want to combine these fascinating elements with the translucent quality of porcelain. Over the past three decades, Margaret O'Rorke has met these challenges and produced a body of amazing installations, sculptures, lighting fixtures, and fountains. In Clay, Light, and Water, O'Rorke shares her expertise in working with these fluid media.
Beginning with a brief history of early oil lamps, Clay, Light, and Water delves into the nature of the basic materials required to fashion porcelain, bone china, and earthenware light holders. O'Rorke provides step-by-step instructions for each stage of construction, including throwing, shaping, firing, and wiring. She addresses the importance of such factors as the source of clay and the space the finished piece will inhabit. Because building ceramic light holders and fountains involves electricity and moving water, O'Rorke pays special attention to safety precautions. She also gives advice on collaborating with electricians and other professionals. Detailed instructions are paired with vivid photographs. This inspirational handbook also includes discussions between O'Rorke and other leading potters and sculptors from Kentucky to Helsinki.
Ceramic artists and designers will find many useful and illuminating approaches in this unique full-color guide. Clay, Light, and Water will encourage more craftspeople to make beautiful fusions of natural materials and technology that can be decorative, functional, or purely expressive.
Like most of China's amazing archaeological discoveries, the terracotta army was found by accident. It came to light in 1974 when local farmers were drilling a well. Since then, remarkable discoveries at the First Emperor's burial site have ben ongoing, revealing the wealth of China's ancient past.
With contributions from leading scholars, China's Terracotta Warriors presents a panoramic view of Qin artistic, military, and administrative achievements under the powerful ruler sho proclaimed himself First Emperor of China. In addition to findings from his tomb complex, it examines the period of Chinese history preceding the First Emperor's reign (246-210 BCE) and his establishment of the Qin empire and dynasty in 221 BCE.
The Qin state had been in existence for over half a millennium before the First Emperor came to the throne, and its rulers had played their parts in the evolution of a small state into a superpower. Only in recent years has that history been revealed through a series of remarkable and often accidental discoveries of tombs and burials of early Qin royals and aristocracy. In the absence of substantive and reliable written sources, it is this archaeological evidence which provides clues to Qin's rise from state to empire.
China's Terracotta Warriors is published to accompany exhibitions at the Minneapolis Institute of Arts and the Asian Art Museum of San Francisco
Whether called maiolica or majolica, vivid tin-glazed ceramics have delighted pottery lovers for centuries with a depth and luminosity that cannot be achieved using other decorative techniques. This unique ceramic process offers endless possibilities for functional pieces as well as more sculptural works. Ceramicists who wish to begin exploring this historic and increasingly popular coloring method will find everything they need to know in Maiolica, a handbook by celebrated potter and educator Daphne Carnegy.
This practical, concise guide covers the essential steps of creating maiolica ware, from clay selection to glaze firing. In a down-to-earth tone, Daphne Carnegy explains how to choose the right clay body, compose glazes, and use glaze application techniques such as brushwork, wax resist, decals, lusters, and enamels. Maiolica includes glaze recipes and a chapter on troubleshooting, as well as important health and safety information. Each procedure and concept is presented in clear detail, accompanied by color photographs and easy-to-read tables. In addition to providing how-to instruction, this inspiring book celebrates maiolica traditions as far back as ninth-century Mesopotamia. It also shares useful insights from many of the best artists working in the medium today.
With 100 full-color illustrations and supportive instruction from one of the world's finest potters, this beautiful and useful book is an excellent choice for novice potters and ceramics teachers alike.
In the mid-20th century, ceramics evolved from a utilitarian craft or therapeutic hobby into a well-recognized fine art that continues to occupy a place in today's art world. In this pioneering study, leading scholar Martha Drexler Lynn explores how and why this shift occurred by examining the pivotal period for the maturation of American studio ceramics. Lynn traces critical developments in ceramics education, exhibition, patronage, and technology from 1940 to 1979, as magazines dedicated to the practice appeared, institutional support flourished, audiences grew, and star artists emerged.
The most in-depth history of American studio ceramics to date, this book is the first to fully explore the works of art alongside the societal trends that shaped them and the organizations that propelled the movement. Lynn considers the movement's fluctuation across geographic regions as well as stylistic responses to advances in technology and cultural influences from across the United States and abroad. Key patrons and practitioners such as Aileen Osborn Webb, Glen Lukens, Peter Voulkos, and Robert Arneson are featured alongside lesser-known figures. This groundbreaking volume illustrates how studio ceramics came to define itself and challenged the boundaries between fine art and craft. It will be a definitive resource on the movement for years to come.
Flora S. Kaplan draws on several disciplines and techniques to describe, classify, and interpret style in the black-on-red glazed pottery tradition of Puebla, Mexico.
The concept of style although widely used in archaeology, ethology, and art history often is too vague to be useful in developing either an empirical methodology for its study or in illuminating the creative and cognitive processes in human beings. Kaplan, however, rigorously defines style in her study of a single functioning style of utilitarian folk pottery and seeks to explicate the conditions in which creative and cognitive processes take place. In her search for meaning in group style as well as for a replicable methodology for the systematic analysis and comparative study of style in material culture, Kaplan turns to the techniques of ethnology, archaeology, and linguistics, thus providing a basis for a testable model.
The markings, the color, the sizes, the shapes in short, the style of this black-on-red pottery are an expression of a number of ancient themes and myths that have shaped the Indian view of life over a long period. Some of these themes and myths have been rephrased with new meaning and expression over the years as changes have occurred, particularly the Spanish conquest and colonialism, independence, and revolution; but many more can be traced back to their Aztec roots. Viewing the history of this pottery as a microcosm of the history of the country and its people, Kaplan notes that "this folk pottery has transcended its homely origins to become a significant art form, one that conveys the essence of Mexicaness. The pottery and its use serve to define social relations among realigned classes in the region and nation."
Kaplan discusses the nature and extent of the community formed by the potters of black-on-red ware, describing and classifying the pottery and the raw materials used. She examines the technique of pottery making by focusing on the role of learning and specialization in the transmission of style. Kaplan explores the patterns of traditional pottery and looks at distribution of the ware as well as at the daily and ceremonial contexts of its use, suggesting that style in material culture is a system that embodies group identity and provides a basis for group action."
--Ben Carter, author of Mastering the Potter's Wheel
Whether you look forward to glazing your work or are guilty of saying "I hate glazing " Amazing Glaze is for you. Join author and Odyssey Clayworks founder Gabriel Kline on a journey that makes glazing less intimidating and more fun. Start in the "glaze kitchen" where you'll set yourself up for success, then move on to learning the tools and techniques for getting your glaze right every time. Along the way, Gabriel shares dozens of tried-and-true recipes and combinations for both mid-range and high-fire glazes.
The recipes and foundational techniques of Amazing Glaze are just the beginning. Learn about layering with slip and underglaze, work with resists, and combine techniques to take your glazing above and beyond. Whether you're after crystalline effects, an elusive red, or a crash-course in applying decals it's all here. A variety of artist features and stunning gallery work from today's top artists will leave you inspired and ready to get glazing.
An extraordinary blend of narrative history and memoir, by the author of the award-winning and bestselling international sensation, The Hare with Amber Eyes
In The White Road, artist Edmund de Waal gives us an intimate portrait of his lifelong obsession with porcelain, or "white gold." A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected, and coveted--and that would help him understand the clay's mysterious allure. From his studio in London, he begins by travelling to three "white hills"--sites in China, Germany, and England that are key to porcelain's creation. But his search eventually leads him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.
Part memoir, part history, part detective story, The White Road chronicles a global obsession with alchemy, art, wealth, craft, and purity.
The artists of the influential Rorstrand porcelain factory in Sweden created some of the most beautiful decorative objects of the Art Nouveau style. In his fascinating and authoritative text, Bengt Nystrom focuses on the Rorstrand factory's designers and their revolutionary forms during the period 1865 to 1915, when the firm successfully competed artistically with Tiffany and Galle in the great international expositions that showcased and helped to propagate the Art Nouveau style.
Inspired by late 19th-century crafts movements fathered by William Morris, the artists of the Rorstrand factory took nationalistic pride in incorporating their indigenous flora and fauna into their exquisite designs, transforming wintry berry springs and northern sea creatures into elegant three-dimensional works of art that appealed to a sophisticated European clientele.
Illustrated with objects from Robert Schreiber's outstanding collection, supplemented with craftsmen's drawings and archival documents, Nystrom's thoroughly researched text includes engaging glimpses of the culture surrounding Rorstrand (a former castle), especially the close-knit community of insightful administrators, talented designers and inventors, and artisans. The book chronicles not only the company's artistic achievements but the day-to-day personalities and decisions behind the emergence of this once-utilitarian factory as the birthplace of some of Sweden's most beautiful decorative objects.
One of the world's great decorative art traditions still in vogue today, brilliantly colored hand-painted tiles have decorated Portuguese buildings for centuries, from the humblest homes to the most lavish palaces, villas, churches, and monasteries. More than 200 full-color illustrations, specially commissioned for this book, vividly capture this traditional art form in its architectural context. The details of tile craftsmanship are also shown in close-up images. The text provides an overview of the history of azulejos (tiles) and features sites in Lisbon and the surrounding region where the finest examples of azulejo art are found. Azulejos reflect the Moorish influences of the 16th century, the exuberance of Mannerism and the Baroque, the 18th century golden age of azulejos, and modernist styles as found in the underground metropolitano of Lisbon. Complete captions, a glossary, an explanation of techniques, and a list of commercial sources make this volume as practical as it is inspirational.