- Historical Background
- Characteristics and Aesthetic Qualities
- Classification of Suiseki
- Displaying a Stone
- Suiseki with Bonsai and Other Related Arts
- Collecting Suiseki
- How to Make a Carved Wooden Base
- Suiseki Classification Systems
- The Aesthetics of Japanese Design
- The Cultural Parameters of Japanese Design
- Early Promoters of "Artistic Japan" 1830s-1950s
Japan is a place of special fascination for the acclaimed international comics creator Igort, who has visited and lived there more than 20 times, and worked in the country's manga industry for more than a decade. In this masterful new book--part graphic memoir, part cultural meditation--Igort vividly recounts his personal experiences in Japan, creating comics amid the activities of everyday life, and finding inspiration everywhere: in nature, history, custom, art, and encounters with creators including animation visionary Hayao Miyazaki. With beautifully illustrated reflections on subjects from printmaking to Zen Buddhism, imperial history to the samurai code, Japanese film, literature, and manga, this is a richly rewarding book for anyone interested in Japan or comic arts practiced at the highest level.
Heroes, villains, and damsels in distress abound in these richly colored, dramatic images from the Japanese equivalent of dime-store novels. These illustrations were selected from woodblock-printed covers and frontispiece illustrations from 64 popular books published in Osaka from 1898 through 1903. They include samurai and strong men, demons and detectives, courtesans, sumo wrestlers, and other vivid characters in scenarios ranging from romantic to grotesquely violent. Printed in the color woodblock method in use since the late eighteenth century, they provide a link between an ancient storytelling tradition and the beginning of mass-published popular literature.
Created during the Meiji era (1868-1912), when Japanese society was changing dramatically with the influx of Western technology and values, these images appealed to a wide audience of newly literate readers. Their scenes of retribution and sacrifice reflect a modern consciousness of Japanese history and a longing for an idealized vision of the past, marked by traditional values of loyalty, filial piety, self-sacrifice, and chivalry. Long considered a disposable form of popular culture, these books were not carefully preserved or collected. This collection, assembled by an expert on Japanese art, offers a rare glimpse of a newly rediscovered art form.
Japanese woodblock prints, or ukiyo-e, are the most recognizable Japanese art form. Their massive popularity has spread from Japan to be embraced by a worldwide audience. Covering the period from the beginning of the Japanese woodblock print in the 1680s until the year 1900, Japanese Woodblock Prints provides a detailed survey of all the famous ukiyo-e artists, along with over 500 full-color prints.Unlike previous examinations of this art form, Japanese Woodblock Prints includes detailed histories of the publishers of woodblock prints--who were often the driving force determining which prints, and therefore which artists, would make it into mass circulation for a chance at critical and popular success. Invaluable as a guide for ukiyo-e enthusiasts looking for detailed information about their favorite Japanese woodblock print artists and prints, it is also an ideal introduction for newcomers to the world of the woodblock print. This lavishly illustrated book will be a valued addition to the libraries of scholars, as well as the general art enthusiast.
Woodblock printing is a traditional artistic medium in Japan most renowned for its use in ukiyo-e or 'floating world' prints. Both moving and mesmerising, this medium captures scenes with considerable atmosphere and vibrancy whether it be crashing waves, autumn leaves or serene waterfalls. Beginning with a fresh and thoughtful introduction to Japanese woodblock art, Japanese Woodblocks Masterpieces of Art goes on to showcase key works by artists such as Katsuhika Hokusai and Ando Hiroshige.
A glimpse into the markets, crafts, and signage of early modern Japan
Kanban are the traditional signs Japanese merchants displayed on the street to advertise their presence, represent the products and services to be found inside their shops, and lend a sense of individuality to the shops themselves. Created from wood, bamboo, iron, paper, fabric, gold leaf, and lacquer, these unique objects evoke the frenetic market scenes of nineteenth- and twentieth-century Japan, where merchants created a multifaceted world of symbol and meaning designed to engage the viewer and entice the customer.
Kanban provides a tantalizing look at this distinctive fusion of art and commerce. This beautifully illustrated book traces the history of shop signs in Japan, examines how they were created, and explores some of the businesses and trades they advertised. Some kanban are elongated panels of lacquered wood painted with elegant calligraphy and striking images, while others are ornately carved representative sculptures of munificent deities or carp climbing waterfalls. There are oversized functional Buddhist prayer beads, and everyday objects such as tobacco pipes, shoes, combs, and writing brushes. The book also includes archival photographs of market life in old Japan, woodblock prints of bustling marketplaces, and images of the goods advertised with these intricate and beguiling objects.
Providing a look into a unique, handmade world, Kanban offers new insights into Japan's commercial and artistic roots, the evolution of trade, the links between commerce and entertainment, and the emergence of mass consumer culture.
Mingei International Museum, San Diego
April 15-October 15, 2017-- "Metropolis"
Kokeshi from Tohoku with Love is the second edition of the best selling book that looks at the craft and culture of kokeshi dolls. Included are more profiles, over 50 more photos and several new chapters. Kokeshi are the traditional dolls that are made of wood and are characterized by their lack of arms or legs. They are produced in the Tohoku region of Japan and were originally a children's toy, although it is more often used as a form of decoration nowadays and displayed in the home. Abroad, they are considered to be an icon of Japan, and reflect Japanese aesthetic sensibilities with their simple, elegant and minimalist designs. Kokeshi have the appeal of imperfection and hand made exclusivity as no two dolls are the same, each kokeshi embodies the qualities of wood, something that is often referred to as "warmth." In fact, for collectors, more than the freshly made kokeshi, many covet the atmosphere of the vintage kokeshi -- rather than degrading, as with plastic or artificial materials, the wood picks up a dewy, subdued colour and the delicately painted features fade gracefully with time. This book is the only English language book that looks at this culture in depth, and is the only book with English language interviews with the masters of the craft. The author, Manami Okazaki, visits all 6 prefectures of Tohoku to profile 23 artisans in the remote hot spring villages where they are made. Included are the work and interviews with the masters to the up and coming artists, and highlights many aesthetic theories and sensibilities that are prevalent in contemporary design, even today. The book also looks at Japanese hotspring culture, and Tohoku culture to paint a holistic picture of kokeshi culture. This book will delight fans of wooden crafts, Japanese culture and travellers to Japan. The book gives an insight into the psychology of the craftsman, the process of production, the motifs and the various types, which will inform the collector. This book will also suit travelers to Japan who wish to explore the Northern region of Japan, and their charming hot spring villages. Included are hundreds of photographs.