This work examines advances in architecture, design, and painting in a region now recognized for its contribution to the Arts and Crafts and Prairie School movements. The work of many well-known American artists is featured, including the architects Cass Gilbert, Harvey Ellis, Frank Lloyd Wright, and Purcell and Elmslie, ceramicist Ernest Batchelder, and the painters Homer Dodge Martin and Alexander Fournier. Illustrated.
-Accompanies the touring exhibition A Handsome Cupboard of Plate: Early American Silver in the Cahn Collection organized by, and starting at the Minneapolis Institute of Arts from December 1, 2012 - March 2013, moving onto the Nelson-Atkins Museum of Art, April 20, 2013 - November 3, 2013, the Missouri History Museum from November 23, 2013 - March 2, 2014 and finally to the The DeWitt Wallace Decorative Arts Museum, Colonial Williamsburg, from May 3, 2014 - May 25, 2015 Strength in design and fineness of craftsmanship unify the early American domestic and presentation silver assembled by Paul and Elissa Cahn and published together for the first time. Beginning in Boston with a caudle cup marked by Jeremiah Dummer, America's first native-born silversmith, and objects from the shop of patriot silversmith Paul Revere, the book then focuses on New York, where a distinctive style reflecting the Dutch heritage of that region emerged, and afterward on Philadelphia, where generations of the Quaker Richardson family supplied goods of the "best sort, but plain." Pride of place is given to the work of New York Jewish silversmith Myer Myers and his shop, including a presentation waiter made for Theodorus Van Wyck. Accompanying a touring exhibition of the Cahn collection, the book encapsulates some of the ethnic, religious, and political diversity of early America and sets the silver in its social and historical context
An American Point of View 18 the most comprehensive study to date on this collection which holds masterpieces of American art from Colonial Times to World War 11 including artists such as John Singleteton Copley. Frederick Edwin Church, Winslow Homer and Edward Hopper. Full--colour reproductions are paired with texts describing the works and placing them in a historical context. In addition to informative analyses of individual masterpieces in the collection. the catalogue includes two longer essays and many photographs of the two museums. The first essay explores the philosophy and experiences of Ambassador Daniel J. Terra. the establishment of his collection. and the creation of his two museums in America, The second essay traces the beginnings of the Giverny museum from 1986 to its opening in 1992 to its evolution over the past ten years with special attention given to Terra's goals. With an introduction written by American art specialist Wanda Corn and previously unpublished information on the selected works of art. this catalogue is a useful tool for scholars of American art, Its numerous reproductions and readable text. make it equally enjoyable as a summary of a major collec
Green Woods and Crystal Waters examines American landscape painting in the second half of the 20th century through the works of 89 artists. Keeping the city at a safe distance, it focuses on the pastoral views and dramatic wilderness that have provided such a powerful American subject for over two centuries. Formally and expressively diverse, the works range from the objective depiction of the physical appearance of nature to the romantic or mystical use of landscape as a vehicle for poetic and spiritual concerns to the expressionist's reshaping of nature to follow the curvature of interior moods. Each of these very different approaches is central to our visual tradition and has colored our portrayals of the landscape.
Traces the history of art in America, from the early works of Native Americans to the present day, and includes critical commentaries, anecdotes, profiles, and hundreds of illustrations
- Artists such as Georgia O'Keeffe, Edward Hopper, Charles Demuth, e.e. cummings and Charles Sheeler are among the highlights of this incredible selection of 20th century American art- Publication accompanies a major exhibition to be held at The Ashmolean Museum from March until June, 2018- Many of these works have never been exhibited in the UK As some American artists began to eliminate people and remove extraneous details from their compositions, they often employed neat, orderly brushwork or close-up, unemotional photography. Artists as diverse as Patrick Henry Bruce, John Covert, Georgia O'Keeffe, Paul Strand and Arthur Dove navigated European and American avant-garde circles, picking and choosing new ideas and methods. Inspiration ranged from cubism and machine parts to new technologies, and they found ways to bring order to the modern world through extreme simplification. For them, abstraction involved absence and presence - the evacuation of human beings but also the desire to depict something that would not otherwise be visible or to render visible unseen natural processes like the passage of time, sound waves, or weather patterns. Their artworks provide a new context for the precisionist works in the subsequent sections and point to modern ideas about what art could be. How does a crisp painting technique relate to an aesthetic of absence?
As E. H. Gombrich once observed, the still life is compelled to challenge and at the same time perpetuate tradition. Without the elements of recognition and comparison, and the discovery of the familiar in the unfamiliar, the genre would lose most of its meaning. This lavishly illustrated volume documents the extraordinary challenges that artists in California have brought to the tradition of the still life as they have transformed and revitalized the genre over the course of the last century.
In abundantly illustrated essays, as entertaining as they are informative, The Not-So-Still Life traces the great variety of media and forms these artists have engaged as they have moved the still life not just off the table, but off the wall and into three dimensions. Susan Landauer, William H. Gerdts, and Patricia Trenton investigate a range of forces and influences--whether historical, sociological, economic, psychological, or biographical--that have played into this evolution, from the plein-air Impressionism of the early twentieth century to the Synchromist bouquets of Stanton Macdonald-Wright, the revolving table settings of Charles Ray, and the electronic sculptures of Alan Rath. In doing so they deepen our understanding of American art over the last century.
Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre.
Thomas Eakins is widely considered one of the great American painters, an artist whose uncompromising realism helped move American art from the Victorian era into the modern age. He is also acclaimed as a paragon of integrity, one who stood up for his artistic beliefs even when they brought him personal and professional difficulty--as when he was fired from the Pennsylvania Academy of Art for removing a model's loincloth in a drawing class.
Yet beneath the surface of Eakins's pictures is a sense of brooding unease and latent violence--a discomfort voiced by one of his sitters who said his portrait "decapitated" her. In Eakins Revealed, art historian Henry Adams examines the dark side of Eakins's life and work, in a startling new biography that will change our understanding of this American icon. Based on close study of Eakins's work and new research in the Bregler papers, a major collection never fully mined by scholars, this volume shows Eakins was not merely uncompromising, but harsh and brutal both in his personal life and in his painting. Adams uncovers the bitter personal feuds and family tragedies surrounding Eakins--his mother died insane and his niece committed suicide amid allegations that Eakins had seduced her--and documents the artist's tendency toward psychological abuse and sexual harassment of those around him.
This provocative book not only unveils new facts about Eakins's life; more important, it makes sense, for the first time, of the enigmas of his work. Eakins Revealed promises to be a controversial biography that will attract readers inside and outside the art world, and fascinate anyone concerned with the mystery of artistic genius.