Middle Eastern Art
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art
In the Fields of Empty Days
The Intersection of Past and Present in Iranian Art
Hardcover      ISBN: 3791357387
Filled with vibrant examples of painting, photography, sculpture, video, and other media, this book reveals how Iran's leading artists weave the country's past into the fabric of its contemporary art.

The past is a continuous and inescapable part of Iranian art and culture. This book beautifully demonstrates this notion with examples dating from the 1970s to the present--a time of turmoil and political upheaval. Featuring a dizzying variety of works--from paintings and photography to political cartoons and posters--this volume shows how contemporary artists appropriate and recontextualize myth and history to tell powerful new stories about life in Iran. This book also explores how pre-Modern artists first began to manipulate time by visually shifting the past into the present as demonstrated by Persian miniature painting, in particular illustrated versions of the Shahnama, or Book of Kings, the Iranian national epic. Statements from prominent contemporary artists consider the creative means by which they evoke the past to address present-day social and political concerns. Designed to promote fluid movement between historical and modern, this wide-ranging book offers a unique and important exploration of a country with a rich and complicated heritage.
Published in association with the Los Angeles County Museum of Art
In the Wake of the Poetic: Palestinian Artists After Darwish
In the Wake of the Poetic
Palestinian Artists After Darwish
Hardcover      ISBN: 0815634080

Heralding a new period of creativity, In the Wake of the Poetic explores the aesthetics and politics of Palestinian cultural expression in the last two decades. As it increasingly gains a significant presence on the international scene, much of Palestinian art owes a debt to Mahmoud Darwish, one of the finest contemporary poets, and to Palestinian writers of his generation. Rahman maps the immense influence of Darwish's poetry on a new generation of performance artists, visual artists, spoken-word poets, and musicians. Through an examination of selected works by key artists--such as Suheir Hammad, Ghassan Zaqtan, Elia Suleiman, Mona Hatoum, Sharif Waked, and others--Rahman articulates an aesthetic founded on loss, dispersion, dispossession, and transformation. It interrupts dominant regimes, constituting acts of dissension and intervention. It reinscribes belonging and is oriented toward solidarity and future. This innovative wave of experimentation transforms our understanding of the national through the diasporic and the transnational, and offers a profound meditation on identity.

Islamic Art: Architecture, Painting, Calligraphy, Ceramics, Glass, Carpets
Islamic Art
Architecture, Painting, Calligraphy, Ceramics, Glass, Carpets
Hardcover      ISBN: 3791344552

This Stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world. With its large format, exquisite photographs and extensive research, this is a thorough introduction toan exceptional artistic tradition.

This outstanding survey of art from the Islamic world covers three continents and fourteen centuries. The unique objects shown here in the form of magnificent full-colour photographs, include examples of architecture, painting, calligraphy, ceramics, glass and carpets. Each era and region is given a detailed introduction, offering the historical context along with extensive and erudite descriptions of its artefacts. Accompanying essays aid in interpreting the intricate themes that tie these diverse works together

Islamic Arts A&i
Islamic Arts A&i
Paperback      ISBN: 071483176x

A comprehensive survey that brilliantly captures the essence of Islamic culture.

Islamic Geometric Design
Islamic Geometric Design
Hardcover      ISBN: 0500516952

Broug shows how, over the centuries, craftsmen were able to adorn buildings with wonderful geometric patterns using the simplest of tools and without recourse to mathematical calculations. Design elements created from straight lines and circles were placed in grids and then repeated and varied to generate seemingly limitless arrays of breathtaking patterns.

Chapters are devoted to each of the main families of geometric design--fourfold, fivefold, and sixfold--and to the complex combined patterns. Readers can follow the design processes by which these patterns were created and even learn to reproduce and invent geometric patterns for themselves. Broug's original drawings accompany photographs of mosques, madrasas, palaces, and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the eighth to the nineteenth centuries.

Islamic Geometric Patterns
Islamic Geometric Patterns
Paperback      ISBN: 0500294682

The marvels of Islamic patterns--the most recognizable visual expression of Islamic art and architecture--are not just a beautiful accident. The ancient practitioners of this craft used traditional methods of measurement to create dazzling geometric compositions, often based on the repetition of a single pattern. The results are magnificent in their beauty and awe-inspiring in their execution.

Now, with the aid of this book, everyone can learn how to master this ancient art and create their own intricate patterns or re-create classic examples. All that is needed is a pencil, a ruler, a compass, and a steady hand. Technical tips demonstrate the geometric basics such as how to create designs from one of the foundational "family" shapes: a square, hexagon, or pentagon. This is followed by step-by-step instructions for reproducing some of the best examples of geometric patterns.

Islamic Geometric Patterns contains twenty-three geometric patterns and brief histories of some of the most famous and beautiful Islamic art and architecture from around the world. This revised edition features seven new patterns from locations including: Ak Medrese in Nigde, Turkey; Chellah necropolis in Rabat, Morocco; Shah Jahan Mosque in Thatta, Pakistan; the Tomb of I'timad-ud-Daulah in Agra, India; the Alcazar in Seville, Spain; Zaouia Moulay Idriss II in Fes, Morocco; and Darwish Pasha Mosque in Damascus, Syria.

Koorosh Shishegaran: The Art of Altruism
Koorosh Shishegaran
The Art of Altruism
Hardcover      ISBN: 0863561985

Born in Qazvin, Iran, in 1944, Koorosh Shishegaran is considered one of the most expressive and emotive artists of the contemporary Iranian art movement.

In a career spanning six decades, he has established himself as an artist of great discipline, social awareness and manual skill, working in a wide array of different media, from graphic design to painting, photography and furniture design.

Drawing inspiration from Iranian visual culture, Shishegaran is best known for his scribble line abstract paintings (Khat-khatis). These dynamic colourful lines, depicting the contemporary human condition, enabled the artist to find a style and language expressive of the modern era.

With contributions from leading experts in the field and featuring over 300 colour plates, Koorosh Shishegaran: The Art of Altruism brings together the life and works of the artist for the first time, showcasing his various artistic phases and outlining his progressive approach to art-making and distribution.

About Koorosh Shishegaran

Koorosh Shishegaran (b. 1944) received a BA in Interior Design from the Tehran Faculty of Decorative Arts in 1973. He has since participated widely in solo and group exhibitions around the world, including Art Dubai (2015); Shirin Gallery, Tehran (2015); Unedited History. Iran 1960-2014, at MAXXI, Rome (2015) and Musee d'Art Moderne de la Ville de Paris (2014); Opera Gallery, London (2012); Beijing Biennial (2003); Barbican Centre, London (2001); Meridian Center exhibitions in the United States (2001-03).

Modern and Contemporary Arab Art from the Levant: The Majida Mouasher Collection
Modern and Contemporary Arab Art from the Levant
The Majida Mouasher Collection
Hardcover      ISBN: 9053308776

Majida Mouasher was the owner of the 4 Walls Art gallery in Amman, Jordan between 2000 and 2006. During that time, she worked with more than ninety artists, forty-four of whom form the nucleus of her stunning and vital private collection comprised of modern and contemporary Arab art from the Middle East in general and the Levant in particular, and spanning over sixty years of outstanding quality art. At the time, there were very few contemporary galleries to be found in Jordan and artists were largely dependent on their own personal efforts and contacts to promote their work. There was a vacuum that needed to be filled and a public demanding to see contemporary art and get to know the artists. The aim of 4 Walls was to promote the artists by exhibiting their works and helping to sell them. Throughout that period, Majida Mouasher consistently bought work from these artists. What makes this collection so unique is its astonishing diversity, despite the fact that the Levant is so heavily represented. The artists all have deep cultural roots in whatever the source of their inspiration might be, whether that is China, Russia, the West, or their own country of origin. Though many of them are now living in the diaspora, they all have in common an honest reaction to their environment, their cultural and social or historical backgrounds, their ethnic origins or political upheavals. The wars and instabilities in the Middle East have forced people to move across continents and to the shorelines of Europe, bringing with them new and different cultural ways. Now that the Middle East is so much in the spotlight, an urgency exists to show its contemporary art to the Western public. Art is able to bypass conflicts, to enhance and promote understanding between cultures. With texts by Majida Mouasher; HRH Princess Wijdan al-Hashemi PhD (painter and founder and president of the Royal Society of Fine Arts, Amman, Jordan); Nada Shabout PhD (Professor of Art History and Director of the Contemporary Arab and Muslim Studies Institute at the University of North Texas) and Dr. Luitgard Mols. The artists in the collection and presented in this book are: Shafic Abboud, Nasr Abdul Aziz, Nawal Abdullah, Adonis, Himat Mohammed Ali, Rajwa Ali, Hani Alqam, Mohammad Al-Ameri, Jamal Ashour, Dia Azzawi, Khaled Barakeh, Kamal Boullata, Ghada Dahdaleh, Mohanna Durra, Ismail Fattah, Riham Ghassib, Ghassan Ghayeb, Samia Halaby, Wijdan Al-Hashemi, Samer Usama Hatam, Saadi Al-Kaabi, Halim Al-Karim, Farouk Kaspaules, Ammar Khammash, Khalid Khreis, Sadik Kwaish Alfraji, Houssein Madi, Fouad Mimi, Rafa Al-Nasiri, Mohammad Nasrallah, Juman Nimri, Said Nuseibeh, Mahmoud Obaidi, Nuha Al-Radi, Khalil Raian, Kareem Risan, Shaker Hassan Al-Said, Diana Shamounki, Nabil Shehadeh, Rula Shukairy, Samer Tabbaa, Mahmoud Taha, Madiha Umar, Nazar Yahya.

Modern Art in the Arab World: Primary Documents
Modern Art in the Arab World
Primary Documents
Paperback      ISBN: 1633450384
Modern Art in the Arab World: Primary Documents offers an unprecedented resource for the study of modernism: a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts--many of which appear here for the first time in English--includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, letters, and more. Traversing empires and nation-states, diasporas and speculative cultural and political federations, these documents bring light to the formation of a global modernism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope. Interspersed throughout the volume are sixteen contemporary essays: writings by scholars on key terms and events as well as personal reflections by modern artists who were themselves active in the histories under consideration. A newly commissioned essay by historian and Arab-studies scholar Ussama Makdisi provides a historical overview of the region's intertwined political and cultural developments during the twentieth century. Modern Art in the Arab World is an essential addition to the investigation of modernism and its global manifestations.

Publication of the Museum of Modern Art
Distributed by Duke University Press

Mosques: Splendors of Islam
Mosques
Splendors of Islam
Hardcover      ISBN: 0847860353
FOREWORD INDIES Book of the Year Awards -- 2017 GOLD Winner for Architecture

One of the most important and authoritative books to celebrate mosque architecture and Islamic design, featuring many exquisite newly commissioned photographs.

This visually striking volume illustrates over sixty of the most venerated mosques from historic monuments such as the Great Mosque of C rdoba and Istanbul's S leymaniye Mosque to today's most dynamic new designs exemplified by the Sancaklar Mosque. Essays by prominent architecture and design authorities include Professor Sussan Babaie, Andrew W. Mellon Reader in the Arts of Iran and Islam, The Courtauld Institute of Art, London; Distinguished Professor Walter B. Denny, Department of the History of Art and Architecture, University of Massachusetts at Amherst; Heather Ecker, Visiting Professor, Art and Archaeology, Columbia University; Professor Mohammed Hamdouni Alami, Archaeological Research Facility at University of California, Berkeley; Professor Renata Holod, Professor of Islamic Art, University of Pennsylvania, and Curator in the Near East Section, Penn Museum; Philip Jodidio, author and independent scholar in art and architecture, Geneva; George Michell, author and independent architectural historian, London; Fatima Quraishi, PhD candidate, The Institute of Fine Arts, New York University; Matthew Saba, Visual Resources Librarian for Islamic Architecture, Aga Khan Documentation Center, Massachusetts Institute of Technology Libraries; and Angela Wheeler, PhD student in Architectural History, Harvard University.

Mosques from Europe, the Indian subcontinent, North America, North Africa and the sub-Sahara, the Middle East, and Russia and the Caucasus are showcased. This book covers their earliest origins in Mecca and Medina to contemporary masterpieces, illuminating their stylistic transformations and providing examples from Islam's great dynasties--the Umayyads, the Abbasids, the Mamluks, the Ottomans, the Safavids, and the Mughals.

Original and archival photographs offer exterior and interior views along with images of adjacent gardens and fountains that grace these sanctuaries. Stunning mosque calligraphy and tilework, as well as furnishings and illumination, enhance this volume.