Presents over 500 objects from the Cleveland Museum of Art. The collection includes wall reliefs and a selection of smaller objects, and provides a cross-section of Egyptian art from prehistoric to Roman times. This volume serves as a reference tool for all those interested in Egyptian art.
A Century of Israeli Art presents the story of modern Israel s visual culture, beginning with the pre-state years of Zionist art in the early 20th century and extending to the present day, as a new generation of Israeli artists rises to international prominence in the 21st century. Author Yigal Zalmona describes the many ways in which Israel s art has been influenced by its social and political history, surveying the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and Crafts movement; Land-of-Israel art during an era of nation-building; the pre-eminence of international modernism and Lyrical Abstraction after 1948; social-activist and conceptual art in the 1970s; and the recent embrace of photography and video."
For over two decades, the London-based Asian Art Newspaper has been covering the varied and evolving world of Asian and Islamic art. Published monthly since 1997, each issue features a one-to-one interview with a chosen contemporary artist. Accompanying illustrations allow the reader to form a clearer understanding of each artist's practice and vision, whether it be painting, sculpture, installation, photography, performance, video, film or music.Contemporary Voices from the Asian and Islamic Art Worlds presents a selection of the art journal's interviews, and is the first such book to cover the Asian and Islamic contemporary art scene, comprising both internationally acclaimed artists as well as emerging voices. These include Etel Adnan, Ghada Amer, Rina Banerjee, Cai Guo-Qiang, Tehching Hsieh, Y.Z. Kami, Lee Bul, Lee Ufan, Daido Moriyama, Yoko Ono, Nam June Paik and Walid Raad. Over the past 20 years, few other parts of the world have undergone as many changes as the Asian and Islamic regions; this book provides an intimate view of these developments from the dynamic perspective of artistic expression and creativity.
A fully illustrated, landmark study of Islamic calligraphy traced back to its deepest historical and cultural roots- Explores the sacred geometry of each letter form of the Arabic alphabet as attributed to renowned 10th-century scribe Ibn Muqla - Traces Ibn Muqla's system to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam - A richly illustrated, two-volume presentation of decades of research with more than 430 full-color illustrations Calligraphy is the central visual art of Islam. At its core resides a perennial challenge: What letter shapes traced by human hands are rightful bearers of the divine message? The answer lies in the "Proportioned Script" of Ibn Muqla, renowned scribe, man of letters, and minister under the great Abbasid Caliphate in 10th-century Baghdad. Emphasizing harmony and geometry, Ibn Muqla's system has governed the practice of Arabic scribal art up to the present day. In this two-volume, richly illustrated study, Ahmed Moustafa and Stefan Sperl analyze each letter form of Ibn Muqla's perfected penmanship and share their decades of research on Islamic letter shapes, revealing the history, linguistics, philosophy, theology, and sacred geometry that underlie this spiritual art form. In volume one the authors reveal the trilogy of prophecy, penmanship, and geometry at the foundation of Ibn Muqla's Proportioned Script. Providing a fully illustrated analysis of Islamic calligraphy's geometrical principles as transmitted in surviving writings and key manuscript sources, they examine the geometric grid of square, circle, and hexagon that informs the pen strokes of each letter shape and explore how the golden ratio appears within the matrix of the grid. They examine the development of Ibn Muqla's system in the context of the sciences, arts, and penmanship of 10th-century Baghdad and trace its origins to the cross-cultural encounter between Greek learning and the scientific, artistic, and philosophical pursuits of classical Islam. In volume two the authors analyze the calligraphic forms of each letter of the Arabic alphabet. They decode the sacred geometry of each form as it appears within the geometric grid, providing letter samples from ancient sources. Unearthing the theoretical and scientific foundations of Arabic calligraphy, this landmark study examines the aesthetic implications of Ibn Muqla's theory for the visual, verbal, and aural arts of Islam as well as the Islamic mystical tradition.
Embodying Marcel Duchamp's words that "art is a game between all people of all periods," Do It in Arabic] features more than 70 artists' instructions, in both English and Arabic, that anyone can use to make a new work of art.Since its inception in 1993, Hans Ulrich Obrist's multiplatform Do It project has been realized in more than 50 locations worldwide. Do It in Arabic] collects new instructions commissioned for the exhibition's most recent iteration organized by Sharjah Art Foundation, including those of artists Adel Abdessemed, Etel Adnan, Joana Hadjithomas and Khalil Joreige, Mona Hatoum and Jalal Toufic. Essays by Kaelen Wilson-Goldie and Adila La di-Hanieh and a conversation between co-curators Hoor Al Qasimi and Obrist, which considers the relevance of Do It within the context of the Arabic-speaking world, accompany these instructions.
The 1956 Kafr Qasem massacre was carried out by the Israeli Border Police under cover of the tripartite attack on Egypt by England, France, and Israel. Two other massacres took place during the ensuing days in the cities of Rafah and Khan Younis, where 111 and 275 Palestinian civilians were slaughtered by Israeli troops on their way to Egypt, respectively. In Kafr Qasem, an artifice was created to provide a fig-leaf excuse for the killing of innocent people -- a curfew announced less than a half an hour before it was implemented. Workers returning home, tired and hungry, unaware of the curfew, were cold-bloodedly shot dead by members of the Israeli Border Police. Based on interviews with survivors, Samia Halaby created a set of documentary drawings on the subject. The emotions of anger and fear leap from every page of this book, enabling the reader to bear witness to the terrible suffering endured by the inhabitants of this small Palestinian village.
The ancient Egyptians reveled in ornamentation, and their culture remains vibrant to this day thanks to the abundance of their richly decorated artifacts. This compilation takes an original approach to the art and architecture of the land of the Pharaohs. Drawn from a French collection of the early twentieth century, it interprets classic motifs of ancient Egypt in a dynamic Art Deco style.
Hundreds of images include serpents, scarabs, and mythological creatures as well as a profusion of stylized flowers. The individual motifs can serve as striking spot illustrations, and dozens of borders and panels can be used as repeating patterns. In addition, the overall composition of each page forms a wealth of design inspiration. This unique marriage of ancient Egyptian sources and Art Deco design offers professional designers and hobbyists a rich resource of unusual graphics.
The Hajj, one of the five pillars of Islam, is the largest pilgrimage in the world today and a sacred duty for all Muslims. Each year, millions of the faithful from around the world make the pilgrimage to Makkah, the birthplace of Islam where the Prophet Muhammad received his revelation.
With contributions from renowned experts Muhammad Abdel Haleem, Hugh Kennedy, Robert Irwin, and Ziauddin Sardar, this fascinating book pulls together many strands of Hajj, its rituals, history, and modern manifestations. Travel was once a hazardous gamble, yet devoted Muslims undertook the journey to Makkah, documenting their experiences in manuscripts, wall paintings, and early photographs, many of which are presented here. Through a wealth of illustrations including pilgrims' personal objects, souvenirs, and maps, Hajj provides a glimpse into this important holy rite for Muslim readers already grounded in the tradition and non-Muslims who cannot otherwise participate.
Hajj does not, however, merely trace pilgrimages of the past. The Hajj is a living tradition, influenced by new conveniences and obstacles. Graffiti, consumerism, and state lotteries all now play a role in this time-honored practice. This book opens out onto the full sweep of the Hajj: a sacred path walked by early Islamic devotees and pre-Islamic Arabians; a sumptuous site of worship under the care of sultans; and an expression of faith in the modern world.
Carpets made in the "Rug Belt"--an area that includes Morocco, North Africa, the Middle East, Central Asia, and northern India--have been a source of fascination and collecting since the 13th century. This engaging and accessible book explores the history, design techniques, materials, craftsmanship, and socioeconomic contexts of these works, promoting a better understanding and appreciation of these frequently misunderstood pieces. Fifty-five examples of Islamic carpets are illustrated with new photographs and revealing details. The lively texts guide readers, teaching them "how to read" clues present in the carpets. Walter B. Denny situates these carpets within the cultural and social realm of their production, be it a nomadic encampment, a rural village, or an urban workshop. This is an essential guide for students, collectors, and professionals who want to understand the art of the Islamic carpet.