Aspects of Georgia's unique history can only be told through its extant rural churches. As the Georgia backcountry rapidly expanded in the late eighteenth and early nineteenth centuries, the churches erected on this newly parceled land became the center of community life. These early structures ranged from primitive outbuildings to those with more elaborate designs and were constructed with local, hand-hewn materials to serve the residents who lived nearby. From these rural communities sprang the villages, towns, counties, and cities that informed the way Georgia was organized and governed and that continue to influence the way we live today.Historic Rural Churches of Georgia presents forty-seven early houses of worship from all areas of the state. Nearly three hundred stunning color photographs capture the simple elegance of these sanctuaries and their surrounding grounds and cemeteries. Of the historic churches that have survived, many are now in various states of distress and neglect and require restoration to ensure that they will continue to stand. This book is a project of the Historic Rural Churches of Georgia organization, whose mission is the preservation of historic rural churches across the state and the documentation of their history since their founding. If proper care is taken, these endangered and important landmarks can continue to represent the state's earliest examples of rural sacred architecture and the communities and traditions they housed.
Philadelphia is a walkable city where the modern visitor encounters historic architecture at every turn. In fact, no other American city is so richly endowed with historic buildings as Philadelphia--some dating back to the seventeenth century. In addition to obvious national treasures like Independence Hall, there are thousands of eighteenth- and nineteenth-century homes that continue to shelter and comfort Philadelphians as they have for centuries. Less well known are the hundreds of sacred places--colonial and Victorian Protestant and Catholic churches, Quaker meeting houses, and Jewish synagogues--that enrich every neighborhood. Replete with symbolism and often architecturally impressive, these sacred places await discovery in the pages of this handsome book.
The rich diversity of Philadelphia's sacred places owes its existence to William Penn's guarantee of religious toleration to the many religious denominations attracted to his holy experiment. They are a metaphor for the modern American pluralistic society that is itself a legacy from Penn. Philadelphia's historic sacred places also reflect how these different congregations chose to celebrate their belief in God through the choice of architectural style, art, and decoration. Here can be found the eloquent simplicity of Quaker meeting houses, the soaring steeples of colonial churches surrounded by atmospheric graveyards, and opulently embellished Roman Catholic parish churches.
Roger Moss has selected fifty of these inspired Philadelphia historic sacred places, and he conducts the reader on a tour of each hallowed site, calling attention to the architecture and fine details that are then recorded in exquisite color photographs by Tom Crane. At each site the reader is provided with the basic information about the congregation that commissioned the building as well as the architects, artists, and artisans who created these masterpieces--collectively, a treasure of our shared cultural heritage.
This opulent volume, by the author and photographer of the acclaimed Historic Houses of Philadelphia, will serve as a guide through the architectural and religious traditions of Philadelphia, complete with maps, telephone numbers, and web sites, so the reader can visit these sacred places in person. There is also an extensive bibliography of further reading on each sacred place.
Like treasured family heirlooms, the historic churches and temples of Tampa are lovingly cared for by their devoted congregations. With more than 200 vintage images, Historic Tampa Churches shares stories of tragedy and triumph, from St. Peter Claver Church, whose congregation watched the first church burn to the ground 10 days after its dedication, to the Sisters of St. Joseph at St. Benedict School, who found themselves jailed for teaching students in the African American community. Many of these churches, like Ybor City's Our Lady of Perpetual Help Church, West Tampa's St. Joseph Church, and downtown's Greater Bethel Baptist Church, are found at the center of Tampa's ethnically diverse communities. Passed down from generation to generation, these architectural gems serve as a reminder of the countless men and women who selflessly labored for the growth of their churches, leaving a lasting legacy of faith and good works.
The history of a building site in Moscow where Russian rulers since Alexander I have planned, constructed, and destroyed monuments of colossal proportionsThis book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the nation itself and its repeated attempts to construct or reconstruct its identity and to repudiate or resuscitate emblems of the past.
In the nineteenth century Czar Alexander I began to construct the largest cathedral (and the largest building) in the world at the time. His successor, Nicholas I, changed both the site and the project. Completed by Alexander III, the cathedral was demolished by Stalin in the 1930s to make way for the tallest building in the world, the Palace of Soviets, but that project was ended by the war. During the Khrushchev years the excavation pit was transformed into an outdoor heated swimming pool--the world's largest, of course--and under Yeltsin's direction the pool was replaced with a reconstruction of the destroyed cathedral. The book explores each project intended for this ideologically-charged site and documents with 60 illustrations the grand projects that were built as well as those that were only dreamed.
Churches and cathedrals were originally built to be read. They are alive with images and symbols--all of which are packed with meaning. But today few people, from regular visitors to tourists, truly understand the wealth of meaning in what they find there. How to Read a Church is must reading for anybody who wants to know more about what they see in a church or cathedral. It explores the principal features of churches and what each represents. It also explains: "the significance of church layout "the importance of such details as the use of colors or letters "the identity and significance of people and scenes "the symbolism of animals, plants, colors, numbers, and letters "the meaning of it all In addition to exploring these brick-and-mortar motifs, the author also reveals fascinating and unexpected details such as how to 'read' the priest and the congregation, and he shows the varied ways that church architecture and appointments reflect the Christian year. From major themes to small but vital details, How to Read a Church will serve as a fascinating guide to the history, meanings, and messages of these beautiful buildings and the treasures they contain.
Small enough to fit in a pocket yet serious enough to provide real answers, this primer is a must-have for architecture and history buffs, tourists, and churchgoers interested in decoding the styles and symbols of religious buildings. Every building contains clues embedded in its design that identify not only its architectural style but also who designed it, what kind of congregation it was built for, and why. This practical yet charming handbook is the key to decoding the style, history, evolution, and social significance of religious buildings. Not strictly limited to churches, it also covers abbeys, chapels, and monasteries, among other structures. Organized according to architectural element (windows, domes, arches, etc.), each element is presented in chronological order. Additional chapters explore the architectural influence of geography, history, and various creeds, along with an illustrated timeline showing how, where, and in many cases why certain church features evolved through the centuries. There is also a useful introduction to naming each component of a church, from vaults to buttresses and transepts to apses. All entries are illustrated with period engravings and line drawings. This book will be invaluable for architecture buffs and anyone who has ever wondered why classic New England churches are white with little ornament, why Quaker meetinghouses have no altars, or why Episcopalians traditionally favored the Gothic style.
Discover the history and heritage of the last Huguenot Church in America and national landmark located in Charleston, South Carolina.
The Huguenot heritage in the United States cannot be overstated. In the latter part of the sixteenth century, France was plunged into a series of religious wars. In 1589, Henry of Navarre became Henry IV of France, but peace was not achieved until he issued the Edict of Nantes in 1598, which recognized the Huguenots' right to worship in the towns they controlled. While Henry IV lived, the financial and military security of the country was ensured. After his assassination in 1610, it ceased. Religious persecution resumed, and in 1685, Louis XIV revoked the Edict of Nantes, and many French Protestants fled. Of the estimated 180,000 Huguenot refugees, approximately 3,000 crossed the Atlantic. This book is about their descendants and their influence on the development of the American republic and the rights enshrined in the U.S. Constitution. The Huguenot Church in Charleston, a national landmark, is the last Huguenot church in America.
The architecture of the Islamic world is predominantly considered in terms of a dual division between 'tradition' and 'modernity' - a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture. Khaghani introduces and reconsiders the mosques of eighth- to fifteenth-century Iran in terms of poststructural theory and developments in historiography in order to develop a brand new dialectical framework. Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture and material culture of the Islamic world.
The architecture of the Islamic world is predominantly considered in terms of a dual division between ""tradition"" and ""modernity"" - a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture. Khaghani introduces and reconsiders the mosques of eighth- to fifteenth-century Iran in terms of poststructural theory and developments in historiography in order to develop a brand new dialectical framework. Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture, and material culture of the Islamic world.
- One of the first in-depth studies on the Deccan: a major survey on unpublished Islamic buildings- Stunningly illustrated, featuring high-quality, full-color photographs of palaces, mosques and tombs, taken by Antonio Martinelli, as well as architectural plans for almost every featured building- Compiled by leading academics in the field, this book is sure to become a seminal textThe buildings erected in the Deccan region of India belonged to a number of pre-Mughal kingdoms that reigned in the Deccan from the middle of the 14th century onwards. The monuments testify to a culture where local and imported ideas, vernacular and pan-Islamic traditions fused and re-interpreted, to create a majestic architectural heritage with exceptional buildings on the edge of the Islamic world. Many are still standing - yet outside this region of peninsular India, they remain largely unknown. General publications on Indian Islamic architecture usually devote a single chapter to the Deccan. Even specialist monographs can only cover a portion of the region, due to the sheer number of sites. While it is impossible to encompass the full breadth of the subject in a single volume, this book aims to embrace the visual diversity of the Deccan without sacrificing the rigor of academic study. Structures of historical or architectural significance are placed in their context, as the authors discuss building typologies, civic facilities and ornamental techniques, from plaster and carved stone to glazed tiles and mural painting. A chapter is dedicated to each principal Deccan site, interweaving the rise and fall of these cities with a pictorial journey through their ruins, and each building is accompanied by an overhead plan view. Contents: Introduction; Historical Maps; Background; Cities & Citadels; Palaces; Mosques; Tombs; Decoration; Daulatabad & Khuldabad; Gulbarga & Firuzabad; Bidar; Ahmadnagar; Burhanpur; Frontier Strongholds; Bijapur; Golconda & Hyderabad; Aurangabad; Credits For Maps & Plans; Glossary; Bibliography; Index Of Cities, Sites & Monuments; Index Of Names.