In this dramatic journey through religious and artistic history, R. A. Scotti traces the defining event of a glorious epoch: the building of St. Peter's Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters--Michelangelo, Raphael, and Bramante--and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth--and Rome had risen with its astounding basilica to become Europe's holy metropolis. A dazzling portrait of human achievement and excess, Basilica is a triumph of historical writing.
The New York Times bestselling, award winning story of the construction of the dome of Santa Maria del Fiore in Florence and the Renaissance genius who reinvented architecture to build it.
On August 19, 1418, a competition concerning Florence's magnificent new cathedral, Santa Maria del Fiore was announced: Whoever desires to make any model or design for the vaulting of the main Dome....shall do so before the end of the month of September. The proposed dome was regarded far and wide as all but impossible to build: not only would it be enormous, but its original and sacrosanct design shunned the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air. Of the many plans submitted, one stood out--a daring and unorthodox solution to vaulting what is still the largest dome in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clockmaker named Filippo Brunelleschi, then forty-one, who would dedicate the next twenty-eight years to solving the puzzles of the dome's construction. In the process, he reinvented the field of architecture. Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Award-winning, bestselling author Ross King weaves this drama amid a background of the plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence to bring the dome's creation to life in a fifteenth-century chronicle with twenty-first-century resonance.
As Buckfast Abbey prepares to celebrate its millennium in 2018, this new book chronicles the remarkable history of this famous English abbey, today both home to a self-sufficient community of Benedictine monks and a site that welcomes some half a million visitors to south Devon each year. The first monastery was founded in 1018 and absorbed into the Cistercian order in 1147, but was dissolved during the Reformation. The site fell into disrepair, and in the early 19th century a Gothic-style mansion was built on the abbey ruins. A group of exiled French Benedictine monks settled at Buckfast in 1882 and eventually decided to rebuild the medieval abbey church themselves: the first stone was laid in 1907 and consecration took place in 1932. In this elegant, authoritative book, essays by a dozen distinguished historians explore, among other subjects, the history of the abbey from its Saxon origins to the Dissolution; the architecture of the medieval church; the abbey site without the monks; the Benedictine revival; the rebuilding of the abbey under the architect Frederick Walters; the abbey's silver and metalwork; the art and architecture of the Blessed Sacrament Chapel, built in 1968; and the recent redevelopment of the precinct. Generously illustrated throughout with not only plans, drawings and photographs gathered from the vast Buckfast archive but also new images of the abbey church, the plethora of other buildings on site and the meticulously tended grounds, Buckfast Abbey is a fitting tribute to a unique monastery and community.
To guide and inspire believers, innumerable symbols and images were made, beginning in India in the 3rd century BC. This phenomenally diverse tradition includes not only frescoes, relief carvings, colossal statues, silk embroideries and bronze ritual objects but also rock-cut shrines with a thousand Buddhas, the glorious stupas of South-East Asia and the pagodas of the Far East, the massive "mandala in stone" of Borobudur in Java and entire 13th-century temple complexes at Angkor in Cambodia. The author describes all the Buddhist schools and cultures, and explains their imagery, from Tibetan cosmic diagrams and Korean folk art to early Sri Lankan sites and Japanese Zen gardens.
The twenty-one missions of California, from San Diego to San Francisco Solano, are historic treasures and sites of pilgrimage for visitors from the world over. Intrinsically beautiful structures typically built of adobe brick and wood, adorned with towers, domes, whitewashed stucco, often surrounded by lush gardens, the missions are at the very heart of California. Established by Spanish padres, built by Native Californians, and preserved and restored by historians and architects, California's missions are unique monuments to the region's early American Indian and European histories. This colorful, informative exploration of all twenty-one missions, each with its own rich story to tell, journeys along the historic Camino Real, from Mission Dolores with its flower-strewn courtyard gardens, in San Francisco, to San Juan Capistrano, famous for the swallows that flock to its inviting grounds. With lush photography that captures the missions' details so splendidly, this is the perfect book for mission visitors and lovers of their strong and simple forms.
A 1974 Caldecott Honor Book
Readers worldwide recognize Caldecott Medal winner David Macaulay's imaginary Cathedral of Chutreaux. This critically acclaimed book has been translated into a dozen languages and remains a classic of children's literature and a touchstone for budding architects. Cathedral's numerous awards include a prestigious Caldecott Honor and designation as a New York Times Best Illustrated Book of the Year for Macaulay's intricate pen-and-ink illustrations.Journey back to centuries long ago and visit the fictional people of twelfth-, thirteenth-, and fourteenth-century Europe whose dreams, like Cathedral, stand the test of time.
This title has been selected as a Common Core text exemplar (Grades 6-8, Informational Texts: Science, Mathematics, and Technical Studies).
A 1974 Caldecott Honor Book
Readers worldwide recognize Caldecott Medal winner David Macaulay's imaginary Cathedral of Chutreaux. This critically acclaimed book has been translated into a dozen languages and remains a classic of children's literature and a touchstone for budding architects. Cathedral's numerous awards include a prestigious Caldecott Honor and designation as a New York Times Best Illustrated Book of the Year for Macaulay's intricate pen-and-ink illustrations.Journey back to centuries long ago and visit the fictional people of twelfth-, thirteenth-, and fourteenth-century Europe whose dreams, like Cathedral, stand the test of time.
This title has been selected as a Common Core text exemplar (Grades 6-8, Informational Texts: Science, Mathematics, and Technical Studies).
Through well-researched text, as well as drawings and color photography, this book captures the magnificence of European cathedrals and the brilliance of the Master Builders and craftsmen who designed and built them. Cathedral building is a fusion of man's greatest accomplishments in the arts, sciences, and humanities over the centuries. More than 250 photos and drawings capture the quality and craftsmanship built into these stunning structures created to replicate God's house or heaven on Earth. Color photos illustrate the gorgeous naves, detailed fan vaulted ceilings, beautiful stained-glass windows, flying buttresses, and 650-year-old parchment drawings of the cathedrals. Discover the origin of Gothic architecture, see how Gothic cathedrals were built using primitive tools, and learn about the development of Freemasonry and its direct descent from the stonemasons of the Middle Ages. Enjoy 30 cathedral tours and acquire a few Masonic secrets of the stonemasons.
Humble or grand, wood or marble, churches have given physical shape to humanity's highest spiritual and artistic aspirations over the past twenty centuries. These structures not only stand as monuments to God, they also offer revealing testimony to humanity's immense potential and constant effort to understand, express, and honor the Divine.
Churches is a work of art that reflects the grandeur of its subject matter. In this compelling book, Judith DuprE, bestselling author of Skyscrapers and Bridges, presents an architectural tour of fifty-nine of the world's most enduring Christian churches, from such celebrated landmarks as St. Peter's Basilica in Vatican City, Frank Lloyd Wright's Unity Temple in Oak Park, Illinois., and Le Corbusier's Chapel at Notre-Dame-du-Haut in Ronchamp, France, to lesser-known masterpieces, including Huialoha Congregational Church on Maui and the Church on the Water in Hokkaido, Japan. Special theme essays cover the earliest Christian churches, the construction of Gothic cathedrals, the evolution of the baptismal font, churches designed by contemporary artists, and the revival of meditative labyrinth walking. With stunning imagery, fascinating essays, and an innovative design, this book is rich with factual detail and beautiful photography presented in an inviting, browsable format. Ms. DuprE offers a nuanced portrait of each structure, blending its architectural history with a deep appreciation for art and a reverence for religious traditions. Encompassing houses of worship from six major Christian denominations and all corners of the earth, Churches is a powerful chronology of faith and achievement that will inspire anyone interested in architecture, art, travel, religion, or photography.
Closer to God is a unique collection of international examples of sacred spaces of all denominations that were built in the last few years. Whether churches, synagogues, mosques, temple complexes, or other contemplative places for meditation and reflection, the architecture highlighted in this book ranks among the most exciting of our time. This book presents striking proof that contemporary religious structures are no longer bound by predominant styles. Rather, the explicitly expressive architectural language of sacred spaces at the start of the twenty-first century is shaped equally by respect for established traditions and forays into the visuality of the future.
