For twenty years, from 1977 to 1997, Books & Co. was one of the premier independent bookstores in the country. Stocking a wide range of quality fiction and nonfiction, Books & Co. was the kind of bookstore writers and readers dream about: a place where reading was an adventure, where interesting works would always be available, where writers would congregate to share ideas and discuss their writing. Its closing, in a rent dispute with the Whitney Museum of Art, caused a media sensation as readers and book lovers decried the end of a cultural icon. In Bookstore, Lynne Tillman tells the story of this legendary store and its determined founder, Jeannette Watson, with help from the voices of Brendan Gill, Roy Blount Jr., Fran Lebowitz, Calvin Trillin, Susan Sontag, Paul Auster, Simon Schama, Lyn Chase, Susan Cheever, Leila Hadley, J.D. McClatchy, Richard Howard, and many more. And the story goes beyond the walls of the store itself to explore the state of publishing and bookselling in a time when the very landscape of the book world has shifted radically. A fascinating account of business, books, and writerly aspiration, Bookstore is a vital window into a world so many have fantasized about.
This book provides a descriptive inventory of the major components in the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald in the Thomas Cooper Library at the University of South Carolina in Columbia. The collection documents the literary career and thought of one of America's greatest novelists.
The catalogue includes a listing of editions of all English-language printings of books by Fitzgerald including proof and review copies and the collection's many books inscribed by the author. Fitzgerald manuscripts, revised typescripts, correspondence, and business documents are also cited, as well as Fitzgerald screenplays and Princetoniana. There is a separate section on Zelda Fitzgerald. Highlights of the collection include the only set of unrevised galleys for The Great Gatsby, titled Trimalchio; one of the two existing acting scripts for Fie Fie Fi-Fi ; Fitzgerald's annotated copy of James Joyce's Ulysses; a copy of Ernest Hemingway's For Whom the Bell Tolls inscribed to Fitzgerald; and Fitzgerald memorabilia such as his engraved whiskey flask, a briefcase, and other family materials. Each item is described in detail--including title, publication information, and call number, where relevant, and explanatory notes. Many items in the collection, including all Fitzgerald inscriptions, are illustrated.
The Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald at the University of South Carolina provides a valuable resource not only for Fitzgerald scholars, but also for those interested in Fitzgerald's friends and literary associates (including Ernest Hemingway, James Joyce, Ring Lardner, John Dos Passos, and Maxwell Perkins) and in American culture between the world wars.
Jason Epstein has led arguably the most creative career in book publishing during the past-century. In 1952 he created Anchor Books, which launched the so-called quality paperback revolution and established the trade paperback format. In the following decade he was co-founder of the New York Review of Books. In the 1980s he created The Library of America and The Reader's Catalog, the precursor of on-line bookselling.
In this short book, based on his W. W. Norton Lectures given at the New York Public Library in October 1999, he discusses the severe crisis facing the book business today -- a crisis that affects writers and readers as well as publisher -- and looks ahead to the radically transformed industry that will revolutionize the idea of the book as profoundly as the introduction of movable type did five centuries ago.
In post-World War I America, teeming as it was with magazines, newspapers, radio broadcasts and movies, many feared that the survival of traditional, serious books was in peril. This concern led to a publishing boom in fine editions; books valued primarily for their beauty, craftsmanship, extravagance, status, or scarcity. Beauty and the Book is a lively cultural history of the explosion in demand for these deluxe books during the 1920s and 1930s. Megan L. Benton argues that the clamour to own fine books reflected the anxieties and desires of those who mourned the rise of a modern mass culture. For them, such volumes not only affirmed a preindustrial ideal but also imparted social distinction and cultural superiority. Benton combines new archival research with a close examination of three hundred fine editions of the period. In theory, fine bookmakers were devoted to beauty and quality and were unwilling to compromise with machinery, popular taste, or concern for profit. But such ideal standards were nearly impossible to maintain. Paradoxically, fine publishers' ostensible indifference to commercial considerations was one of their most prized and lucrative products for sale. This b
Uniquely fusing practical advice on writing with his own insights into the craft, Pulitzer Prize-winning author Richard Rhodes constructs beautiful prose about the issues would-be writers are most afraid to articulate:
- How do I dare write?
- Where do I begin?
- What do I do with this story I have to tell that fills and breaks my heart?
Rich with personal vignettes about Rhode's sources of inspiration, How to Write is also a memoir of one of the most original and celebrated writers of our day.
He explores how libraries are built and how they are destroyed, from the decay of the great Alexandrian library to scroll burnings in ancient China to the destruction of Aztec books by the Spanish--and in our own time, the burning of libraries in Europe and Bosnia.
Encyclopedic in its breadth and novelistic in its telling, this volume will occupy a treasured place on the bookshelf next to Baker's Double Fold, Basbanes's A Gentle Madness, Manguel's A History of Reading, and Winchester's The Professor and the Madman.
A gift? Yes-a gift for you. You're welcome.--"from the introduction by Daniel Handler"
"Nonsense Novels" sends up the silliest conventions of the ghost story, the detective story, the rags-to-riches story, the adventure story, the shipwreck story, and, of course, the story itself. Among other things. Here the close cultivation of cliche yields a bumper crop of absurdity and the utterly ludicrous turns up at every new twist of the tale.
This is a satirical masterpiece. Stephen Leacock was a genius.