African Art
Unconquerable Spirit: George Stow's History Paintings of the San
Unconquerable Spirit
George Stow's History Paintings of the San
1st Edition    Hardcover      ISBN: 0821418696
George Stow was a Victorian man of many parts - poet, historian, ethnographer, artist, cartographer and prolific writer. A geologist by profession, he became acquainted, through his work in the field, with the extraordinary wealth of rock paintings in the caves and shelters of the South African interior. Enchanted and absorbed by them, Stow set out to create a record of this creative work of the people who had tracked and marked the South African landscape decades and centuries before him. For the first time, the beauty and scope of his labours are revealed, in Pippa Skotnes magnificent book, Unconquerable Spirit. In this volume and the accompanying exhibition at Iziko South African Museum, Pippa Skotnes introduces the extraordinary collection of copies of San (or Bushman) rock paintings made by George Stow in the 1860s and 1870s. She sees these not just as copies, but rather as Stow's interpretations of the ideas that most moved the San people and, in part, as a product of the turbulent frontier wars and the end of the San way of life that George Stow was witness to. The book reproduces all Stow's extant copies as well as examples of the many maps, drawings, notes and poems that he produced in his busy driven life.
The Unmaking of Home in Contemporary Art
The Unmaking of Home in Contemporary Art
Hardcover      ISBN: 1442649828
Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that ‘home’ is a stable site of belonging.
William Kentridge: Thick Time
William Kentridge
Thick Time
Paperback      ISBN: 0854882502

William Kentridge and Vivienne Koorland: Conversations in Letters and Lines
William Kentridge and Vivienne Koorland
Conversations in Letters and Lines
Hardcover      ISBN: 190861241x
William Kentridge and Vivienne Koorland are two of South Africa’s foremost visual artists. Kentridge is a successful animator, opera director, performer, and draftsman, while Koorland has enjoyed widespread critical acclaim as a painter, printmaker, and maker of objects. They first met as university students in the mid-1970s, and ever since then their friendship has been mutually enriching, inspiring and informing their artworks in myriad ways. This book pays testament to that enduring friendship, bringing together a diverse selection of works from each artist to explore the formal and thematic links between their different practices. The authors explores a variety of facets that unite the works of Kentridge and Koorland, including the role of writing; the relationship between drawing, painting, and animation; their interest in film; their understanding of lines, alphabets, and letters; and the correlations between the iconic and the abstract and maps and mapping. Briony Fer, Joseph Leo Koerner, Ed Krcma, and Griselda Pollock provide insightful, fresh perspectives on the artists’ lives and their work, followed by a conversation between the Kentridge, Koorland, and curator Tamar Garb. The book features 120 color illustrations drawn from a wide selection of artworks by each artist, including works on paper, maps, and sketchbooks that have rarely been seen by the public before.

Zina Saro-Wiwa: Did You Know We Taught Them How to Dance?
Zina Saro-Wiwa
Did You Know We Taught Them How to Dance?
Hardcover      ISBN: 1883015480
Zina Saro-Wiwa: Did You Know We Taught Them How to Dance? is the first publication on the work of Zina Saro-Wiwa, a British-Nigerian video artist and filmmaker based in Brooklyn. Occupying the space between documentary and performance, Saro-Wiwa’s videos, photographs, and sound produced in the Niger Delta region of southeastern Nigeria from 2013–2015 explore folklore, masquerade traditions, religious practices, food, and Nigerian popular aesthetics. Engaging Niger Delta residents as subjects and collaborators, Saro-Wiwa cultivates strategies of psychic survival and performance, testing contemporary art’s capacity to transform and to envision new concepts of environment and environmentalism. Known for decades for corruption and environmental degradation, the Niger Delta is one of the largest oil producing regions of the world, and until 2010 provided the United States with a quarter of its oil. Saro-Wiwa returns to this contested region—the place of her birth—to tell new stories. Featuring a guest foreword by Ebiegberi Joe Alagoa; essays by Stephanie LeMenager, Amy L. Powell, and Taiye Selasi; an interview with the artist by Chika Okeke-Agulu; and recipes created by the artist.