Roy Hamilton explores the beliefs and practices relating to rice as they are manifested in the arts and material cultures of the various peoples who inhabit south, southeast and east Asia.

A guide to Japanese ink painting provides information on techniques and materials needed, along with step-by-step exercises.

City lights and cherry trees: The woodblock prints of Tokyo that captured Europe's imagination Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,

A major contribution to the scholarship of South and Southeast Asian art. A major survey of South and Southeast Asian art drawn from the Alsdorf Collection, one of the finest private collections of Asian art in America. Although this extraordinary collection is well known to scholars and collectors, the exhibition and the accompanying catalogue will provide the first opportunity for the general public to view these remarkable works of art. This collection of more than 450 objects includes sculpture, jewelry, paintings, and architectural elements from India, Nepal, Tibet, Pakistan, Bangladesh, Burma, Thailand, Cambodia, Java, and elsewhere. The objects range in date from a medallion from the second century BC to twentieth-century sculpture. The catalogue has been written by the eminent scholar Pratapaditya Pal. Dr. Pal explains the major themes represented in the collection--Hindu gods, Buddhist and Jain subjects, goddesses, human figures, animals, and ritual, ornamental, and ceremonial objects--and discusses in detail the style, history, and iconography of individual pieces.

This is a study of weaving among the nomadic pastoralists of Rupshu, eastern Ladakh. The author traces the relationships between livestock, weaving, and social and symbolic structures to gain understanding of the multi-contextual framework within which wool-orientated activities are undertaken.

Chinese calligraphy is a unique visual art form that can be appreciated regardless of having previous knowledge of Chinese characters. While modern Chinese calligraphy consists of five styles, this book focuses on the semi-cursive script, a practical style that emphasizes the transition and structure between strokes. The Beginner's Guide to Chinese Calligraphy Semi-cursive Script teaches how to write the practical and artistic semi-cursive script. Based on the style of Zhao Mengfu, a master of semi-cursive script, you will learn the distinct features of the script and what exemplifies the semi-cursive style. This guide, with step by step illustrations, reduces the difficulty for beginners to learn Chinese calligraphy and is truly a must for Chinese calligraphy amateurs.

The famous 1893 Chicago World’s Fair celebrated the dawn of corporate capitalism and a new Machine Age with an exhibit of the world’s largest engine. Yet the noise was so great, visitors ran out of the Machinery Hall to retreat to the peace and quiet of the Japanese pavilion’s Buddhist temples and lotus ponds. Thus began over a century of the West’s turn toward an Asian aesthetic as an antidote to modern technology. From the turn-of-the-century Columbian Exhibition to the latest Zen-inspired designs of Apple, Inc., R. John Williams charts the history of our embrace of Eastern ideals of beauty to counter our fear of the rise of modern technological systems. In a dazzling work of synthesis, Williams examines Asian influences on book design and department store marketing, the commercial fiction of Jack London, the poetic technique of Ezra Pound, the popularity of Charlie Chan movies, the architecture of Frank Lloyd Wright, and the design of the latest high-tech gadgets. Williams demonstrates how, rather than retreating from modernity, writers, artists, and inventors turned to traditional Eastern technê as a therapeutic means of living with—but never abandoning—Western technology.

British connoisseur describes in detail the subject of famous Japanese color prints using 274 reproductions of works by Hokusai, Hiroshige, Utamaro, Shunyei, and other masters. Bibliography. Index.