Schiller's 1795 essay on the educative function of art is one of the most important contributions to the history of ideas in modern times. This English-German parallel text edition includes a long analytical introduction and extensive notes.
In these refreshingly bold, creative, and incisive essays, John D'Agata journeys the endless corridors of American's myriad halls of fame and faithfully reports on what he finds there. In a voice all his own, he brilliantly maps his terrain in lists, collage, and ludic narratives. From Martha Graham to the Flat Earth Society, from the brightest light in Vegas to the "outsider artist" Henry Darger, D'Agata's obsessions are as American as they are contemporary.
Martha Graham, Audio Description Of
Flat Earth Map: An Essay
Hall of Fame: An Essay About the Ways in Which We Matter
Notes toward the making of a whole human being . . .
Collage History of Art, by Henry Darger
And There Was Evening and There Was Morning
In her latest forays into the American scene, Joan Didion covers ground from Washington to Los Angeles, from a TV producer's gargantuan "manor" to the racial battlefields of New York's criminal courts. At each stop she uncovers the mythic narratives that elude other observers: Didion tells us about the fantasies the media construct around crime victims and presidential candidates; she gives us new interpretations of the stories of Nancy Reagan and Patty Hearst; she charts America's rollercoaster ride through evanescent booms and hard times that won't go away. A bracing amalgam of skepticism and sympathy, After Henry is further proof of Joan Didion's infallible radar for the true spirit of our age.
Pieces of the Frame is a gathering of memorable writings by one of the greatest journalists and storytellers of our time. They take the reader from the backwoods roads of Georgia, to the high altitude of Ruidoso Downs in New Mexico; from the social decay of Atlantic City, to Scotland, where a pilgrimage for art's sake leads to a surprising encounter with history on a hilltop with a view of a fifth of the entire country. McPhee's writing is more than informative; these are stories, artful and full of character, that make compelling reading. They play with and against one another, so that Pieces of the Frame is distinguished as much by its unity as by its variety. Subjects familiar to McPhee's readers--sports, Scotland, conservation--are treated here with intimacy and a sense of the writer at work.
An anthology of never-before-published short essays by America's literary greats. Each October at the PEN Gala, well-known authors take the stage of the Folger Shakespeare Library's Theatre to ponder the meaning of such universal mysteries as "obsession," "illusion," "first love," and more. Each author is given only three minutes or less to speak. The results have been unpredictable--clever, confessional, inspiring, hilarious, profound, and all of them entertaining. These essays have been transcribed for the first time, and comprise this unique anthology.
Among the authors are: Russell Banks, T. Coraghessan Boyle, Annie Dillard, Gail Godwin, Allan Gurganus, Jane Hamilton, Alice Hoffman, Susan Isaacs, Charles Johnson, William Kennedy, Chang-rae Lee, Larry McMurtry, Sue Miller, Joyce Carol Oates, George Plimpton, Francine Prose, Maurice Sendak, Anita Shreve, Jane Smiley, William Styron, Deborah Tannen, John Edgar Wideman.
National BestsellerBeautifully written and delightfully strange...as earthy as it is sublime...in the truest sense, an eye-opener. --Daily News From Annie Dillard, the Pulitzer Prize-winning author of Pilgrim at Tinker Creek and one of the most compelling writers of our time, comes For the Time Being, her most profound narrative to date. With her keen eye, penchant for paradox, and yearning for truth, Dillard renews our ability to discover wonder in life's smallest--and often darkest--corners. Why do we exist? Where did we come from? How can one person matter? Dillard searches for answers in a powerful array of images: pictures of bird-headed dwarfs in the standard reference of human birth defects; ten thousand terra-cotta figures fashioned for a Chinese emperor in place of the human court that might have followed him into death; the paleontologist and theologian Teilhard de Chardin crossing the Gobi Desert; the dizzying variety of clouds. Vivid, eloquent, haunting, For the Time Being evokes no less than the terrifying grandeur of all that remains tantalizingly and troublingly beyond our understanding. Stimulating, humbling, original--. Dillard] illuminate s] the human perspective of the world, past, present and future, and the individual's relatively inconsequential but ever so unique place in it.--Rocky Mountain News
Joseph Mitchell was a legendary New Yorker writer and the author of the national bestseller Up in the Old Hotel, in which these two pieces appeared. What Joseph Mitchell wrote about, principally, was New York. In Joe Gould, Mitchell found the perfect subject. And Joe Gould's Secret has become a legendary piece of New York history.
Joe Gould may have been the quintessential Greenwich Village bohemian. In 1916, he left behind patrician roots for a scrappy, hand-to-mouth existence: he wore ragtag clothes, slept in Bowery flophouses, and mooched food, drinks, and money off of friends and strangers. Thus he was able to devote his energies to writing An Oral History of Our Time, which Gould said would constitute the informal history of the shirt-sleeved multitude. But when Joe Gould died in 1957, the manuscript could not be found. Where had he hidden it? This is Joe Gould's Secret.
Mitchell is] one of our finest journalists.--Dawn Powell, The Washington Post
What people say is history--Joe Gould was right about that--and history, when recorded by Mitchell, is literature.--The New Criterion
This cultural-literary-social critique examines why, when a society moves from a repressive system of government wrought with censorship and oppression to a free state representing unlimited possibilities, the art once created and treasured by that population is taken for granted. Taking into account his own exile from Stalinist Romania, as well as the plights of such greats as Garcia Marquez, Breton, the Dadaists, Kundera, and Milosz, Codrescu issues a call for those living in a free society to reach beyond a benign reality founded in technology and commercialism by tapping into their imaginations and striving for a better, evolutionary existence.
";One day I had a revelation. There had been hints for some time that certain books had better not be discussed. Our next-door neighbor had a German Bible hidden at the bottom of an old sea chest. Her son Peter, who was a year older than me, showed it to me in secret one afternoon after making me swear that I would never reveal its existence to anyone. . . . It emitted a dark, pungent odor of darkness, monks, time, Gutenberg, sea journeys, incense, and last rites. Peter told me there were other books like this, some old, some new, all of them containing secrets so awesome we would be put in prison for merely mentioning them."; From this point in his Romanian childhood, Codrescu became acutely attuned to the meaning of literature in the progress and movement of societies, both free and oppressed. ";The police have arrived everywhere: in Eastern Europe] they are uniformed police. In the West they are the invisible police of image manipulation."
Andrei Codrescu, an essayist, poet, "All Things Considered" commentator, and MSNBCcolumnist, has published numerous books, including "Road Scholar" and "The Devil Never Sleeps," Born in Romania, he came to the U.S. in 1966, and currently teaches at Louisana State University.
From the internationally acclaimed author of some of this century's most original fiction comes this posthumous collection of 36 literary essays that encourages readers to view old classics in a new light. Calvino writes on why Lara, not Zhivago, is the center of Pasternak's masterpiece Dr. Zhivago, and explains how many odysseys are in The Odyssey.