The first impression of W. Reginald Bray (1879-1939) was one of an ordinary middle-class Englishman quietly living out his time as an accountant in the leafy suburb of Forest Hill, London. A glimpse behind his study door, however, revealed his extraordinary passion for sending unusual items through the mail. In 1898, Bray purchased a copy of the Post Office Guide, and began to study the regulations published quarterly by the British postal authorities. He discovered that the smallest item one could post was a bee, and the largest, an elephant. Intrigued, he decided to experiment with sending ordinary and strange objects through the post unwrapped, including a turnip, abowler hat, a bicycle pump, shirt cuffs, seaweed, a clothes brush, even a rabbit's skull. He eventually posted his Irish terrier and himself (not together), earning him the name "The Human Letter." He also mailed cards to challenging addressessome in the form of picture puzzles, others sent to ambiguous recipients at hard to reach destinationsall in the name of testing the deductive powers of the beleaguered postman. Over time hispassion changed from sending curios to amassing the world's largest collection of autographs, also via the post. Starting with key British military officers involved in the Second Boer War, he acquired thousands of autographs during the first four decades of the twentieth centuryof politicians, military men, performing artists, aviators, sporting stars, and many others. By the time he died in 1939, Bray had sent out more than thirty-two thousand postal curios and autograph requests. The Englishman Who Posted Himself and Other Curious Objects tells W. Reginald Bray's remarkable tale for the first time and includes delightful illustrations of some of his most amazing postal creations. Readers will never look at the objects they post the same way again.
An introduction providing an overview of the sources and symbolism of biblical accounts of the Apocalypse is followed by several chapters devoted to the specific imagery, in which Old and New Testament verses are interwoven with images by Western artists.
Mixed-media collage artists are embracing, unearthing, and reconstructing the flotsam and jetsam of modern life with abandon, integrating discards along with a range of art materials and novel techniques to create compelling, new works. Original, idiosyncratic, and delightful, this catch-as-catch-can approach to making art is inspiring and can have eye-catching results. It can also have its own set of technical challenges. Mixed-Media Collage takes you into the studios of five talented mixed-media artists: Laurinda Bedingfield, Barbara De Pirro, Paula Grasdal, Sharon McCartney, and Teesha Moore. The artists reveal their own step-by-step processes, offer tips on working with unconventional materials, and share their insights on creativity and finding inspiration. A deluxe gallery features forty never-before published mixed-media pieces, complete with detailed descriptions of the work and the materials used to create them.
- In-depth chapters detailing the work and techniques of Laurinda Bedingfield, Barbara De Pirro, Paula Grasdal, Sharon McCartney, and Teesha Moore
- Techniques for making faux encaustics out of acrylic gel medium (no hot palette or wax required), adding stitching to paper, layering surfaces, finding inspiration in texts, building shrines and book-page panels out of sew-through interfacing, using simple printmaking techniques to create one-of-a-kind collage materials, building three-dimensional photo collages, and more
- A special feature by best-selling author Jennifer Crusie, who shares her thoughts on the connections between writing and collage, as well as several previously unpublished assemblages she has used as a tool to plot and edit her books
- A humorous essay by best-selling author Alisa Kwitney, who shares her thoughts on the connections between writing and collage, and explains why she canAEt use collage as a tool for anything
This book is the perfect guide for creating lifelike representations of the human head in graphite. Experienced artist Lance Richlin begins by explaining drawing tools and materials, shading techniques, and the important anatomical structures of the head. Following these basics, he shows how to light the subject, block in and render each feature of the face, and address a variety of expressions-from subtle smiles to toothy grins. Then he guides the reader through four impressive projects, showing how to develop a lifelike head drawing in seven simple stages: the lay-in, plumb lines, volume, outline, tonal pattern, value, and finishing. Readers also will find an in-depth troubleshooting section to help them identify and solve any problems that lessen the realism and accuracy of their drawings. In an age full of technological shortcuts, this book emphasizes drawing from life and seeks to preserve the methods of the old masters.
With this 32-page, step-by-step instruction book, aspiring artists will discover the secrets to creating cutting-edge manga art. From an exploration of shading and coloring techniques to tips on figure drawing and character development, readers will learn everything they need to know to become masters of manga. Each featured project serves as both lesson and inspirational guide for preparing artists to craft their own world and characters in an authentic manga style
At the same time Andy Warhol was changing American art in New York City, Lillian Colton, owner of the Cinderella Clip 'n' Curl in Owatonna, Minnesota, launched her own version of pop art. From her patient hands, practiced at embroidering linens and crocheting lace, came captivating portraits of Jesus, Elvis, Oprah, Lady Diana, Clinton, and Prince, intricately rendered in timothy, bromegrass, canola, poppy seeds, salsify, alsike, bird's-foot trefoil, grits, and wild rice. Seed Queen brings to light the story of this crop artist extraordinaire--how she developed her matchless aesthetic by merging rural traditions from her childhood on a farm with a love of Hollywood movies, training as a hairstylist, and skills in drawing and painting--and the larger story of crop art as it has evolved over time. This lively illustrated volume features dozens of color images of Colton's crop art and of the work of those she has continued to inspire since she took home the blue ribbon for her portrait of Nixon at the 1969 Minnesota State Fair. Countless artists have taken the genre in new directions in recent years, opening up the pantheon of the famous, taking on political issues, and satirizing those in power--all through the meticulous positioning of thousands of individual seeds. Colleen Sheehy is the director of education at the Weisman Art Museum and teaches art history at the University of St. Thomas.
Colours convey a wide spectrum of emotions and a variety of messages. The multitude of color names alone-- just look at any retail catalog--are testimony to our sensibilities and imagination. A treasure trove of evocative colors and color combinations, COLORSCAPE is a handy reference for those looking for ideas.