This book is the perfect guide for creating lifelike representations of the human head in graphite. Experienced artist Lance Richlin begins by explaining drawing tools and materials, shading techniques, and the important anatomical structures of the head. Following these basics, he shows how to light the subject, block in and render each feature of the face, and address a variety of expressions-from subtle smiles to toothy grins. Then he guides the reader through four impressive projects, showing how to develop a lifelike head drawing in seven simple stages: the lay-in, plumb lines, volume, outline, tonal pattern, value, and finishing. Readers also will find an in-depth troubleshooting section to help them identify and solve any problems that lessen the realism and accuracy of their drawings. In an age full of technological shortcuts, this book emphasizes drawing from life and seeks to preserve the methods of the old masters.
Self-described as an "American painter of signs," Robert Indiana (born 1928) has interpreted the postwar American semiotic landscape through a unique merging of Pop's graphic snap with American modernist painting's codes of sexuality and use of advertising designs. Best known for his iconic rendition of the word "love," over the past 50 years Indiana has created a major body of work that spans the movements of assemblage, hard-edged abstraction and Pop art. This book surveys his career from the early 1960s to the present, also convening new scholarship on this important artist by writers such as Thomas Crow and Robert Storr. Addressing topics ranging from Indiana's politically engaged works, his formative years in the Coentie's Slip artistic community in downtown Manhattan, Indiana's place within Pop and his allegorical depictions of gender and family, this book reevaluates and reorients some of Indiana's most significant works.
With this 32-page, step-by-step instruction book, aspiring artists will discover the secrets to creating cutting-edge manga art. From an exploration of shading and coloring techniques to tips on figure drawing and character development, readers will learn everything they need to know to become masters of manga. Each featured project serves as both lesson and inspirational guide for preparing artists to craft their own world and characters in an authentic manga style
Pierre-Auguste Renoir (18411919) was one of the most audacious and original landscape artists of his age. Throughout his career, he continually experimented with composition, light, paint handling, and pictorial structure in innovative new ways that challenged traditionaland contemporarypainting. He taught himself by working side-by-side with fellow Impressionist masters Monet and Sisley, and in the 1870s began to define his distinctive landscape style of quick, silvery brushstrokes. By the end of the decade he had moved decisively in the direction of unparalleled painterly freedom.
This stunning book is the first to examine Renoir s landscape art in depth, tracing its evolution from the beginning of his career through his Impressionist period and the early 1880s, when he began to incorporate new landscape motifs and new levels of coloristic intensity in paintings after traveling to Algeria and Italy. With over 200 illustrations, a detailed chronology, and bibliography, the book" "includes essays by highly distinguished scholars that discuss the range and importance of these works and present many fresh discoveries. They also place Renoir s landscapes in the overall context of the genre in 19th-century France, revealing how his experiments were radical andin ways that have not yet been fully acknowledgedinfluential on the later development of modern art."
The first impression of W. Reginald Bray (1879-1939) was one of an ordinary middle-class Englishman quietly living out his time as an accountant in the leafy suburb of Forest Hill, London. A glimpse behind his study door, however, revealed his extraordinary passion for sending unusual items through the mail. In 1898, Bray purchased a copy of the Post Office Guide, and began to study the regulations published quarterly by the British postal authorities. He discovered that the smallest item one could post was a bee, and the largest, an elephant. Intrigued, he decided to experiment with sending ordinary and strange objects through the post unwrapped, including a turnip, abowler hat, a bicycle pump, shirt cuffs, seaweed, a clothes brush, even a rabbit's skull. He eventually posted his Irish terrier and himself (not together), earning him the name "The Human Letter." He also mailed cards to challenging addressessome in the form of picture puzzles, others sent to ambiguous recipients at hard to reach destinationsall in the name of testing the deductive powers of the beleaguered postman. Over time hispassion changed from sending curios to amassing the world's largest collection of autographs, also via the post. Starting with key British military officers involved in the Second Boer War, he acquired thousands of autographs during the first four decades of the twentieth centuryof politicians, military men, performing artists, aviators, sporting stars, and many others. By the time he died in 1939, Bray had sent out more than thirty-two thousand postal curios and autograph requests. The Englishman Who Posted Himself and Other Curious Objects tells W. Reginald Bray's remarkable tale for the first time and includes delightful illustrations of some of his most amazing postal creations. Readers will never look at the objects they post the same way again.
Assembled in the form of a thick block, this book reproduces approximately 600 word drawings, paintings and works on paper by the Los Angeles-based American artist Edward Ruscha (b. 1937). The result is a sort of novel without an obvious plot, a series of words with no narrative. monochromatic, abstract background in the late 1950s and has continued to explore the language-based imagery that has become a hallmark of his work. Pulling elements from the visual language of advertising and commercial art, he has made hundreds of word prints, drawings, and paintings that exhibit an interplay between bold letters and shaded backgrounds. Some of the works consist of only one word - great, mud, trust; others of short combinations or phrases - Indeed I do, She sure knew her devotionals and They called her Styrene.
Fairies, mermaids, and angels have captivated imaginations throughout the centuries. Embodying all that is feminine, sparkly, and magical, these fantastic creatures have found their ways into countless stories, films, and works of art that appeal to people of all ages. And now anyone can discover how to bring them to life in watercolor with this delightful 64-page guide. Inside, artist-author Meredith Dillman shares the methods of her unique artistic style, which is influenced by Pre-Raphaelite paintings, turn-of-the-twentieth-century book illustrations, and modern-day Japanese manga--a combination that results in beautiful, contemporary artwork. Meredith provides instruction specific to creating the mythical beauties and their whimsical surroundings, showing readers how to draw and paint faces, bodies, hair, clothing, and more. The author also guides readers through several inspiring projects, demonstrating how to re-create the magic step by step.
Big-eye art has undergone a major revival, with the waifs of the earlier movement transformed into fairies, mermaids, demons and myriad otherwordly beings. This book showcases the works of over 20 of today's most significant big-eye artists, offering an insight into a fantastical, sometimes bizarre, metaphysical world.
Graffiti art is constantly changing. Fresh coats of paint and newly pasted posters appear overnight in cities across the world. New artists, new ideas, and new tactics displace faded images in a perpetual process of renewal and metamorphosis. From Los Angeles to Barcelona, Stockholm to Tokyo, Melbourne to Milan, wall spaces are a breeding ground for graphic and typographic forms as artists unleash their daily creations.
Current graffiti art is reflective of the world around it. Using new materials and techniques, its innovators are creating a language of forms and images infused with contemporary graphic design and illustration. Fluent in branding and graphic imagery, they have been replacing tags with more personal logos and shifting from typographic to iconographic forms of communication.
Street Logos is a worldwide celebration of these new developments in twenty-first-century graffiti, an essential sourcebook for all art and design professionals, and a delight to everyone excited by the vitality of the street.
- A revealing Introduction by Rainn Wilson
- 180 Life's Big Questions (the ones that gnaw at your innards)
- Visual masterpieces from 90+ artists
- Unusual activities that launch you into the world
- Exclusive commentary from the fascinating minds of: Amy Sedaris, David Lynch, Heather Armstrong (Dooce.com), Dr. Drew, Jesse Dylan, Justin Vernon (Bon Iver), Harold Ramis, Josh Ritter, and Saul Williams.