A biography of the great medieval Italian poet and historian examines his life from his youth in Florence to his creation of "The Divine Comedy," his masterful allegorical poem of redemption and self-discovery.

A new verse translation of the second section of Dante's monumental epic, the Divine Comedy, chronicles the poet-narrator's odyssey, with the poet Virgil as his guide, up the Mount of Purgatory toward Paradise, in a new version that includes a detailed introduction, extensive notes, and commentaries on each canto.

From the north-west midlands, Sir Gawain and the Green Knight dates from the second half of the 14th century. Gawain, a knight in Arthur's court, takes up the challenge of the Green Knight, and cuts off his head. The Knight informs Gawain he will have his revenge. Journeying to the Knight's abode to receive his lot Gawain takes thehospitality of a Lord, and endures the advances of his wife. The Lord is the Green Knight and, when the time comes, merely nicks Gawain's neck for his infidelity and dishonour. Is Gawain a failure, or a hero?

Presents the epic poem about the Creation and the Fall, and includes explanatory notes and a timeline of important events in Milton's life.

Presents the first part of Dante's "Divine Comedy", where Virgil leads Dante through the nine circles of Hell; the text is accompanied by notes and a brief biography.

Presented with both Italian and English text, this version of Dante's classic follows the poet's journey through Purgatory under the guidance of Virgil in search of Beatrice.

A new verse translation of the second section of Dante's monumental epic, the Divine Comedy, chronicles the poet-narrator's odyssey, with the poet Virgil as his guide, up the Mount of Purgatory toward Paradise, in a new version that includes a detailed introduction, extensive notes, and commentaries on each canto. Reprint. 12,500 first printing.

Building on the strengths of two previous editions, this revised and enlarged Third Edition continues to offer more of Spenser's poetry than any other comparable volume. All selections are based on early and established texts, fully glossed and precisely annotated, with an Editor's Note following each section. To facilitate discussion of the place of the body and of pastoral elements in Spenser's epic, the Third Edition includes more of The Faerie Queene: from Book II, canto ix (the House of Alma), and from Book VI, the remainder of canto x and all of cantos xi-xii. The Shepheardes Calender is represented by six eclogues, including the much-discussed "Februarie." Colin Clouts Come Home Againe, increasingly a focus of critical attention, is an important addition, and Amoretti is offered in its entirety. Seventeen critical essays, judiciously chosen from the many published since 1982, have been added to supplement eleven earlier commentaries. New to the Third Edition are the perspectives of Spenserís contemporary William Camden, Virginia Woolf, William Nelson, A. Bartlett Giamatti, Donald Cheney, Judith Anderson, Richard Helgerson, Louis Adrian Montrose, and David Lee Miller. The critical essays on the House of Busyrane, Spenser's pastoral, Muiopotmos, and Amoretti are grouped to "speak" to each other in ways sure to stimulate classroom discussion. This class-tested feature is back by popular demand along with essays by D. C. Allen, Robert A. Brinkley, Ronald P. Bond, Anne Lake Prescott, Andrew D. Weiner, Susanne Lindgren Wofford, Harry Berger, Jr., and Paul Alpers. A Chronology of Spenser's life and an extensive Bibliography are also included.

Offers modern translations of the medieval French poems about the Knights of the Round Table, including "Erec and Enide," "Lancelot," and "Perceval," and briefly discusses Chretien's life and writing style