From Jericho to Troy, medieval Europe knew siege warfare as a tradition of antiquity. Long before the advent of city culture, rivaling civilizations had relied on siege tactics as a means of taking over fortified palaces, temples, and defensive walls. But the dawn of the medieval period brought the "golden age" of siege warfare, as the proliferation of formalized cities made siege tactics the ideal choice from a militaristic standpoint.
In Medieval Sieges & Siegecraft, Geoffrey Hindley looks at the subject from every angle. He traces the development of strong points, castles, and fortified towns and considers the architects and masons who built them; describes the problems of medieval logistics and food supply that confronted both sides during a siege (and which often decided the outcome); and pens vivid portraits of the machinery of warfare--from towers, mines, trebuchets, and mangonels to boiling oil and Greek fire; and considers the parts played by women and camp followers in battle. With the support of fifty illustrations printed throughout the text, Hindley shows siege tactics in action through real-life case studies of famous sieges that changed the course of history in medieval Europe and the Holy Land. A definitive account of an often overlooked portion of military history, this stimulating and accessible study will be fascinating reading for medieval specialists and for anyone who is interested in the history of warfare. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Designed as both a contribution to original research and as a stimulating and accessible text, this volume is a helpful, reliable, responsive and adaptable resource for students of Chaucer at all levels.
In the aftermath of a heartbreaking tragedy, a scholar and writer uses Dante's Divine Comedy to shepherd him through the dark wood of grief and mourning--a rich and emotionally resonant memoir of suffering, hope, love, and the power of literature to inspire and heal the most devastating loss.
Where do we turn when we lose everything? Joseph Luzzi found the answer in the opening of The Divine Comedy: "In the middle of our life's journey, I found myself in a dark wood."
When Luzzi's pregnant wife was in a car accident--and died forty-five minutes after giving birth to their daughter, Isabel--he finds himself a widower and first-time father at the same moment. While he grieves and cares for his infant daughter, miraculously delivered by caesarean before his wife passed, he turns to Dante's Divine Comedy for solace.
In a Dark Wood tells the story of how Dante helps the author rebuild his life. He follows the structure of The Divine Comedy, recounting the Inferno of his grief, the Purgatory of healing and raising Isabel on his own, and then Paradise of the rediscovery of love.
A Dante scholar, Luzzi has devoted his life to teaching and writing about the poet. But until he turned to the epic poem to learn how to resurrect his life, he didn't realize how much the poet has given back to him. A meditation on the influence of great art and its power to give us strength in our darkest moments, In a Dark Wood opens the door into the mysteries of Dante's epic poem. Beautifully written and flawlessly balanced, Luzzi's book is a hybrid of heart-rending memoir and critical insight into one of the greatest pieces of literature in all of history. In a Dark Wood draws us into man's descent into hell and back: it is Dante's journey, Joseph Luzzi's, and our very own.
Unlike every known translator before him, Michael Palma re-creates Dante's masterpiece in all its dimensions, without emphasizing some aspects over others, rendering Inferno into contemporary American English while maintaining Dante's original triple rhyme scheme. The result is a translation that can be appreciated for its literal faithfulness and beautiful poetic form, accompanied by facing-page Italian and explanatory notes. "A superb translation; highly recommended." Library Journal "I find Michael Palma's Inferno to be one that I'm having a hard time improving." Lawrence Ferlinghetti "I think highly of Michael Palma's Inferno....Readers will find it admirably clear and readable." Richard Wilbur"
It was out of medieval Provence--Proensa--that the ethos of courtly love emerged, and it was in the poetry of the Proven al troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical.
The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn's Proensa, George Economou writes, "will take its place among Gavin Douglas' Aeneid, Golding's Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley's Japanese, and Pound's Chinese, Italian, and Old English."
Only R.W.B. Lewis-the renowned biographer and author of The City of Florence-could write so insightfully about Dante Alighieri, Florence's famous son. In Dante he traces the life and complex development-emotional, artistic, philosophical-of this supreme poet-historian, from his wanderings through Tuscan hills and splendid churches to his days as a young soldier fighting for democracy, and to his civic leadership and years of embittered exile from the city that would fiercely reclaim him a century later.
Lewis reveals the boy who first encounters the mythic Beatrice, the lyric poet obsessed with love and death, the grand master of dramatic narrative and allegory, and his monumental search for ultimate truth in The Divine Comedy. It is in this masterpiece of self-discovery and redemption that Lewis finds Dante's own autobiography-and the sum of all his shifting passions and epiphanies.
This widely praised version of Dante's masterpiece, which won the Los Angeles Times Book Prize and the Harold Morton Landon Translation Award of the Academy of American Poets, is more idiomatic and approachable than its many predecessors. Former U.S. Poet Laureate Pinsky employs slant rhyme and near rhyme to preserve Dante's "terza rima" form without distorting the flow of English idiom. The result is a clear and vigorous translation that is also unique, student-friendly, and faithful to the original: "A brilliant success," as Bernard Knox wrote in "The New York Review of Books."
