This book is a newspaper reader for the American student who has completed one and a half to two years of modern Chinese. The fourteen selections included in the reader show how the U.S. was depicted in commentaries and essays in The People's Daily from 1990 through 1991. Covering the education crisis, social injustice, human rights violations, and racial discrimination, the articles are generally critical of, and even hostile to, American society as a whole: their controversial nature will elicit student interest and classroom participation.
Each selection is presented in both traditional and simplified characters, with a copy of the actual newspaper article and a cartoon included: each is also accompanied by a vocabulary glossary, sentence patterns annotated in English, and suggested discussion topics. In addition to the fourteen glossed selections, eight unglossed essays are included for use as supplementary reading materials.
Audio and video materials are available for use with this text. For further information, contact the Chinese Linguistics Project, 231 Palmer Hall, Princeton University, Princeton, N.J. 08544. (609-258-4269).
Japanese-born Hisanori Kano came to the United States in 1916 with the blessings of his influential family, the sponsorship of William Jennings Bryan, and a fervent commitment to master and apply the best of American agricultural practices on the Nebraska Plains. Forgoing an assured career in politics, the military, or business in his homeland, Kano entered the University of Nebraska, Lincoln, and worked his way through as a farm laborer. Along with his dedication to farming, he brought a strong Christian faith that would lead to his ordination as an Episcopal minister and sustain him and his family through his internment during World War II. Undertaken in 1967, after half a century in his adoptive land, Father Kano's memoir reveals how he adapted to an ever-changing American culture and landscape. According himself only modest standing among the Issei--other first-generation Japanese immigrants he was honored to call his countrymen--Father Kano elucidates in a voice as eloquent as it is polite a sorely underrepresented aspect of diversity and rural life on the North American Plains.
With charm, humor, and deep understanding, Monica Sone tells what it was like to grow up Japanese American on Seattle's waterfront in the 1930s and to be subjected to "relocation" during World War II. Along with over one hundred thousand other persons of Japanese ancestry -- most of whom were U.S. citizens -- Sone and her family were uprooted from their home and imprisoned in a camp. Her unique and personal account is a true classic of Asian American literature.
Among the fiercest opponents of the mass incarceration of Japanese Americans during World War II was journalist James "Jimmie" Matsumoto Omura. In his sharp-penned columns, Omura fearlessly called out leaders in the Nikkei community for what he saw as their complicity with the U.S. government's unjust and unconstitutional policies--particularly the federal decision to draft imprisoned Nisei into the military without first restoring their lost citizenship rights. In 1944, Omura was pushed out of his editorship of the Japanese American newspaper Rocky Shimpo, indicted, arrested, jailed, and forced to stand trial for unlawful conspiracy to counsel, aid, and abet violations of the military draft. He was among the first Nikkei to seek governmental redress and reparations for wartime violations of civil liberties and human rights.
In this memoir, which he began writing towards the end of his life, Omura provides a vivid account of his early years: his boyhood on Bainbridge Island; summers spent working in the salmon canneries of Alaska; riding the rails in search of work during the Great Depression; honing his skills as a journalist in Los Angeles and San Francisco. By the time of the attack on Pearl Harbor, Omura had already developed a reputation as one of the Japanese American Citizens League's most adamant critics, and when the JACL leadership acquiesced to the mass incarceration of American-born Japanese, he refused to remain silent, at great personal and professional cost. Shunned by the Nikkei community and excluded from the standard narrative of Japanese American wartime incarceration until later in life, Omura seeks in this memoir to correct the "cockeyed history to which Japanese America has been exposed."
Edited and with an introduction by historian Arthur A. Hansen, and with contributions from Asian American activists and writers Frank Chin, Yosh Kuromiya, and Frank Abe, Nisei Naysayer provides an essential, firsthand account of Japanese American wartime resistance.
Nisei Soldiers Break Their Silence is a compelling story of courage, community, endurance, and reparation. It shares the experiences of Japanese Americans (Nisei) who served in the U.S. Army during World War II, fighting on the front lines in Italy and France, serving as linguists in the South Pacific, and working as cooks and medics. The soldiers were from Hood River, Oregon, where their families were landowners and fruit growers. Town leaders, including veterans' groups, attempted to prevent their return after the war and stripped their names from the local war memorial. All of the soldiers were American citizens, but their parents were Japanese immigrants and had been imprisoned in camps as a consequence of Executive Order 9066. The racist homecoming that the Hood River Japanese American soldiers received was decried across the nation.
Linda Tamura, who grew up in Hood River and whose father was a veteran of the war, conducted extensive oral histories with the veterans, their families, and members of the community. She had access to hundreds of recently uncovered letters and documents from private files of a local veterans' group that led the campaign against the Japanese American soldiers. This book also includes the little known story of local Nisei veterans who spent 40 years appealing their convictions for insubordination.
Watch the book trailer: http: //www.youtube.com/watch?v=hHMcFdmixLk
In this landmark addition to the literature of totalitarianism, award-winning journalist Barbara Demick follows the lives of six North Korean citizens over fifteen years--a chaotic period that saw the death of Kim Il-sung, the rise to power of his son Kim Jong-il (the father of Kim Jong-un), and a devastating famine that killed one-fifth of the population. Demick brings to life what it means to be living under the most repressive regime today--an Orwellian world that is by choice not connected to the Internet, where displays of affection are punished, informants are rewarded, and an offhand remark can send a person to the gulag for life. She takes us deep inside the country, beyond the reach of government censors, and through meticulous and sensitive reporting we see her subjects fall in love, raise families, nurture ambitions, and struggle for survival. One by one, we witness their profound, life-altering disillusionment with the government and their realization that, rather than providing them with lives of abundance, their country has betrayed them. Praise for Nothing to Envy "Provocative . . . offers extensive evidence of the author's deep knowledge of this country while keeping its sights firmly on individual stories and human details."--The New York Times "Deeply moving . . . The personal stories are related with novelistic detail."--The Wall Street Journal "A tour de force of meticulous reporting."--The New York Review of Books "Excellent . . . humanizes a downtrodden, long-suffering people whose individual lives, hopes and dreams are so little known abroad."--San Francisco Chronicle "The narrow boundaries of our knowledge have expanded radically with the publication of Nothing to Envy. . . . Elegantly structured and written, it] is a groundbreaking work of literary nonfiction."--John Delury, Slate "At times a page-turner, at others an intimate study in totalitarian psychology."--The Philadelphia Inquirer
In 1867, Lisa See's great-great-grandfather arrived in America, where he prescribed herbal remedies to immigrant laborers who were treated little better than slaves. His son Fong See later built a mercantile empire and married a Caucasian woman, in spite of laws prohibiting interracial marriage. Lisa herself grew up playing in her family's antiques store in Los Angeles's Chinatown, listening to stories of missionaries and prostitutes, movie stars and Chinese baseball teams.
With these stories and her own years of research, Lisa See chronicles the one-hundred-year-odyssey of her Chinese-American family, a history that encompasses racism, romance, secret marriages, entrepreneurial genius, and much more, as two distinctly different cultures meet in a new world.
In this major new book, leading cultural thinker Ien Ang engages with urgent questions of identity in an age of globalisation and diaspora. The starting point for Ang's discussion is the experience of visiting Taiwan. Ang, a person of Chinese descent, born in Indonesia and raised in the Netherlands, found herself "faced with an almost insurmountable difficulty" - surrounded by people who expected her to speak to them in Chinese. She writes: "It was the beginning of an almost decade-long engagement with the predicaments of Chineseness' in diaspora. In Taiwan I was different because I couldn't speak Chinese; in the West I was different because I looked Chinese". From this autobiographical beginning, Ang goes on to reflect upon tensions between Asia' and the West' at a national and global level, and to consider the disparate meanings of Chineseness' in the contemporary world. She offers a critique of the increasingly aggressive construction of a global Chineseness, and challenges Western tendencies to equate Chinese' with Asian' identity. Ang then turns to the West', exploring the paradox of Australia's identity as a Western' country in the Asian region, and tracing Australia's uneasy relationship with its Asian neighbours, from the White Australia policy to contemporary multicultural society. Finally, Ang draws together her discussion of Asia' and the West' to consider the social and intellectual space of the in-between', arguing for a theorising not of difference' but of togetherness' in contemporary societies.
In the wake of wartime panic that followed the Japanese attack of Pearl Harbor, more than 100,000 Japanese Americans residing along the West Coast of the United States were uprooted from their homes and their communities and banished to internment camps throughout the country. Through personal documents, art, and propaganda, Only What We Could Carry expresses through words, art, and haunting recollections, the fear, confusion and anger of the camp experience. The only anthology of its kind, Only What We Could Carry is an emotional and intellectual testament to the dignity, spirit and strength of the Japanese American internees.
When she was five years old, M. Elaine Mar and her mother emigrated from Hong Kong to Denver to join her father in a community more Chinese than American, more hungry than hopeful.
While working with her family in the kitchen of a Chinese restaurant and living in the basement of her aunt's house, Mar quickly masters English and begins to excel in school. But as her home and school life--Chinese tradition and American independence--become two increasingly disparate worlds, Mar tries desperately to navigate between them.
Adolescence and the awakening of her sexuality leave Elaine isolated and confused. She yearns for storebought clothes and falls for a red-haired boy who leads her away from the fretful eyes of her family. In his presence, Elaine is overcome by the strength of her desire--blocking out her family's visions of an arranged marriage in Hong Kong.
From surviving racist harassment in the schooIyard to trying to flip her straight hair like Farrah Fawcett, from hiding her parents' heritage to arriving alone at Harvard University, Mar's story is at once an unforgettable personal journey and an unflinching, brutal look at the realities of the American Dream.