"Joining the long history of women of color fighting to claim literary space to tell our stories, Sherry Quan Lee shares her truth with fierce courage and strength in Love Imagined. ... Quan Lee crafts a riveting tale of Minnesota life set within the backdrop of racial segregation, the Cold War, the sexual revolution while navigating it all through the lens of her multi-layered identities. A true demonstration of the power of an intersectional perspective."
--Kandace Creel Falc n, Ph.D., Director of Women's and Gender Studies, Minnesota State University, Moorhead "Love Imagined: this fascinating, delightful, important book. This imagining love, this longing for love. This poverty of No Love, this persistent racism, sexism, classism, ageism. The pain these evils cause the soul...This is an important document of a mixed-race contemporary woman, a memoir about her family lineages back to slavery, back to China, back to early Minneapolis, and about the struggle of finding herself in all of these."
--Sharon Doubiago, author of My Father's Love "When I read Sherry's story Love Imagined], I recognized feelings and meanings that mirrored mine. I felt a sense of release, an exhale, and I knew I could be understood by her in a way that some of my family and friends are unable to grasp, through no fault of their own. It's the Mixed experience. Sherry Lee's voice, her story, will no doubt touch and heal many who read it."
--Lola Osunkoya, MA Founder of Neither/Both LLC, Mixed-Race Community Building and Counseling Learn more at www.SherryQuanLee.com
From Modern History Press www.ModernHistoryPress.com BIO002000 Biography & Autobiography: Cultural Heritage
SOC028000 Social Science: Women's Studies - General
SOC043000 Social Science: Ethnic Studies - Asian American Studies
After enduring years of hunger, deprivation, and devastating loss at the hands of the Khmer Rouge, ten-year-old Loung Ung became the "lucky child," the sibling chosen to accompany her eldest brother to America while her one surviving sister and two brothers remained behind. In this poignant and elegiac memoir, Loung recalls her assimilation into an unfamiliar new culture while struggling to overcome dogged memories of violence and the deep scars of war. In alternating chapters, she gives voice to Chou, the beloved older sister whose life in war-torn Cambodia so easily could have been hers. Highlighting the harsh realities of chance and circumstance in times of war as well as in times of peace, Lucky Child is ultimately a testament to the resilience of the human spirit and to the salvaging strength of family bonds.
In a true story of family ties, journalist Mei-Ling Hopgood, one of the first wave of Asian adoptees to arrive in America, comes face to face with her past when her Chinese birth family suddenly requests a reunion after more than two decades.In 1974, a baby girl from Taiwan arrived in America, the newly adopted child of a loving couple in Michigan. Mei-Ling Hopgood had an all-American upbringing, never really identifying with her Asian roots or harboring a desire to uncover her ancestry. She believed that she was lucky to have escaped a life that was surely one of poverty and misery, to grow up comfortable with her doting parents and brothers. Then, when she's in her twenties, her birth family comes calling. Not the rural peasants she expected, they are a boisterous, loving, bossy, complicated middle-class family who hound her daily--by phone, fax, and letter, in a language she doesn't understand--until she returns to Taiwan to meet them. As her sisters and parents pull her into their lives, claiming her as one of their own, the devastating secrets that still haunt this family begin to emerge. Spanning cultures and continents, Lucky Girl brings home a tale of joy and regret, hilarity, deep sadness, and great discovery as the author untangles the unlikely strands that formed her destiny.
Concluding the trilogy that started with the bestselling memoir First They Killed My Father, Loung Ung describes her college experience and her first steps into adulthood, revealing her struggle to reconcile with her past while moving forward towards happiness. After the violence of the Khmer Rouge and the difficult assimilation experience of a refugee, Loung's daily struggle to keep darkness, anger, and depression at bay will finally find two unexpected allies: the empowering call of activism, and the redemptive power of love. Lulu in the Sky is the story of Loung's journey to a Cambodian village to reconnect with her mother's spirit; to a vocation that will literally allow her to heal the landscape of her birth; and to the transformative influence of a supportive marriage to a loving man.
The Magical Language of Others is a powerful and aching love story in letters, from mother to daughter. After living in America for over a decade, Eun Ji Koh's parents return to South Korea for work, leaving fifteen-year-old Eun Ji and her brother behind in California. Overnight, Eun Ji finds herself abandoned and adrift in a world made strange by her mother's absence. Her mother writes letters, in Korean, over the years seeking forgiveness and love--letters Eun Ji cannot fully understand until she finds them years later hidden in a box.
As Eun Ji translates the letters, she looks to history--her grandmother Jun's years as a lovesick wife in Daejeon, the horrors her grandmother Kumiko witnessed during the Jeju Island Massacre--and to poetry, as well as her own lived experience to answer questions inside all of us. Where do the stories of our mothers and grandmothers end and ours begin? How do we find words--in Korean, Japanese, English, or any language--to articulate the profound ways that distance can shape love? Eun Ji Koh fearlessly grapples with forgiveness, reconciliation, legacy, and intergenerational trauma, arriving at insights that are essential reading for anyone who has ever had to balance love, longing, heartbreak, and joy.
The Magical Language of Others weaves a profound tale of hard-won selfhood and our deep bonds to family, place, and language, introducing--in Eun Ji Koh--a singular, incandescent voice.
A "comprehensive...fascinating" (The New York Times Book Review) history of Asian Americans and their role in American life, by one of the nation's preeminent scholars on the subject.In the past fifty years, Asian Americans have helped change the face of America and are now the fastest growing group in the United States. But much of their long history has been forgotten. "In her sweeping, powerful new book, Erika Lee considers the rich, complicated, and sometimes invisible histories of Asians in the United States" (Huffington Post). The Making of Asian America shows how generations of Asian immigrants and their American-born descendants have made and remade Asian American life, from sailors who came on the first trans-Pacific ships in the 1500 to the Japanese Americans incarcerated during World War II. Over the past fifty years, a new Asian America has emerged out of community activism and the arrival of new immigrants and refugees. No longer a "despised minority," Asian Americans are now held up as America's "model minorities" in ways that reveal the complicated role that race still plays in the United States. Published fifty years after the passage of the United States' Immigration and Nationality Act of 1965, these "powerful Asian American stories...are inspiring, and Lee herself does them justice in a book that is long overdue" (Los Angeles Times). But more than that, The Making of Asian America is an "epic and eye-opening" (Minneapolis Star-Tribune) new way of understanding America itself, its complicated histories of race and immigration, and its place in the world today.
In this classic book on the meaning of multiculturalism in larger American society, Gary Okihiro explores the significance of Asian American experiences from the perspectives of historical consciousness, race, gender, class, and culture.
While exploring anew the meanings of Asian American social history, Okihiro argues that the core values and ideals of the nation emanate today not from the so-called mainstream but from the margins, from among Asian and African Americans, Latinos and American Indians, women, and the gay and lesbian community. Those groups in their struggles for equality, have helped to preserve and advance the founders' ideals and have made America a more democratic place for all.
Meticulously researched and beautifully written, the true story of a Japanese American family that found itself on opposite sides during World War II—an epic tale of family, separation, divided loyalties, love, reconciliation, loss, and redemption this is a riveting chronicle of U.S.–Japan relations and the Japanese experience in America.
After their father’s death, Harry, Frank, and Pierce Fukuhara—all born and raised in the Pacific Northwest—moved to Hiroshima, their mother’s ancestral home. Eager to go back to America, Harry returned in the late 1930s. Then came Pearl Harbor. Harry was sent to an internment camp until a call came for Japanese translators and he dutifully volunteered to serve his country. Back in Hiroshima, his brothers Frank and Pierce became soldiers in the Japanese Imperial Army.
As the war raged on, Harry, one of the finest bilingual interpreters in the United States Army, island-hopped across the Pacific, moving ever closer to the enemy—and to his younger brothers. But before the Fukuharas would have to face each other in battle, the U.S. detonated the atomic bomb over Hiroshima, gravely injuring tens of thousands of civilians, including members of their family.
Alternating between the American and Japanese perspectives, Midnight in Broad Daylight captures the uncertainty and intensity of those charged with the fighting as well as the deteriorating home front of Hiroshima—as never told before in English—and provides a fresh look at the dropping of the first atomic bomb. Intimate and evocative, it is an indelible portrait of a resilient family, a scathing examination of racism and xenophobia, an homage to the tremendous Japanese American contribution to the American war effort, and an invaluable addition to the historical record of this extraordinary time.
In Migrant Futures Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital's reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures, and subjectivities that exceed the framework of capitalism.
In Migrant Returns Eric J. Pido examines the complicated relationship among the Philippine economy, Manila's urban development, and balikbayans-Filipino migrants visiting or returning to their homeland-to reconceptualize migration as a process of connectivity. Focusing on the experiences of balikbayans returning to Manila from California, Pido shows how Philippine economic and labor policies have created an economy reliant upon property speculation, financial remittances, and the affective labor of Filipinos living abroad. As the initial generation of post-1965 Filipino migrants begin to age, they are encouraged to retire in their homeland through various state-sponsored incentives. Yet, once they arrive, balikbayans often find themselves in the paradoxical position of being neither foreign nor local. They must reconcile their memories of their Filipino upbringing with American conceptions of security, sociality, modernity, and class as their homecoming comes into collision with the Philippines' deep economic and social inequality. Tracing the complexity of balikbayan migration, Pido shows that rather than being a unidirectional event marking the end of a journey, migration is a multidirectional and continuous process that results in ambivalence, anxiety, relief, and difficulty.