The strong God of Exodus. The ancient poetry of the Psalms, and the eternal teachings of Proverbs. Matthew, Mark, Luke, and the mystical beauty of John. The new heaven and earth of Revelation.Bible verses--an enduring source of guidance, peace, and rejuvenation--are here given a very special treatment in colorful letterpress illustrations that bring each phrase to life in a fresh and meaningful way. The verses are drawn from seven translations (including the New International Version, The New Revised Standard Version, and The King James Bible) and arranged in order, beginning with Genesis 1:1. These selections include 100 of the most distinctly meaningful passages of the Old and New Testament, made even more powerful through the transformative lens of art. Like a contemporary update on medieval illuminated manuscripts, the book combines the timeless words of the Bible with timely artwork--in this case, hand-lettering and illustration in a variety of beautiful styles and remarkable aesthetics from 25 contemporary artists. It's a new and vibrant way to experience the living word.
If Leviticus seems an unlikely text for a comic strip, look again. Or rather look at Archie Rand's magnificent series of commandments, The 613. The beauty, terror, and fun are all there in one magic, mesmerizing wall of colored shapes and visual oratory. It's a splendid series.
--John Ashbery " R]ichly colored, always stirring works of visual art... The 613] is something like seeing a cinema-sized version of ancient wisdom transmuted through a comic (and then blown up again)."
"A new book by a trailblazing artist...The 613 pairs mitzvahs with appropriated images from Mad Magazine, pulp and 20th-century illustration. Sometimes the connections are obvious, sometimes intriguingly oblique. It is outrageous and inviting, in-your-face and mysterious, making Rand's case 613 times over."
--David Van Biema, Religion News Service Archie Rand's career as an artist spans five decades and myriad themes and genres. Among his pioneering explorations, The 613 is surely one of his most ambitious feats yet. Without any idea where the work would be exhibited, Rand began transforming each and every one of the 613 mitzvahs, or commandments, into its own breathtaking painting, a series that took five years to complete.
Each of the gorgeous and perplexing panels features a vibrant, unexpected image that brings forth the heart of its law and commands our eyes to linger. Rand is startling and original in his rich color choices, bold characters, and extraordinarily expressive approach. The New York Times describes the paintings as rendered in the style of comics and pulp fiction book jackets, a dash of Mad magazine, a spoonful of Tales of the Crypt, some grotesques, some superheroes, always action, emotion, drama. Whether grotesque or dramatic, each painting provokes a sense of wonder and self-reflection, making The 613 a book to be visited time and time again. Perfect for readers of art, religion, or popular visual culture, The 613 may be the most audacious and distinctive gift book of its kind.
The first in a new series inspired by key events in the New Testament. This book presents a sequence of over 100 masterpieces of Christian art, each depicting the poignant and dramatic moment when the Angel Gabriel reveals to the Virgin Mary her destiny as the Mother of God. The images, each on a single page with a simple caption opposite, speak for themselves; together, in their beauty and variety they form an extended meditation on a religious mystery and a human dram that has inspired the finest artists through the ages.
- Introduces readers to a more advanced level in icon development, exploring more complex imagery and skills
- Step-by-step instructions for painting icons, from original drawings through finished product
- Includes eight full-color plates of the author's original icons
This is the sequel to the authors previous work, A Brush with God, for advanced beginners, intermediate, and advanced iconographers. It presents greater detail and instructions for creating entirely new icons. One major feature of the new book is the full-page sketches that artists can photocopy and use as the basis of their own icons, providing a unique and much-requested resource.Chapters and topics include:
- Introduction and contemporary reflections on iconography, spirituality, and technique.
- Highlighting folds on full-length figures, including black and white renderings of draped legs, arms, and torsos.
- Architectural and landscape renderings in Byzantine iconography, including background shadow and highlighting techniques, plus inverse perspective.
- Festal icons, involving multiple figures, landscapes, architecture, furniture, vegetation, and animals.
- Construction of heads, figures, and analysis of whole compositions, sacred geometry and proportion.
The Christian canon of scripture, known as the New Testament, excluded many of the Church's traditional stories about its origins. Although not in the Bible, these popular stories have had a powerful influence on the Church's traditions and theology, and a particularly marked effect on visual representations of Christian belief. This book provides a lucid introduction to the relationship between the apocryphal texts and the paintings, mosaics, and sculpture in which they are frequently paralleled, and which have been so significant in transmitting these non-Biblical stories to generations of churchgoers.
Taking vigorous issue with the pervasive Western notion that the arts exist essentially for the purpose of aesthetic contemplation, Nicholas Wolterstorff proposes instead what he sees as an authentically Christian perspective: that art has a legitimate, even necessary, place in everyday life. While granting that galleries, theaters and concert halls serve a valid purpose, Wolterstorff argues that art should also be appreciated in action -- in private homes, in hotel lobbies, in factories and grocery stores, on main street.His conviction that art should be multifunction is basic to the author's views on art in the city (he regards most American cities as dehumanizing wastelands of aesthetic squalor, dominated by the demands of the automobile), and leads him to a helpful discussion of its role in worship and the church. Developing an aesthetic that is basically grounded, yet always sensitive to the human need for beauty, Wolterstorff make a brilliant contribution to understanding how art can serve to broaden and enrich our lives.
Rudolf Steiner's spiritual approach to art could perplex as well as inspire the gifted people around him, and in this book, many artists offer their own records of problems and discoveries, achievements and experiences. This appreciation of the artists and their work gives a composite picture of some seventy creative years. It is supported by abundant illustrations.
A rich celebration of Hanukkah, featuring centuries of extraordinary art and artifacts. One of the most joyous weeks in the Jewish year is when families gather for eight evenings to celebrate the festival of Hanukkah. Jews the world over mark this holiday of freedom with the lighting of the Hanukkah menorah, while children spin a dreidel and eat sufganiyot and potato latkes. Presents are exchanged, and the story of Hanukkah is retold through songs and prayers. The Art of Hanukkah, through its selection of forty-eight masterpieces of holiday ceremonial and fine art, tells the story of the desecration of the holy Temple, its subsequent reclaiming and rededication, and the miracle of the single, tiny cruse of oil that continued to provide light for eight days. From individual oil lamps to medieval creations, through the sumptuous flourishes of Baroque decorations to contemporary times, these Hanukkah menorahs reflect the adaptability of Jewish culture throughout the Diaspora. Menorahs, paintings, dreidels--all the wonderful elements of the celebration of Hanukkah from around the world and throughout the centuries have been brought together in this one marvelous book. Clear, insightful, and thought-provoking commentaries make this book a perfect complement to the holiday.
Dr. Clyde Kilby was known to many as an early, long and effective champion of C. S. Lewis, and the founder of the Marion E. Wade Center at Wheaton College, IL, for the study of the works of Lewis, J.R.R. Tolkien and other members of the Inklings. Less known is that Dr. Kilby was also an apologist in his time for arts, aesthetics and beauty, particularly among Evangelicals.This collection offers a sampler of the work of Dr. Clyde Kilby on these themes. He writes reflections under four headings: "Christianity, Art, and Aesthetics"; "The Vocation of the Artist"; "Faith and the Role of the Imagination"; and "Poetry, Literature and the Imagination." With a unique voice, Kilby writes from a specific literary and philosophical context that relates art and aesthetics with beauty, and all that is embodied in the classics. His work is particularly relevant today as these topics are being embraced by Protestants, Evangelicals, and indeed people of faith from many different traditions. A deeply engaging book for readers who want to look more closely at themes of art, aesthetics, beauty and literature in the context of faith.
What can we learn from early Christian imagery about the theological meaning of baptism? Robin Jensen, a leading scholar of early Christian art and worship, examines multiple dimensions of the early Christian baptismal rite. She explores five models for understanding baptism--as cleansing from sin, sickness, and Satan; as incorporation into the community; as sanctifying and illuminative; as death and regeneration; and as the beginning of the new creation--showing how visual images, poetic language, architectural space, and symbolic actions signify and convey the theological meaning of this ritual practice. Considering image and action together, Jensen offers a holistic and integrated understanding of the power of baptism. The book is illustrated with photos.