The ancient city of Asmara is the capital of Eritrea and its largest settlement. Its beautiful architecture was rediscovered by outsiders in the early 1990s. In this book, the authors offer an original analysis of the colonial city, providing a history not only of the physical and visible urban reality, but also of a second, invisible city as it exists in the imagination. The colonial city becomes a fantastical set of cities where each one reflects the others as if in a kaleidoscope. This book breaks new ground and moves us a little further along in the attempt to decipher Asmara in terms of contemporary theory. The book brings together scholars from a multiplicity of disciplines who have shown the ways in which colonial and postcolonial criticism has served as a platform for new, diversified readings of Asmara. The book examines the current realities of Asmara in order to address the continuing effects of the legacy of colonialism upon the city dwellers.
This is at once a compendium for designers and an entertaining essay on the architecture of Asia's most glamorous tropical island by one of its foremost admirers. Landscape and architectural designer Made Wijaya draws on his photographic archives, compiled over the past thirty years, to present a visual study of Balinese architecture: its origins, elements, variations, and vagaries.The book opens with an overview of Balinese architecture and then looks at its basic elements--the walled courtyard and the pavilion. Further chapters examine building materials, ornamentation, and architectural hybrids resulting from other ethnic influences. Progressing through the book, Bali's intricate built landscape becomes legible and ever more surprising. With a sharp eye for trends, and passionate opinions about how Balinese design principles should be applied, Wijaya enhances his survey of traditional Balinese architecture with examples of its adaptation in modern private houses and boutique hotel architecture on Bali. In addition to Wijaya's own archive photographs, the book is illustrated with the work of internationally acclaimed artists; specialist photographers including Tim Street-Porter and Rio Helmi; as well as drawings by Chang Huai-Yan and Deni Chung. This remarkable book is for anyone interested in ethnic architecture. Designers will find it useful as a source book for materials, built form, and ornamentation and ideas about the use of space. Lovers of Bali will want this for its documentation of a rapidly changing world.
From the royal pew of Ivan the Terrible, to Catherine the Great's use of landscape, to the struggles between the Orthodox Church and preservationists in post-Soviet Yaroslavl--across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their own messages. In Architectures of Russian Identity, James Cracraft and Daniel Rowland gather a group of authors from a wide variety of backgrounds--including history and architectural history, linguistics, literary studies, geography, and political science--to survey the political and symbolic meanings of many different kinds of structures. Fourteen heavily illustrated chapters demonstrate the remarkable fertility of the theme of architecture, broadly defined, for a range of fields dealing with Russia and its surrounding territories. The authors engage key terms in contemporary historiography--identity, nationality, visual culture--and assess the applications of each in Russian contexts.
This new interpretive history of Mexican art from the Spanish Conquest to the early decades of the twenty-first century is the most comprehensive introduction to the subject in fifty years. James Oles ranges widely across media and genres, offering new readings of painting, sculpture, architecture, prints, and photographs. He interprets major works by such famous artists as Diego Rivera and Frida Kahlo, but also discusses less familiar figures in history and landscape painting, muralism, and conceptual art.
The story of Mexican art is set in its rich historical context by the book's treatment of political and social change. The author draws on recent scholarship to examine crucial issues of race, class, and gender, including the work of indigenous artists during the colonial period, and of women artists in the nineteenth and twentieth centuries.Throughout, Oles shows how Mexican artists participated in local and international developments. He considers both native and foreign-born artists, from Baroque architects to kinetic sculptors, and highlights the important role played by Mexicans in the global art scene of the last five centuries.
In the Saigon South district of Vietnam's Ho Chi Minh City, globally renowned architecture firm Skidmore Owings & Merrill designed a livable, human-scale urban environment in partnership with the Phu My Hung development group. SOM created the master plan that still guides growth and change in this part of the city, which has been accepted as an example of sustainable development to be imitated across Asia and throughout the rest of the world. Saigon South's neighborhoods accommodate residents of varying income levels and provide green public space for all. Verdant parks are placed alongside the area's natural water features. The master plan's emphasis on multi-use design allows for traditional shophouses as well as larger businesses, integrating all parts of life into a pedestrian-friendly district. Saigon South is an economically and civically vibrant district that showcases the city's cultural richness rather than the egos of the architects and developers.
This is a comprehensive volume on modern residential architecture in Brazil featuring 40 houses. Architects whose work is featured include: Oscar Niemeyer, Paulo Mendes da Rocha, Affonso Eduardo Reidy, Jorge Machado Moreira, Juao Walter Toscano, Abrahao Sanovicz, Alvaro Vital Brazil, and Rino Levi.
Casablanca is a city of international renown, not least because of its urban structures and features. Celebrated by colonial writers, filmed by Hollywood, magnet for Europeans and Moroccans, Casablanca is above all an exceptional collection of urban spaces, houses, and gardens. While it is true that Casablanca developed as a port city well before the introduction of the French in 1907, it unquestionably ranks among the most significant urban creations of the twentieth century, attracting remarkable teams of architects and planners. Their commissions came from clients who were interested in innovation and modernization, thereby fostering the emergence of Casablanca as a laboratory for legislative, technological, and visual experimentation.
Having studied the city for ten years, Jean-Louis Cohen and Monique Eleb trace, from the late nineteenth century to the early 1960s, the rebirth of a once-forgotten port and its metamorphosis into a teeming metropolis that is an amalgam of Mediterranean culture from Tunisia, Algeria, Spain, and Italy. The extensive presentation of the significant buildings of this hybrid city -- where, alongside the French, Muslim and Jewish Moroccan patrons commissioned provocative buildings -- is drawn from French and Moroccan archives, including hundreds of previously unpublished photographs. Cohen and Eleb focus as much on Casablanca's diverse social fabric as its urban spaces, chronicling the clients, inhabitants, and inventive architects who comprise the human component of an essential yet overlooked episode of modernism.
Over a period of several years, noted Chinese cultural historian Ronald G. Knapp traveled throughout Southeast Asia, searching out homes built by the first generations of successful Chinese settlers during the late eighteenth to the early twentieth century. In Chinese Houses of Southeast Asia, Knapp presents an eye-opening account of how Chinese migration into Indonesia, Malaysia, the Philippines, Singapore, Thailand, and Vietnam spawned a unique hybrid architectural style that combined Chinese, European, and local influences.Many of these overseas Chinese heritage homes are disappearing, but Knapp--along with renowned photographer A. Chester Ong--visited a number of the shophouses, bungalows, villas, and mansions that remain. More than three dozen of these elegant residences form the core of this book, and through essays, historic photographs, paintings, and line drawings, Knapp draws an illuminating portrait of each residence along with background information about the families who built and lived in them. These profiles reveal the entrepreneurial spirit of the Chinese as well as their social and economic circumstances. A stunning marriage of scholarship and photography, Chinese Houses of Southeast Asia explores a little known branch of Chinese architecture and provides a new perspective on Chinese migration, settlement, and identity in Southeast Asia.
- Critical analysis of 60 projects from 60 architects in China - Highly illustrated throughout with rich technical details Architectural exhibition is an important aspect in the study and transmission of architectural culture. The academic thoughts and design styles that influence the trends of global architecture are all established through one or a series of important architectural exhibitions. This book is produced based on the GSD (Harvard Graduate School of Design) autumn exhibition: 'Towards a Critical Pragmatism: Contemporary Chinese Architecture'. It reveals a unique perspective of contemporary Chinese architecture by showcasing 60 works from 60 contemporary architects within five thematic categories: cultural, residential, regeneration, rural, and digital. The selected architects attempt to maintain, from the earliest moments of the design process to its finished outcome, a certain level of critical thinking and quality. It is a record of the continuous evolution and growth of contemporary Chinese architecture and hopes to open up a new avenue from which to encourage further conversation regarding both the present and future state of China's architecture culture.