The ancient city of Asmara is the capital of Eritrea and its largest settlement. Its beautiful architecture was rediscovered by outsiders in the early 1990s. In this book, the authors offer an original analysis of the colonial city, providing a history not only of the physical and visible urban reality, but also of a second, invisible city as it exists in the imagination. The colonial city becomes a fantastical set of cities where each one reflects the others as if in a kaleidoscope. This book breaks new ground and moves us a little further along in the attempt to decipher Asmara in terms of contemporary theory. The book brings together scholars from a multiplicity of disciplines who have shown the ways in which colonial and postcolonial criticism has served as a platform for new, diversified readings of Asmara. The book examines the current realities of Asmara in order to address the continuing effects of the legacy of colonialism upon the city dwellers.
This is at once a compendium for designers and an entertaining essay on the architecture of Asia's most glamorous tropical island by one of its foremost admirers. Landscape and architectural designer Made Wijaya draws on his photographic archives, compiled over the past thirty years, to present a visual study of Balinese architecture: its origins, elements, variations, and vagaries.The book opens with an overview of Balinese architecture and then looks at its basic elements--the walled courtyard and the pavilion. Further chapters examine building materials, ornamentation, and architectural hybrids resulting from other ethnic influences. Progressing through the book, Bali's intricate built landscape becomes legible and ever more surprising. With a sharp eye for trends, and passionate opinions about how Balinese design principles should be applied, Wijaya enhances his survey of traditional Balinese architecture with examples of its adaptation in modern private houses and boutique hotel architecture on Bali. In addition to Wijaya's own archive photographs, the book is illustrated with the work of internationally acclaimed artists; specialist photographers including Tim Street-Porter and Rio Helmi; as well as drawings by Chang Huai-Yan and Deni Chung. This remarkable book is for anyone interested in ethnic architecture. Designers will find it useful as a source book for materials, built form, and ornamentation and ideas about the use of space. Lovers of Bali will want this for its documentation of a rapidly changing world.
From the royal pew of Ivan the Terrible, to Catherine the Great's use of landscape, to the struggles between the Orthodox Church and preservationists in post-Soviet Yaroslavl--across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their own messages. In Architectures of Russian Identity, James Cracraft and Daniel Rowland gather a group of authors from a wide variety of backgrounds--including history and architectural history, linguistics, literary studies, geography, and political science--to survey the political and symbolic meanings of many different kinds of structures. Fourteen heavily illustrated chapters demonstrate the remarkable fertility of the theme of architecture, broadly defined, for a range of fields dealing with Russia and its surrounding territories. The authors engage key terms in contemporary historiography--identity, nationality, visual culture--and assess the applications of each in Russian contexts.
This new interpretive history of Mexican art from the Spanish Conquest to the early decades of the twenty-first century is the most comprehensive introduction to the subject in fifty years. James Oles ranges widely across media and genres, offering new readings of painting, sculpture, architecture, prints, and photographs. He interprets major works by such famous artists as Diego Rivera and Frida Kahlo, but also discusses less familiar figures in history and landscape painting, muralism, and conceptual art.
The story of Mexican art is set in its rich historical context by the book's treatment of political and social change. The author draws on recent scholarship to examine crucial issues of race, class, and gender, including the work of indigenous artists during the colonial period, and of women artists in the nineteenth and twentieth centuries.Throughout, Oles shows how Mexican artists participated in local and international developments. He considers both native and foreign-born artists, from Baroque architects to kinetic sculptors, and highlights the important role played by Mexicans in the global art scene of the last five centuries.
In the Saigon South district of Vietnam's Ho Chi Minh City, globally renowned architecture firm Skidmore Owings & Merrill designed a livable, human-scale urban environment in partnership with the Phu My Hung development group. SOM created the master plan that still guides growth and change in this part of the city, which has been accepted as an example of sustainable development to be imitated across Asia and throughout the rest of the world. Saigon South's neighborhoods accommodate residents of varying income levels and provide green public space for all. Verdant parks are placed alongside the area's natural water features. The master plan's emphasis on multi-use design allows for traditional shophouses as well as larger businesses, integrating all parts of life into a pedestrian-friendly district. Saigon South is an economically and civically vibrant district that showcases the city's cultural richness rather than the egos of the architects and developers.
Casablanca is a city of international renown, not least because of its urban structures and features. Celebrated by colonial writers, filmed by Hollywood, magnet for Europeans and Moroccans, Casablanca is above all an exceptional collection of urban spaces, houses, and gardens. While it is true that Casablanca developed as a port city well before the introduction of the French in 1907, it unquestionably ranks among the most significant urban creations of the twentieth century, attracting remarkable teams of architects and planners. Their commissions came from clients who were interested in innovation and modernization, thereby fostering the emergence of Casablanca as a laboratory for legislative, technological, and visual experimentation.
Having studied the city for ten years, Jean-Louis Cohen and Monique Eleb trace, from the late nineteenth century to the early 1960s, the rebirth of a once-forgotten port and its metamorphosis into a teeming metropolis that is an amalgam of Mediterranean culture from Tunisia, Algeria, Spain, and Italy. The extensive presentation of the significant buildings of this hybrid city -- where, alongside the French, Muslim and Jewish Moroccan patrons commissioned provocative buildings -- is drawn from French and Moroccan archives, including hundreds of previously unpublished photographs. Cohen and Eleb focus as much on Casablanca's diverse social fabric as its urban spaces, chronicling the clients, inhabitants, and inventive architects who comprise the human component of an essential yet overlooked episode of modernism.
Dr. Sr. Yahaya Ahmad and Mauroof Mohamed Jameel have completed a painstaking graphic survey of the now endangered ancient stone mosques of the Maldives, which were built using porite coral stone from the reefs surrounding the island nation. These include exquisitely carved architectural features and detailed lacquer work. Little is known about these mosques, and the purpose of this book was to identify the surviving mosques, their state of condition, the influences in their evolution, and to establish a typology in terms of architectural features. The authors have identified all of the surviving mosques in Maldives and have assessed their condition. They have traced the specific geo-cultural regions in the Indian Ocean that have influenced the evolution of the culture of Maldives and have compared the prominent architectural features of these regions to those of these mosques, defining similarities with structures in the South Asian, East African, Southeast Asian, and Middle Eastern regions. The mosques have been analyzed to identify typological architectural features that establish that the coral stone mosques of Maldives share a simple rectangular or square prayer hall with a combination of antechambers called Dhaala, a unique mihrab, raised coral stone platform, decorated rising steps, tiered roof, coffered ceilings with a recessed area called laage, a post and beam structure, unique arched sliding doors, diagonal lattice work windows, special coral carvings, lacquer work, and calligraphy. These are all carefully detailed in this invaluable research.
A photographic tour featuring the doorways of the most beautiful city in the world.
With more than three hundred photographs of Paris's most enchanting doorways from Raquel Puig, creator of the popular Instagram account of the same name, Doorways of Paris presents a whole new way to explore the most beautiful city in the world. Organized by arrondissement so residents and visitors alike can seek out the doors as they walk, this book celebrates the glories of the city's architecture, from Napoleonic majesty to art nouveau whimsy, Haussmannian symmetry to art deco elegance. Doorways of Paris is a portal to Parisian life that will have readers longing to find a doorway to call their own.
Following the Spanish conquest of Mexico in the early 1500s, Franciscan, Dominican, and Augustinian friars fanned out across the central and southern areas of the country, founding hundreds of mission churches and monasteries to evangelize the Native population. This book documents more than 120 of these remarkable sixteenth-century sites in duotone black-and-white photographs.
Virtually unknown outside Mexico, these complexes unite architecture, landscape, mural painting, and sculpture on a grand scale, in some ways rivaling the archaeological sites of the Maya and Aztecs. They represent a fascinating period in history when two distinct cultures began interweaving to form the fabric of modern Mexico. Many were founded on the sites of ancient temples and reused their masonry, and they were ornamented with architectural murals and sculptures that owe much to the existing Native tradition--almost all the construction was done by indigenous artisans.
With these photos, Spears celebrates this unique architectural and cultural heritage to help ensure its protection and survival.