Explores the unusual odyssey of Gilbert Joseph Bland, Jr., an antiques dealer from South Florida, who stole dozens of centuries-old maps from some of the most important research libraries in Canada and the U.S.
The prohibition laws of the U.S. in the 1920s led to lucrative dealings between business-savvy Canadians and their mobster connections below the 49th parallel. The stories in this collection are the stuff of legends, with brutal slayings and Keystone Cop adventures in every chapter. Witness a historic meeting between Al Capone and Diamond Jim Grady, his Canadian connection, in the tunnels beneath Moose Jaw, Saskatchewan. Read about the rumrunners of the Prairies, B.C., Central Canada and the Maritimes, who used elaborate ruses to sneak booze past the long arm of the law on both sides of the border. You'll meet a rogue's gallery of such colourful characters as Rocco Perri, the Purple Gang and Dutch Schulz in Mobsters and Rumrunners of Canada.
On March 16, 1978 Aldo Moro, a former Prime Minister of Italy, was ambushed in Rome. Within three minutes the gang killed his escort and bundled Moro into one of three getaway cars. An hour later the terrorist group the Red Brigades announced that Moro was in their hands; on March 18 they said he would be tried in a "people's court of justice." Seven weeks later Moro's body was discovered in the trunk of a car parked in the crowded center of Rome.The Moro Affair presents a chilling picture of how a secretive government and a ruthless terrorist faction help to keep each other in business. Also included in this book is "The Mystery of Majorana," Sciascia's fascinating investigation of the disappearance of a major Italian physicist during Mussolini's regime.
This ain't no Dreamgirls, Rhodessa Jones warns participants in the Medea Project, the theater program for incarcerated women that she founded and directs. Her expectations are grounded in reality, tempered, for example, by the fact that women are the fastest growing population in U.S. prisons. Still, Jones believes that by engaging incarcerated women in the process of developing and staging dramatic works based on their own stories, she can push them toward tapping into their own creativity, confronting the problems that landed them in prison, and taking control of their lives.
Rena Fraden chronicles the collaborative process of transforming incarcerated women's stories into productions that incorporate Greek mythology, hip-hop music, dance, and autobiography. She captures a diverse array of voices, including those of Jones and other artists, the sheriff and prison guards, and, most vividly, the women themselves. Through compelling narrative and thoughtful commentary, Fraden investigates the Medea Project's blend of art and activism and considers its limits and possibilities for enacting social change.
Rhodessa Jones is co-artistic director of the San Francisco-based performance company Cultural Odyssey and founder of the Medea Project: Theater for Incarcerated Women. An award-winning performer, she has taught at the Yale School of Drama and the New College of California.
Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.
It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.
Midnight in the Garden of Good and Evil: A Savannah Story is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city is certain to become a modern classic.
From America's most celebrated true-crime writer comes the heartbreaking real-life drama of a doomed young woman hopelessly trapped in a web of sexual intrigue, political manipulation, and emotional deception by her charming and successful -- but ultimately deadly -- lover.
The author of fifteen "New York Times" national bestsellers, Ann Rule, a former Seattle policewoman, has researched thousands of homicides and understands every facet of murder investigation. Now, in the most complex and shocking book of her long career, she delves into the motivation that drove a seemingly successful man to kill, and she explores heretofore unknown aspects of a fatal affair between a beautiful young woman who moved confidently in the heady world of the upper echelons of government and a widely admired millionaire attorney who was an immensely popular political figure.
On June 27, 1996, thirty-year-old Anne Marie Fahey, who was the scheduling secretary for the governor of Delaware, had dinner with a man she had been having a secret affair with for more than two years. "Tommy" Capano, forty-seven, was perhaps the most politically powerful man in Wilmington. Son of a wealthy contractor, former state prosecutor, partner in a prestigious law firm, advisor to governors and mayors, Tom Capano had a soft-spoken and considerate manner that endeared him to many. Although recently estranged from his wife, he was a devoted father to his four beautiful young daughters, the trusted son of his widowed mother, and the backbone of his extended family. But sometime after 9:15 that night when Anne Marie and Tom left a Philadelphia restaurant, something terrible happened to Anne Marie. It would beforty-eight hours before her brothers and sisters realized that she had disappeared entirely.
Ann Rule brilliantly traces the lives of both Fahey and Capano as she discloses the intimate details of their ill-fated bonding. A vulnerable, trusting woman becomes spellbound by a charming, duplicitous married man, and what begins as a seemingly unremarkable affair is slowly transformed into an obsessive, convoluted, and deadly relationship.
Through her impeccable research, Rule peels away layer after layer of deception to reveal a man who lived a secret life for decades, a man so greedy that he would sacrifice "anyone" to gain what he desired. One of his many mistresses -- all of whom were unknown to one another -- was Deborah MacIntyre, an attractive and wealthy member of one of Wilmington's oldest families and an administrator of an elite private school. She, too, would become part of the mystery surrounding Anne Marie's disappearance.
As three prominent families are destroyed to satisfy one man's jealous obsessions, this unfathomable tragedy becomes a tale that few would believe if it were presented as fiction. Shockingly, it is all true. Destined to become a classic, ..."And Never Let Her Go" is a riveting account of forbidden love and murder among the rich and powerful, and a chilling insight into the evil that sometimes hides behind even the most charming faade.
In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana's Angola State Prison. In the months before Sonnier's death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute--men who often harbored doubts about the rightness of what they were doing.
Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story--which has inspired a film, a stage play, an opera and a musical album--is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.