Careful study of the Nat Turner slave rebellion of 1831 reveals much about master, slaves, and the relationship between them in the antebellum South. The central document in this volume -- Nat Turner's confession follwing the rebellion in Virginia -- is supported by newspaper articles, trial transcripts, and excerpts from the diary of Virginia governor John Floyd.
The collection of primary documents in this volume recapitulates the course of African American life during the first half of the 20th century, while it provides a context for reading an important literary work. Keyed to events in the novel, the documents include selections by African American leaders (Booker T. Washington, W.E.B. Du bois, and Marcus Garvey); selections by leading African American writers (Langston Hughes and Richard Wright); songs, folktales, and other examples of black vernacular culture; and readings on African American migration, black labour in the industrial North, the role of communism in African American politics, and the end of legal segregation in the United States.
Documenting the difficult class relations between women slaveholders and slave women, this study shows how class and race as well as gender shaped women's experiences and determined their identities. Drawing upon massive research in diaries, letters, memoirs, and oral histories, the author argues that the lives of antebellum southern women, enslaved and free, differed fundamentally from those of northern women and that it is not possible to understand antebellum southern women by applying models derived from New England sources.
This is the moving and powerful account of tworemarkable boys struggling to survive in Chicago'sHenry Horner Homes, a public housing complexdisfigured by crime and neglect."
In a coming-of-age story as enchantingly vivid and ribald as anything Mark Twain or Zora Neale Hurston, Henry Louis Gates, Jr., recounts his childhood in the mill town of Piedmont, West Virginia, in the 1950s and 1960s and ushers readers into a gossip, of lye-and-mashed-potato "processes," and of slyly stubborn resistance to the indignities of segregation.A winner of the Chicago Tribune's Heartland Award and the Lillian Smith Prize, Colored People is a pungent and poignant masterpiece of recollection, a work that extends and deepens our sense of African American history even as it entrances us with its bravura storytelling
In Transcending the Talented Tenth, Joy James provocatively examines African American intellectual responses to racism and the role of elitism, sexism and anti-radicalism in black leadership politics throughout history. She begins with Du Bois' construction of "the Talented Tenth" as an elite leadership of race managers and takes us through the lives and work of radical women in the anti-lynching crusades, the civil rights and black liberation movements, as well as explores the contemporary struggles among black elites in academe.
The classic story of life in Apartheid South Africa.Mark Mathabane was weaned on devastating poverty and schooled in the cruel streets of South Africa's most desperate ghetto, where bloody gang wars and midnight police raids were his rites of passage. Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years. Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to win a scholarship to an American university. This extraordinary memoir of life under apartheid is a triumph of the human spirit over hatred and unspeakable degradation. For Mark Mathabane did what no physically and psychologically battered "Kaffir" from the rat-infested alleys of Alexandra was supposed to do -- he escaped to tell about it.
By the time of her death, at the tragically young age of thirty-four, Lorraine Hansberry had created two electrifying masterpieces of the American theater. With A Raisin in the Sun, Hansberry gave this country its most movingly authentic portrayal of black family life in the inner city. Barely five years later, with The Sign in Sidney Brustein's Window, Hansberry gave us an unforgettable portrait of a man struggling with his individual fate in an age of racial and social injustice. These two plays remain milestones in the American theater, remarkable not only for their historical value but for their continued ability to engage the imagination and the heart.With an Introduction by Robert Nemiroff