In this exciting sequel to their underground bestseller, Witches, Midwives, and Nurses, Barbara Ehrenreich and Deirdre English document the tradition of American sexism in medicine before and after the turn of the century. Citing vivid examples, including numerous "treatments" and "rest cures" perpetrated on women through the decades, the authors analyze the biomedical rationale used to justify the wholesale sex discrimination throughout our culture-in education, in jobs, and in public life. Ever since Hippocrates, male medics have treated women as the "weaker" sex. By the late 19th century, when the authority of religious documents had waned, the ultimate rationale for sex discrimination became solely biomedical. In this intriguing pamphlet, the authors raise the diffuclt question: "How sick-or well-are women today?" They assert that feminists today want more than "more": "We want a new style, and we want a new substance of medical practice as it relates to women."
From the civilization of the Lower Nile to that of the Lower Hudson, more poets have written more convincingly, more poignantly about love than about any other subject. Jon Stallworthy has here selected some of the most moving, funny, shameless, and erotic love poems in the English language. Representing the work of more than 190 poets, from Sappho to Byron and Browning, from Rossetti to Wordsworth and E.E. Cummings, he offers a startling collection of love poetry down through the ages. Arranged thematically, beginning with the first drawings of young love and ending with the "long look back" of the aged, and revealing love in all its different aspects and perversities, this anthology demonstrates vividly man's changeless responses to the changing seasons of the heart.
"Stallworthy's book of love poetry, ranging across more than twenty centuries of writing about love 'till the stars have run away' establishes beyond the eye-shadow of a doubt that love is, has been and always will be blind."--Christian Science Monitor
"A very thorough job...eccentric and entertaining."--Times Literary Supplement (London)
James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Coloured Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans.
Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast. This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist as presented here] seem as contemporary as if the book had been written this year."
African Silences is a powerful and sobering account of the cataclysmic depredation of the African landscape and its wildlife. In this critically acclaimed work Peter Matthiessen explores new terrain on a continent he has written about in two previous books, A Tree Where Man Was Born -- nominated for the National Book Award -- and Sand Rivers.Through his eyes we see elephants, white rhinos, gorillas, and other endangered creatures of the wild. We share the drama of the journeys themselves, including a hazardous crossing of the continent in a light plane. And along the way, we learn of the human lives oppressed by bankrupt political regimes and economies, and threatened by the slow ecological catastrophe to which they have only begun to awaken.
In 1962 the poet, musician, and performer Maya Angelou claimed another piece of her identity by moving to Ghana, joining a community of "Revolutionist Returnees" inspired by the promise of pan-Africanism. All God's Children Need Walking Shoes is her lyrical and acutely perceptive exploration of what it means to be an African American on the mother continent, where color no longer matters but where American-ness keeps asserting itself in ways both puzzling and heartbreaking. As it builds on the personal narrative of I Know Why the Caged Bird Sings and Gather Together in My Name, this book confirms Maya Angelou's stature as one of the most gifted autobiographers of our time.