"ZAMI is a fast-moving chronicle. From the author's vivid childhood memories in Harlem to her coming of age in the late 1950s, the nature of Audre Lorde's work is cyclical. It especially relates the linkage of women who have shaped her . . . Lorde brings into play her craft of lush description and characterization. It keeps unfolding page after page."--Off Our Backs
Winner of the Lincoln PrizeStampp's classic study of American slavery as a deliberately chosen, practical system of controlling and exploiting labor is one of the most important and influential works of American history written in our time. "A thoughtful and deeply moving book. . . . Mr. Stampp wants to show specifically what slavery was like, why it existed, and what it did to the American people."--Bruce Catton
Equal parts cultural history and memoir, God, Dr. Buzzard, and the Bolito Man recounts a traditional way of life--that of the Geechee Indians of Sapelo Island-- that is threatened by change, with stories that speak to our deepest notions of family, community, and a connection to one's homeland.Cornelia Walker Bailey models herself after the African griot, the tribal storytellers who keep the history of their people. Bailey's people are the Geechee, whose cultural identity has been largely preserved due to the relative isolation of Sapelo, a barrier island off the coast of Georgia. In this rich account, Bailey captures the experience of growing up in an island community that counted the spirits of its departed among its members, relied on pride and ingenuity in the face of hardship, and taught her firsthand how best to reap the bounty of the marshes, woods and ocean that surrounded her. The power of this memoir to evoke the life of Sapelo Island is remarkable, and the history it preserves is invaluable. "A special book that reveals the unconquerable spirit of a people who, though torn from their African homeland, imprinted America with a unique culture that continues to endure." --Ebony
One of America's most important writers takes on the arrest of Wayne Bertram Williams for the murder of twenty-eight black children in Atlanta to offer this searing indictment of the nation's racial stagnation.
This edition of James Baldwin's classic work offers a new foreword by Derrick Bell (with Janet Dewart Bell), and is as meaningful today as it was when it was first published in 1985.
In his searing and moving essay, James Baldwin explores the Atlanta child murders that took place over a period of twenty-two months in 1979 and 1980. Examining this incident with a reporter's skill and an essayist's insight, he notes the significance of Atlanta as the site of these brutal killings--a city that claimed to be "too busy to hate"--and the permeation of race throughout the case: the black administration in Atlanta; the murdered black children; and Wayne Williams, the black man tried for the crimes.
Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us a moment in history where it is terrifying to to be a black child in white America, and where, too often, public officials fail to ask real questions about "justice for all." Baldwin takes a time-specific event and makes it timeless: The Evidence of Things Not Seen offers an incisive look at race in America through a lens at once disturbing and profoundly revealing.
One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the killing rage--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change. bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.
Narrative of Sojourner Truth is one of the most important documents of slavery ever written, as well as being a partial autobiography of the woman who became a pioneer in the struggles for racial and sexual equality. With an eloquence that resonates more than a century after its original publication in 1850, the narrative bears witness to Sojourner Truth's thirty years of bondage in upstate New York and to the mystical revelations that turned her into a passionate and indefatigable abolitionist.In this new edition, which has been edited and extensively annotated by the distinguished scholar and biographer of Sojourner Truth, Margaret Washington, Truth's testimony takes on added dimensions: as a lens into the little-known world of northern slavery; as a chronicle of spiritual conversion; and as an inspiring account of a black woman striving for personal and political empowerment.
The companion volume to the public television series. This extraordinary examination of slavery in americanca features a four-part history by poet and performance artist Patricia Smith and a dozen fictional narratives by National Book Award-winning novelist Charles Johnson. Two-color with black-and-white illustrations throughout.
Navigators vividly brings to life the stories of twelve African American artists who teach music, dance, and visual arts at colleges and universities that have traditionally been viewed as White institutions. In this captivating and moving book, Theresa Jenoure shows that there's a great deal to be learned from the experience of these teachers. She explores their visions and callings as creative artists and how they function in higher education. In so doing, she presents relevant ideas about the development and sustenance of creativity.
As the twelve teachers' stories unfold, they share their hearts generously and speak their minds frankly, offering kaleidoscopic glimpses into their biographies. They talk about the various paths that led them to become artists and teachers, honoring special people and incidents that have aided them along the way. They identify some of the ways they became politicized, aware, or even positioned in social and political terms, giving names to forces that have shaped their views on social group membership. These are the stories we need to hear. Their voices resonate powerfully, presenting a rare opportunity to be moved and changed.
Much more than merely an objective look at African Americans and the arts, Navigators is as alive and vibrant as the music, art, and dance it describes. Jenoure includes profiles and riffs to serve as bridges between the chapters. The profiles offer closer looks at four of the teachers; and the riffs, much like highly creative jazz compositions from which the word is borrowed, are interjected between the chapters, helping to merge fact with fiction.
"The origins of the Chicago race riot of 1919 are to be found, not in high-level policy, but in gut-level animosities between black and white people who were generally inarticulate and presentist-oriented, and who did not record their motivations or feelings for posterity. . . To explain the Chicago riot, this evidence has to be found; and though such evidence is not abundant by any means, it does exist."--From the preface