Originally a self-published sensation by a Pulitzer Prize-winning author, 1 Dead in Attic captures the heart and soul of New Orleans in the immediate aftermath of Hurricane Katrina.1 Dead in Attic is a collection of stories by Times-Picayune columnist Chris Rose, recounting the first harrowing year and a half of life in New Orleans after Hurricane Katrina. Celebrated as a local treasure and heaped with national praise, Rose provides a rollercoaster ride of observation, commentary, emotion, tragedy, and even humor--in a way that only he could find in a devastated wasteland. They are stories of the dead and the living, stories of survivors and believers, stories of hope and despair. And stories about refrigerators. 1 Dead in Attic freeze-frames New Orleans, caught between an old era and a new, during its most desperate time, as it struggles out of the floodwaters and wills itself back to life.
With a new foreword by the author on the tenth anniversary of Hurricane Katrina--Chris Rose's New York Times bestselling collection: "A gripping book about life's challenges in post-Katrina New Orleans...packed with heart, honesty, and wit" (New Republic).Celebrated as a local classic and heaped with national praise, 1 Dead in Attic is a brilliant collection of columns by an award-winning Times-Picayune journalist chronicling the horrific damage and aftermath wrought by Hurricane Katrina in 2006. "Frank and compelling...vivid and invaluable" (Booklist), it is a roller coaster ride through a devastated American wasteland as it groans for rebirth. Full of the emotion, tragedy and even humor--which has made Chris Rose a favorite son and the voice of a lost city--these are the stories of the dead and the living, of survivors and believers, of destruction and recovery, and of hope and despair. With photographs by British photojournalist Charlie Varley, 1 Dead in Attic captures New Orleans caught between an old era and a new, New Orleans in its most desperate time, as it struggled out of floodwaters and willed itself back to life.
102 Minutes does for the September 11 catastrophe what Walter Lord did for the Titanic in his masterpiece, A Night to Remember . . . Searing, poignant, and utterly compelling.--Rick Atkinson, Pulitzer Prize-winning author of An Army at DawnHailed upon its hardcover publication as an instant classic, the critically acclaimed New York Times bestseller and National Book Award Finalist for Nonfiction is now available in a revised edition timed to honor the tenth anniversary of the attacks of September 11, 2001. At 8:46 a.m. that morning, fourteen thousand people were inside the World Trade Center just starting their workdays, but over the next 102 minutes, each would become part of a drama for the ages. Of the millions of words written about this wrenching day, most were told from the outside looking in. New York Times reporters Jim Dwyer and Kevin Flynn draw on hundreds of interviews with rescuers and survivors, thousands of pages of oral histories, and countless phone, e-mail, and emergency radio transcripts to tell the story of September 11 from the inside looking out. Dwyer and Flynn have woven an epic and unforgettable account of the struggle, determination, and grace of the ordinary men and women who made 102 minutes count as never before.
While conventional accounts focus on the sixties as the era of pivotal change that swept the nation, Fred Kaplan argues that it was 1959 that ushered in the wave of tremendous cultural, political, and scientific shifts that would play out in the decades that followed. Pop culture exploded in upheaval with the rise of artists like Jasper Johns, Norman Mailer, Allen Ginsberg, and Miles Davis. Court rulings unshackled previously banned books. Political power broadened with the onset of Civil Rights laws and protests. The sexual and feminist revolutions took their first steps with the birth control pill. America entered the war in Vietnam, and a new style in superpower diplomacy took hold. The invention of the microchip and the Space Race put a new twist on the frontier myth.
- Vividly chronicles 1959 as a vital, overlooked year that set the world as we know it in motion, spearheading immense political, scientific, and cultural change
- Strong critical acclaim: ""Energetic and engaging"" (Washington Post); ""Immensely enjoyable . . . a first-rate book"" (New Yorker); ""Lively and filled with often funny anecdotes"" (Publishers Weekly)
- Draws fascinating parallels between the country in 1959 and today
Drawing fascinating parallels between the country in 1959 and today, Kaplan offers a smart, cogent, and deeply researched take on a vital, overlooked period in American history.
The social and political forces that swirled through the turbulent 1960s crested in 1968. That year saw the peak of the Vietnam War, the assassinations of Martin Luther King Jr. and Robert Kennedy, riots at the Democratic National Convention, assertions of Black power at the Olympic Games, and feminist demonstrations at the Miss America Pageant. Hair opened on Broadway, Laugh-In debuted on TV, and Stanley Kubrick's 2001: A Space Odyssey polarized critics. President Lyndon Johnson chose not seek reelection following a tumultuous five years in office, and his successor, Richard Nixon, promised in his nomination acceptance speech that "the long, dark night for America is about to end." In the closing days of the year, we saw earth in its entirety for the first time from the window of the Apollo 8 space capsule.
The 1968 Project is the accompanying book to the 1968 exhibit, a major traveling exhibition developed by the Minnesota Historical Society in partnership with the Atlanta History Center, the Chicago History Museum, and the Oakland Museum of California. This companion book integrates personal experiences within the national context of the year, organized month by month, through photography, eyewitness accounts, artifacts, and illuminating commentary by one of the Twin Cities' top social and cultural writers, Brad Zellar.
"Superb: a gift that keeps on giving."--Kirkus Reviews (starred review)
" A] magnificent anthology."--Literary Review
Here are real-time accounts of these years, brought to immediate and profound life: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination, and Jonathan Schell travels with American troops into the jungles of Vietnam. Some of the truly timeless works of American journalism came out of The New Yorker that decade, including Truman Capote's In Cold Blood, Rachel Carson's Silent Spring, and James Baldwin's The Fire Next Time, all excerpted here. The arts, too, underwent an extraordinary transformation, with the magazine publishing such indelible short story masterpieces as John Cheever's "The Swimmer" and John Updike's "A & P"; iconic poems by Sylvia Plath and Anne Sexton; and in-depth profiles of crucial cultural figures like Bob Dylan, Allen Ginsberg, Mike Nichols and Elaine May, and Muhammad Ali (when he was still Cassius Clay). This collection of groundbreaking pieces is also given contemporary context by current New Yorker writers, resulting in an incomparable portrait of a truly galvanizing era. Including contributions by Renata Adler - Roger Angell - Hannah Arendt - James Baldwin - Truman Capote - Rachel Carson - John Cheever - Mavis Gallant - Pauline Kaell - Jane Kramer - John McPhee - Sylvia Plath - Muriel Spark - Calvin Trillin - John Updike - E. B. White
And featuring new perspectives by Jennifer Egan - Malcolm Gladwell - Dana Goodyear - Adam Gopnik - Jill Lepore - Larissa MacFarquhar - Evan Osnos - George Packer - Kelefa Sanneh Praise for The 60s: The Story of a Decade "The third installment in the esteemed magazine's superb decades series . . . The contributor list is an embarrassment of riches. . . . The hits continue. Bring on the '70s."--Kirkus Reviews (starred review) " The 60s] deserves a lasting place on one's shelves. Like its predecessors in the series, this collection is a time capsule and a keeper."--Booklist
In 9-11, published in November 2001 and arguably the single most influential post 9-11 book, internationally renowned thinker Noam Chomsky bridged the information gap around the World Trade Center attacks, cutting through the tangle of political opportunism, expedient patriotism, and general conformity that choked off American discourse in the months immediately following. Chomsky placed the attacks in context, marshaling his deep and nuanced knowledge of American foreign policy to trace the history of American political aggression--in the Middle East and throughout Latin America as well as in Indonesia, in Afghanistan, in India and Pakistan--at the same time warning against America's increasing reliance on military rhetoric and violence in its response to the attacks, and making the critical point that the mainstream media and public intellectuals were failing to make: any escalation of violence as a response to violence will inevitably lead to further, and bloodier, attacks on innocents in America and around the world. This new edition of 9-11, published on the tenth anniversary of the attacks and featuring a new preface by Chomsky, reminds us that today, just as much as ten years ago, information and clarity remain our most valuable tools in the struggle to prevent future violence against the innocent, both at home and abroad.
Were the military and the FAA really that incompetent? Were our intelligence-gathering agencies really in the dark about 9/11? How could so much go wrong at once, in the world's strongest and most technologically sophisticated country? Both the government and the mainstream media have tried to portray the 9/11 truth movement as led by people who can be dismissed as "conspiracy theorists." This volume shows this caricature to be untrue. Coming from different academic disciplines as well as from different parts of the world, the authors are united In the conviction that the official story about 9/11 is a huge deception manufactured to extend Imperial control at home and abroad.
Unlike other accounts of the historic attacks on 9/11, this discussion surveys the role of the world's most advanced military command and control plane, the E-4B, in the day's events and proposes that the horrific incidents were the work of a covert operation staged within elements of the U.S. military and the intelligence community. Presenting hard evidence in the form of proprietary photos taken from raw footage filmed by CNN, the account places the world's most advanced electronics platform circling over the White House at approximately the time of the Pentagon attack. The argument offers an analysis of the new evidence within the context of the events and shows that it is irreconcilable with the official 9/11 narrative.