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Art by Time and Movement
Featured Items
A Handbook of Symbols in Christian Art
A Handbook of Symbols in Christian Art
Paperback      ISBN: 0684826836

Explore one of the richest and most rewarding aspects of Western art with this comprehensive easy-to-use, portable guide to Christian symbols.

Organized like a primer, with hundreds of entries in 50 categories -- from A for Angels to Z for Zodiac -- this handy pocket reference enables you to recognize at a glance the identity and meaning of all the elements in any Christian work of art. 162 paintings from every century illustrate the enduring themes of our biblical heritage.

A short introductory essay explains how to use the handbook and the functions of symbols in art. Cross-references, illustrations, a detailed index, and the pocket-book size make A Handbook of Symbols in Christian Art an invaluable work for museum-goers, students, travelers, art collectors, and general readers.

The Cut-Outs of Henri Matisse
The Cut-Outs of Henri Matisse
Paperback      ISBN: 0807608866

With the simple technique of the paper cutout, Matisse revitalized his work and attained a form filtered to its essentials.

Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings
Theories and Documents of Contemporary Art
A Sourcebook of Artists' Writings
Paperback      ISBN: 0520202538

Ambitious and interdisciplinary, this long-awaited collaboration is a landmark presentation of the writings of contemporary artists. These influential essays, interviews, and critical and theoretical comments provide bold and fertile insights into the construction of visual knowledge. Featuring a wide range of leading and emerging artists since 1945, the collection--while comprehensive and authoritative--offers the reader some eclectic surprises as well.

Included here are texts that have become pivotal documents in contemporary art, along with writings that cover unfamiliar ground. Some are newly translated, others have never before been published. Together they address visual literacy, cultural studies, and the theoretical debates regarding modernism and postmodernism. The full panoply of visual media is represented, from painting and sculpture to environments, installations, performance, conceptual art, video, photography, and virtual reality. Thematic concerns range from figuration and process to popular culture, art and technology, and politics and the media. Contemporary issues of gender, race, class, and sexuality are also addressed.

Kristine Stiles's general introduction is a succinct overview of artists' theories in the evolution of contemporary discourse around art. Introductions to each chapter provide synopses of the cultural contexts in which the texts originated and brief biographies of individual artists. The text is augmented by outstanding photographs, many of artists in their studios, and vivid, contemporary art images.

Reflecting the editors' shared belief that artists' own theories provide unparalleled access to visual knowledge, this book, like its distinguished predecessors, Hershel Chipp's Theories of Modern Art (with Peter Selz and Joshua Taylor) and Joshua Taylor's Nineteenth-Century Theories of Art, will be an invaluable resource for anyone interested in contemporary art.

"In New York in 1915 I bought at a hardware store a snow shovel on which I wrote 'in advance of the broken arm.' It was around that time that the word 'readymade' came to mind to designate this form of manifestation."--Marcel Duchamp (1961)

"Women have always collected things and saved and recycled them because leftovers yielded nourishment in new forms. The decorative functional objects women made often spoke in a secret language, bore a covert imagery. When we read these images in needlework, in paintings, in quilts, rugs and scrapbooks, we sometimes find a cry for help, sometimes an allusion to a secret political alignment, sometimes a moving symbol about the relationships between men and women."--Miriam Schapiro and Melissa Meyer (1978)

"I want to create a fusion of art and life, Asia and America, Duchampiana modernism and Levi-Straussian savagism, cool form and hot video, dealing with all of those complex problems, spanning the tribal memory of the Nomadic Asians who crossed over the Bering Strait over 10,000 years ago."--Shigeko Kubota (1976)

"Black for me is a lot more peaceful and gentle than white. White marble may be very beautiful, but you can't read anything on it. I wanted something that would be soft on the eyes, and turn into a mirror if you polished it. The point is to see yourself reflected in the names. Also the mirror image doubles and triples the space."--Maya Lin (1983)

"Artists often depend on the manipulation of symbols to present ideas and associations not always apparent in such symbols. If all such ideas and associations were evident there would be little need for artists to give expression to them. In short, there would be no need to make art."--Andres Serrano (1989)
Pattern in the Material Folk Culture of the Eastern United States
Pattern in the Material Folk Culture of the Eastern United States
Paperback      ISBN: 0812210131

What is folk culture? What distinguishes true folk creations from the cultural hybrids of commerce and popular innovation? To clarify this muddled situation and to provide clear standards and visual examples for the study and appreciation of a broad range of objects, Henry Glassie has written this detailed examination of material folk culture in the United States. He isolates American material culture--that segment of our culture that embodies the people's plans, methods, and reasons for producing things that can be seen and touched--and discusses methods for determining whether an object is truly folk--as opposed, say, to merely popular--by examining its form, construction, and use.

The book represents the first attempt to compare different kinds of material folk culture, including architecture, tools, and cookery, to detect common patterns and, in doing so, challenges conventional views of both folk culture and American culture.

The Lost Masters: World War II and the Looting of Europe's Treasurehouses
The Lost Masters
World War II and the Looting of Europe's Treasurehouses
1st Edition    Hardcover      ISBN: 1566491657
New Art of Cuba: Revised Edition
New Art of Cuba
Revised Edition
Paperback      ISBN: 0292705174

Starting with the groundbreaking 1981 exhibit called Volumen I, New Art of Cuba provided the first comprehensive look at the works of the first generation of Cuban artists completely shaped by the 1959 revolution. This revised edition includes a new epilogue that discusses developments in Cuban art since the book's publication in 1994, including the exodus of artists in the early 1990s, the effects of the new dollar economy on the status of artists, and the shift away from socialist themes to more personal concerns in the artists' works. Twenty-four new color plates augment the more than 200 b&w illustrations of the original volume.

A History of African-American Artists: From 1792 to the Present
A History of African-American Artists
From 1792 to the Present
Hardcover      ISBN: 0394570162

Traces the history of African-American art, examining the lives and careers of more than fifty artists and relating their work to prevailing artistic, social, and political trends

Titian: Essays
Titian
Essays
Hardcover      ISBN: 1857099044

Few individuals have had a greater influence on the development of Western painting than the 16th-century Venetian artist Titian. His vibrant colours and exciting brushwork have made his work a constant inspiration to artists, from Rubens to the Impressionists and beyond. Every generation has found something new to admire in his astonishing technique, which enabled him to produce fresh interpretations of the most familiar religious and mythological stories as well as portraits and landscapes.

At Century's End: Norwegian Artists and the Figurative Tradition 1880/1990
At Century's End
Norwegian Artists and the Figurative Tradition 1880/1990
Hardcover      ISBN: 0940979322

Published in conjunction with a 1995 exhibition mounted at the Henie-Onstad Art Center, Hovikodden, Norway, and at The National Museum of Women in the Arts, Washington D.C. Three essays give a feminist perspective of art at the end of the last century and of this century, and discuss work by women a

Lives of the Artists: Volume 1
Lives of the Artists
Volume 1
Paperback      ISBN: 0140445005

In his Lives of the Artists of the Italian Renaissance, Vasari demonstrated a literary talent that outshone even his outstanding abilities as a painter and architect. Through character sketches and anecdotes he depicts Piero di Cosimo shut away in his derelict house, living only to paint; Giulio Romano's startling painting of Jove striking down the giants; and his friend Francesco Salviati, whose biography also tells us much about Vasari's own early career. Vasari's original and soaring vision plus his acute aesthetic judgements have made him one of the most influential art historians of all time.