Over the past century, tattoos have emerged from the underground. From body art's early association with sailors, convicts and side-show acts to the current adoption of tattoo culture amongst celebrities and the mainstream via the tattoo renaissance of the 1970s, this book reveals the entire history.Combining a wealth of visual material from across the many cultures and sub-cultures we associate with tattoos, including fashion, music and art, with examples of some of the most exquisite tattoos ever inked, the book shows over 400 photographs, many published for the first time. This is a unique examination of the tattoo as a form of personal expression and an intriguing visual guide to the social and stylistic changes of the twentieth and early twenty-first centuries. This visual history will appeal to anyone with an interest in body art and social history, and to anyone planning a tattoo.
Among the artists and designers included are are Scott Campbell, Sasha Unisex, Tea Leigh, Johnny Gloom, Tati Compton (a.k.a. Tati Fox), Georgia Grey, Lauren Winzer, Peter Aurisch, Jon Boy, Susanne K nig, Dr. Woo, Super Timor, and many others. Most of the tattoo artists included count of tens of millions of followers on social media straddling the spectrum of tattoo fans.
Tattoos are a mark of personal creativity and individuality, and Claquin strikes a careful balance between artistic vision, creative process, and the practical demands of needle and ink. Given the wide range and sheer number of illustrations, this is a must have for anyone wanting to stay on top of the latest trends in tattoo design.
Tattoo artist Megan Massacre presents a beautiful collection of her best work, with instructive how-to and inspiration for both professional tattoo artists as well as tattoo aficionados. With a personal behind-the-scenes peek into the making of a tattoo, from concept to execution, plus fan favorite tattoos and tattoo cover-ups, this approachable, full-color paperback will feature everything Massacre has learned over the years. Part idea sourcebook, part tattoo opus, this is an art book that tattoo fans will be eager to read and display.
Since the 1980s, tattooing has emerged anew in the United States as a widely appealing cultural, artistic, and social form. In Bodies of Inscription Margo DeMello explains how elite tattooists, magazine editors, and leaders of tattoo organizations have downplayed the working-class roots of tattooing in order to make it more palatable for middle-class consumption. She shows how a completely new set of meanings derived primarily from non-Western cultures has been created to give tattoos an exotic, primitive flavor.
Community publications, tattoo conventions, articles in popular magazines, and DeMello's numerous interviews illustrate the interplay between class, culture, and history that orchestrated a shift from traditional Americana and biker tattoos to new forms using Celtic, tribal, and Japanese images. DeMello's extensive interviews reveal the divergent yet overlapping communities formed by this class-based, American-style repackaging of the tattoo. After describing how the tattoo has moved from a mark of patriotism or rebellion to a symbol of exploration and status, the author returns to the predominantly middle-class movement that celebrates its skin art as spiritual, poetic, and self-empowering. Recognizing that the term "community" cannot capture the variations and class conflict that continue to thrive within the larger tattoo culture, DeMello finds in the discourse of tattooed people and their artists a new and particular sense of community and explores the unexpected relationship between this discourse and that of other social movements.
This ethnography of tattooing in America makes a substantive contribution to the history of tattooing in addition to relating how communities form around particular traditions and how the traditions themselves change with the introduction of new participants. Bodies of Inscription will have broad appeal and will be enjoyed by readers interested in cultural studies, American studies, sociology, popular culture, and body art.
Newly revised and expanded, this remains the only book to chronicle the history of both tattooed women and women tattooists.Bodies of Subversion was the first history of women's tattoo art when it was released in 1997, providing a fascinating excursion to a subculture that dates back to the nineteenth-century and including many never-before-seen photos of tattooed women from the last century. As the primary reference source on the subject, it contains information from the original edition, including documentation of: -Nineteeth-century sideshow attractions who created fantastic abduction tales in which they claimed to have been forcibly tattooed.
-Victorian society women who wore tattoos as custom couture, including Winston Churchill's mother, who wore a serpent on her wrist.
-Maud Wagner, the first known woman tattooist, who in 1904 traded a date with her tattooist husband-to-be for an apprenticeship.
-The parallel rise of tattooing and cosmetic surgery during the 80s when women tattooists became soul doctors to a nation afflicted with body anxieties.
-Breast cancer survivors of the 90s who tattoo their mastectomy scars as an alternative to reconstructive surgery or prosthetics. The book contains 50 new photos and FULL COLOR images throughout including newly discovered work by Britain's first female tattooist, Jessie Knight; Janis Joplin's wrist tattoo; and tattooed pastor Nadia Bolz-Weber. In addition, the updated 3rd edition boasts a sleek design and new chapters documenting recent changes to the timeline of female tattooing, including a section on: celebrity tattoo artist Kat Von D, the most famous tattooist, male or female, in the world; the impact of reality shows on women's tattoo culture; and, therapeutic uses of tattooing for women leaving gangs, prisons, or situations of domestic abuse. As of 2012, tattooed women outnumber men for the first time in American history, making Bodies of Subversion more relevant than ever. In Bodies of Subversion, Margot Mifflin insightfully chronicles the saga of skin as signage. Through compelling anecdotes and cleverly astute analysis, she shows and tells us new histories about women, tattoos, public pictures, and private parts. It's an indelible account of an indelible piece of cultural history.
-Barbara Kruger, artist
This informed and accessible book explores the wide-ranging history of body art, from its expression of tribal affinities and cultural identity to its role in theatricality, criminality, and beautifying the body, as well as its influence on contemporary artists.
Seven thematic chapters explore the extraordinary diversity of body arts practiced worldwide, both past and present. These range from the role of body art in traditional societies around the world, from Nigeria to Amazonia, Samoa, and New Guinea and from the past through the twentieth century. The theatricality of body is considered in a range of stages including the masquerades in West Africa, the Japanese Noh theater, the drag balls of Harlem, and the Sydney Mardi Gras parade. Later chapters explore themes of beauty and the association of tattoos with the socially marginal, before moving to the revival in the twentieth- and twenty-first centuries of body art as a means of expressing individual and cultural identity as demonstrated in the "modern primitive" movement, performance art, and celebrity tattoo culture.
A wealth of illustrations reflects the many manifestations of body art, including tattooing, piercing, scarification, masquerade, hairstyles, performance art, and more.
The hit Body Art series is a celebration of tattooing and the evolving artform of body modification. Illustrated throughout with eye-popping color photos, and featuring interviews with the world's most famous artists and tattooists, this fourth volume will take you further under the skin of the scene's biggest players. ADULTS ONLY
This gorgeous book delves into the elusive world of traditional Japanese tattooing. The Samurai spirit, Bushido, is an integral component of Japanese tattooing that is traced through the imagery and interpersonal dynamics of this veiled subculture. The eloquent text is based largely on Takahiro Kitamura's experiences as client and student of the famed Japanese tattoo master, Horiyoshi III. Over 200 beautiful photos by Jai Tanju capture the breathtaking tattoo artistry of Horiyoshi III. Five original, unpublished prints by Horiyoshi III, like those in his acclaimed book, 100 Demons of Horiyoshi III, are included here. Bushido: Legacies of the Japanese Tattoo is certain to fascinate everyone with an interest in tattoo culture.
Traditional American tattooing has a rich, extensive heritage. Often underappreciated, it represents a true folk art, encompassing design motifs and themes that are expressions of the heart, the desires, loves, and ambitions of the artists and those who wear their artworks. After carefully studying work by renowned American tattoo artists (including Paul Rogers, Leonard "Stoney" St.Clair, George Burchett, August "Cap" Coleman, Percy Waters, Owen James and others) the author distilled it into five component colors: black, red, yellow, green, and brown, and developed a new interpretation of their classic styles. Besides classic designs by the author, the images here include collaborative work with other tattoo designers. Over 640 individual flash designs are reproduced in color as a celebration of the tradition and the hope that it will continue as folk art.