Traces the life and career of Ansel Adams, including his early years in San Francisco, his relationship with the Native Americans of Yosemite, and the influences on his photography and painting of western landscapes
In this bestselling autobiography, completed shortly before his death in 1984, Ansel Adams looks back at his legendary six-decade career as a conservationist, teacher, musician, and, above all, photographer. Written with characteristic warmth, vigor, and wit, this fascinating account brings to life the infectious enthusiasms, fervent battles, and bountiful friendships of a truly American original.
Dust Jacket : Very Good
In his early years in Yosemite, Ansel Adams formed the habit of writing letters at every opportunity. Among the family, friends, and colleagues with whom he corresponded rank such eminent names as Alfred Stieglitz, Paul Strand and Jimmy Carter.
Photographers who provide digital files instead of professionally finished prints and albums are not just missing out on income, they are limiting the ways they can serve their clients and giving up control of the quality of the finished product. This has a ripple effects that can negatively affect the long-term viability of the business. As Christie Mumm shows in this book, failing to sell prints and albums--and to do so effectively--results in clients who save a few dollars but are, overall, less satisfied with the quality of the experience they received. Conversely, clients who are treated to a great in-person sales session and then receive high-end custom products almost always become repeat customers and are far more likely to talk to their friends and family about their experience. Armed with the practical, no-nonsense techniques Mumm sets out, photographers will find it easy to develop a product line and begin hosting fun, engaging in-person sales sessions.
Berenice Abbott is to American photography as Georgia O'Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott's sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott's fascinating life has long remained a mystery--until now.
In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris--photographing, in Sylvia Beach's words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years.
In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city's metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery--then Manhattan's skid row--Abbott shot back, "I'm not a nice girl. I'm a photographer...I go anywhere." This bold, feminist attitude would characterize all Abbott's accomplishments, including imaging techniques she invented in her influential, space race-era science photography and her tenure as The New School's first photography teacher.
With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott's place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur.
The photography industry is advancing and changing more--and more quickly--than ever. Right along with changes in camera technology, photographers are witnessing shifts in the business landscape that can be a challenge to understand and navigate, whether they're just beginning their business or growing it after 25 years of shooting.
Best Business Practices for Photographers, 3rd Edition, is an updated and expanded version of John Harrington's bestselling books on the topic. For the first time, Harrington brings together both Best Business Practices for Photographers and More Best Business Practices for Photographers, creating a complete and comprehensive guide for photographers starting, maintaining, and growing their business in order to achieve financial success and personal satisfaction.
In great detail and with a friendly, conversational voice, Harrington covers all the key points of the business of professional photography, and he provides today's best practices that you need to know. This book covers:
- - How to establish your business (Sole Proprietor vs. LLC/LLP vs. S Corp)
- - Whether or not you need a physical, brick-and-mortar location
- - The equipment you need
- - Planning a shoot
- - The value of internships
- - Setting your fees
- - Pricing your work
- - Why you need insurance
- - Surviving an IRS audit
- - Contracts for editorial, commercial, and corporate clients, as well as weddings and rites of passage
- - The art of negotiation
- - How video can be incorporated into your business
- - Marketing, branding, and social media
- - Publishing a book of your work
- - Practical finance advice and guidance, from working with accountants to setting up QuickBooks
- - How to protect your work
- - Releases for models, property, and more
- - How to handle a breach of contract
- - Licensing your work
- - Digital asset management
The photography industry is advancing and changing more--and more quickly--than ever. Right along with changes in camera technology, photographers are witnessing shifts in the business landscape that can be a challenge to understand and navigate, whether they're just beginning their business or growing it after 25 years of shooting.
Best Business Practices for Photographers, 3rd Edition, is an updated and expanded version of John Harrington's bestselling books on the topic. For the first time, Harrington brings together both Best Business Practices for Photographers and More Best Business Practices for Photographers, creating a complete and comprehensive guide for photographers starting, maintaining, and growing their business in order to achieve financial success and personal satisfaction.
In great detail and with a friendly, conversational voice, Harrington covers all the key points of the business of professional photography, and he provides today's best practices that you need to know. This book covers:
- - How to establish your business (Sole Proprietor vs. LLC/LLP vs. S Corp)
- - Whether or not you need a physical, brick-and-mortar location
- - The equipment you need
- - Planning a shoot
- - The value of internships
- - Setting your fees
- - Pricing your work
- - Why you need insurance
- - Surviving an IRS audit
- - Contracts for editorial, commercial, and corporate clients, as well as weddings and rites of passage
- - The art of negotiation
- - How video can be incorporated into your business
- - Marketing, branding, and social media
- - Publishing a book of your work
- - Practical finance advice and guidance, from working with accountants to setting up QuickBooks
- - How to protect your work
- - Releases for models, property, and more
- - How to handle a breach of contract
- - Licensing your work
- - Digital asset management
But the drama of Capa's life wasn't limited to one side of the lens. Born in Budapest as Andre Freidman, Capa fled political repression and anti-Semitism as a teenager by escaping to Berlin, where he first picked up a Leica camera. He founded Magnum, which today remains the most prestigious photographic agency of its kind. He was a gambler and seducer of several of his era's most alluring icons, including Ingrid Bergman, and his friends included Irwin Shaw, John Steinbeck, Ernest Hemingway, and John Huston.
From Budapest in the twenties to Paris in the thirties, from postwar Hollywood to Stalin's Russia, from New York to Indochina, Blood and Champagne is a wonderfully evocative account of Capa's life and times.
Who was Ernest Withers? Most Americans may not know the name, but they do know his photographs. Withers took some of the most legendary images of the 1950s and '60s: Martin Luther King, Jr., riding a newly integrated bus in Montgomery, Alabama; Emmett Till's uncle pointing an accusatory finger across the courtroom at one of his nephew's killers; scores of African-American protestors, carrying a forest of signs reading "I am a man." But while he enjoyed unparalleled access to the inner workings of the civil rights movement, Withers was working as an informant for the FBI.
In this gripping narrative history, Preston Lauterbach examines the complicated political and economic forces that informed Withers's seeming betrayal of the people he photographed. Withers traversed disparate worlds, from Black Power meetings to raucous Memphis nightclubs where Elvis brushed shoulders with B.B. King. He had a gift for capturing both dramatic historic moments and intimate emotional ones, and it may have been this attention to nuance that made Withers both a brilliant photographer and an essential asset to the FBI. Written with similar nuance, Bluff City culminates with a riveting account of the 1968 riot that ended in violence just a few days before Dr. King's death.
Brimming with new information and featuring previously unpublished and rare photographs from the Withers archive not seen in over fifty years, Bluff City grapples with the legacy of a man whose actions--and artistry--make him an enigmatic and fascinating American figure.
