For the past fifty years, Tamarind has breathed life into the once-underappreciated art of lithography. From Josef Albers and Philip Guston in the 1960s, to Ed Ruscha and Kiki Smith in recent decades, contemporary artists have teamed up with professional printmakers at Tamarind to create an archive of exceptional lithographs.
In 1960, in an effort to generate interest in lithography and make it accessible to artists, June Wayne founded Tamarind Lithography Workshop, Inc., in Albuquerque, New Mexico. Fifty years and many thousands of prints later, it is difficult to imagine what lithography in the United States would be without the influence of the renowned Tamarind. Showcasing the broad aesthetic capabilities of lithography, Tamarind Touchstones demonstrates the diversity of the artists who have embraced lithography and their increased facility and comfort with the medium.
Highlighting the ninety lithographs in the exhibition, reproduced in full color, this catalogue also includes glimpses into the recent activities of Tamarind, the psyche of the professional printmaker, and the curatorial perspective that guided the selection for this National Endowment for the Arts--funded traveling exhibition.
With its trademark passion, Tamarind enters the next fifty years committed to its original goals to invigorate and fortify lithography and to expand its reach throughout the world.
Tattoo inspiration from the glory days of Japanese ukiyo-e prints
Many tattoo connoisseurs consider the Japanese tradition to be the finest in the world for its detail, complexity and compositional skill. Its style and subject matter are drawn from the visual treasure trove of Japanese popular culture, in particular the color woodblock prints of the early 19th century known as ukiyo-e.
This book tells the fascinating story of how ukiyo-e first inspired tattoo artists as the pictorial tradition of tattooing in Japan was just beginning. It explores the Japanese tattoo's evolving meanings, from symbol of devotion to punishment and even to crime, and reveals the tales behind specific motifs. With lush, colorful images of flowers blooming on the arm of a thief, sea monsters coiling across the back of a hero and legendary warriors battling on the chests of actors, the tattoos in these prints can offer the same vivid inspiration today as they did 200 years ago.
Add Elegant, Rich Textures to Your Greeting Cards and Gifts
In Texture Effects for Rubber Stamping, you'll discover a variety of innovative texturing techniques using paint, embellishments and inks for stunning results.
Nancy Curry guides you through over 40 stylish projects featuring a wonderful mix of new texture approaches, dimensional effects and decorative accents. With clear, step-by-step instructions, you'll easily learn to apply each method in a variety of unique ways with amazingly different results each time. All of the sophisticated designs are surprisingly simple to achieve, even for a beginner.
In addition to new stamping techniques, Curry illustrates exciting new ways to use materials you are already familiar with such as shrink plastic, metallic ink, fibers, charms and art wire. You'll also find detailed projects that use common materials in unconventional ways such as alcohol inks on clear acetate, metal leaf on webbing spray and metallic rub-ons on textured hot glue.
From start to finish you'll see how easy it is to add rich beauty and your own creative expression to personalized cards and gifts your family and friends will adore.
The continual demand among graphic artists for floral and botanical illustrations, combined with the perennial popularity of the Victorian style, have inspired this practical royalty-free collection. Artist Carol Belanger Grafton has selected 344 handsome and botanically accurate wood engravings from two notable botanical classics: Paxton's Flower Garden by John Lindley and Sir Joseph Paxton, 1850-53; and The Natural History of Plants: Their Forms, Growth, Reproduction, and Distribution by Anton Kerner von Marilaun and F. W. Oliver, 1902.Illustrations include exquisitely detailed renderings of flowers and other plant features of exotic specimens from around the world: passionflower, baobab, spider lily, hop, quaking grass, mourning cypress, American mangrove, wayfaring tree, Christmas rose, Indian rhododendron, false indigo, winged pea, Persian walnut. cat's-claw mimosa, Bhutan cypress, and many more.The engravings encompass a broad spectrum of plant forms: trees, shrubs, aquatic and climbing plants, evergreens, vines, brushes, herbs, various perennials, and others. Orchids are especially well represented; over 10 percent of the illustrations in this volume depict orchids. Each illustration is accompanied by an identifying caption that provides the scientific name and a brief description of the plant, its native region, and if it is a flower, the coloration of the blossoms.The clarity and accuracy of these engravings is striking; they are well-suited to reproduction for almost any graphic purpose. Moreover, all illlustrations are royalty-free; no prior permission or fee is required for their use. Invaluable to graphic artists in need of a comprehensive archive of unusual floral illustrations, this versatile reference will delight botanists, naturalists, flower lovers, and any admirer of exotic plants that are depicted with the meticulous clarity and detail of fine engravings.
Known as Japan's premier "poet of place," Kawase Hasui is one of the most popular landscape artists of the twentieth century. This richly illustrated catalogue spans Kawase Hasui's most imaginative period--the years from 1918 to the Great Earthquake of 1923. An important contributor to the early shin-hanga (new print) movement, Hasui crafted distinctive landscapes that also recall artistic traditions ranging from ukiyo-e and French Japonisme to Post-Impressionist painting.
Water and Shadow is based on the unparalleled collection donated to the Virginia Museum of Fine Arts by Ren and Carolyn Balcer. These selections exemplify the creativity of Hasui's early work and reveal the dynamic interplay between his prints, graphic design, and rare but spectacular paintings. Five essays by leading scholars in North America and Japan explore Hasui's methods, art historical relationships, and themes as well as some socioeconomic aspects of the print business.
Waves of renewal is the most comprehensive publication to date to focus on the holdings of the Nihon no hanga collection in Amsterdam. The 277 prints included showcase the sophistication of shin hanga and the boldness of sōsaku hanga. An introductory essay sets the stage, followed by ten shorter essays by noted scholars in the field that centre on aspects integral to our understanding of early to mid-twentieth century Japanese printmaking. Each print is documented and annotated in the extensive catalogue section.
Chris Uhlenbeck; Amy Reigle Newland; Shōichirō Watanabe; Setsuko Abe; Kendall H. Brown; Mikiko Hirayama; Junko Nishiyama; Chiaki Ajioka; Noriko Kuwahara; Kiyoko Sawatari; Maureen de Vries
What is a print? This volume aims to answer that question by exploring the four basic printmaking techniques--woodcut, intaglio, lithography and screenprint--that have been used to create some of the most iconic images in modern art, from Paul Gauguin's Noa Noa to Andy Warhol's Marilyn Monroe. Illustrated with works from The Museum of Modern Art's superlative collection of prints, the book is divided into four sections that provide an overview introduction to each technique. Each section presents approximately 40 prints that demonstrate the range and variety of a particular technique and illustrate its development over the last century. Extended captions highlight the distinctive visual effects unique to each technique, and examine issues specific to printmaking, such as democratic ideas about distribution and social and political function. Featured works range from Edvard Munch's radical woodcut experiments from the 1890s to Kelley Walker's digital experiments of the last several years, and include prints by modern masters like Pablo Picasso and Joan Mir as well as those made by a roster of international contemporary artists who continue to explore and expand these techniques today.
Wood Engraving is an easily followed, practical manual on wood engraving for the beginner, written by a master in the field. The processes of printing and engraving are clearly explained, together with their material requirements. Up-to-date variations on techniques, and all the tips and methods that the author has found helpful in 30 years as a practitioner are included. The book is also a beautiful object in its own right and as the author Simon Brett's work is highly collectible. It is a must have for all those who treasure his work and fine wood engraving in general.
Tsukioka Yoshitoshi (1839-1892) created some of the most spectacular designs in 19th century Japanese woodblock prints. The last comprehensive overview of Yoshitoshi's work was published almost twenty years ago, but advances in scholarship since then have resulted in a re-evaluation of his work. This publication draws from the Ed Freis collection, which was assembled over the course of thirty years. It illustrates numerous works from Yoshitoshi's early career, including several prints that have to date not appeared in Western language catalogues.
The two essays in the volume by Chris Uhlenbeck and Amy Reigle Newland take new approaches in the discussion of the art and life of Yoshitoshi, and depend little on the usual, at times dubitable, sources frequently used to paint a portrait of the artist. Chris Uhlenbeck offers insight into Yoshitoshi through a discussion of extant prints. He charts the development of Yoshitoshi's work from the late 1850s, when he received his first substantial commissions from various publishers, to his death at the age fifty-three in 1892. Amy Reigle Newland establishes Yoshitoshi's position among his peers using contemporary accounts found in types of popular guidebooks known as nazorae saiken(ki) ('riddle guidebooks') and in the emerging press.
The more than 160 illustrations in the volume are fully annotated. Ed Freis has selected a handful of Yoshitoshi's signature works to highlight the details of process and variant editions. Maureen de Vries succinctly describes the often complex, layered iconography of Yoshitoshi's imagery. Robert Schaap has created a valuable pictorial appendix of all Yoshitoshi's documented serial works.