This book gives a clear and complete picture of every aspect of press operation and silk screen technique -- from individually operated manual presses to modern automatic presses capable of turning out 2,000-3,000 impressions an hour -- and indicates its great versatility and range of applications. Extremely thorough in its coverage of the subject, this volume includes practically everything of importance known about the silk screen process.
After a brief historical account, which shows how screen process has become one of the most important of the graphic arts, the author provides detailed information on basic tools and equipment, stencil making and photo stencil methods, multicolor work, facts about paints, lacquers, and other compounds, and tips on matching colors and mixing the right colors for specific jobs.
There are chapters on printing of decalcomanias, characteristics of different surfaces, textile and wallpaper printing, appliqu materials, printing on cylindrical and unusual surfaces, silk screen as a fine art (serigraphy), die cutting and finishing, automation in the industry, and other topics. Completely serviceable to the commercial operator, the book also contains discussions of estimating procedures, relative costs and selling prices, and plant layout and shop management.
The various steps in the process are all illustrated by numerous photographs and drawings. Other illustrations show modern plants and machines, presses and other equipment, and examples of printing on containers, glassware, fabrics, etc. In addition to a brief bibliography of books and publications on the subject, there is a list of major manufacturers and dealers in screen process materials for convenient reference.
A fully practical manual, and for anyone working in the graphic arts, this book was written by an expert with over 25 years' experience in the field. As a man who has worked in every phase of silk screen work (from printing, paint mixing, layout, and lettering to managing, consulting, and teaching) and as the author of a number of other books on screen process, Mr. Biegeleisen is notably qualified to discuss all techniques, problems, and situations; in this book, he has produced the best and most authoritative guide to a rapidly growing field.
This revised and expanded edition takes the reader step by step through the history and techniques of over forty-five print-making methods.From the traditional etching, engraving, lithography, and relief print processes to today's computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes, The Complete Printmaker covers various aspects of fine printmaking. The book also includes a survey of issues and contemporary concerns in the printmakers world.
This work is a resource for those interested in any form of printmaking, from teachers and students to gallery staff, museum curators and historians. It provides a listing of the terms that relate to different types of printmaking. The book is filled with the artwork of a wide range of well-known printmakers from around the world. This is a beautiful as well as an informative book.
How does a twenty-first-century woman living in rural southern Oregon enter the spiritual realm of the Dreamtime and what impact does it have on her life? Denise Kester is an artist and art teacher whose inner dream life is populated by a host of profound characters (brown bears, black crows, blue monkeys, sea turtles, and rabbits among others) who guide Denise through a difficult year of artistic creation as she stares down at a deadline for an important exhibit. Drawing on the Dream is part instruction for artists but even more a profound illumination on the way of the artist. The book includes Kester's brilliant monoprints in all stages of process to completion and the stories or poetry that inspired or illuminate the work. Kester writes about the struggles and the triumphs that occur as the deadline approaches. She asks the question "do I make the art or does the art make me?"In her Foreword, bestselling author Jean Houston (Jump Time, The Possible Human observes: "As you read, see, and enjoy the riches contained in this book you too may discover, with such wonder and astonishment, that the dreamtime lives within you. For you are in the presence of Denise Kester who has tapped into the source of creativity and thus, is herself, a Source-rer."
UKIYO-E -- "images from the floating world" -- were the most popular art-form of 19th century Japan. Like modern-day manga, these prints could be mass-produced and were admired by people from all sectors of society; and as in manga, the art of ukiyo-e included significant sub-genres dealing in violence, erotica and horror. With unflinching images of weird sex, bloody carnage and grotesque, demonic ghosts and monsters, "Dream Spectres" is a powerful collection of the extremes of ukiyo-e, featuring the work of such artists as Yoshitoshi, Ekin, Kunichika, Yoshiiku, Kunisada, Hokusai, Kuniyoshi, Yoshitsuya, Hiroshige, Kyosai, and Chikanobu. "Dream Spectres" features over 170 amazing full-colour images, including the complete Eimei Nijuhasshuku ("28 Blood Atrocities") of Yoshitoshi and Yoshiiku, and ranges in content from bondage and bestiality to decapitations, demons and designs for classic irezumi (body tattoos). This is Japanese art not only at its extremes of imagination, but often at its most highly accomplished and innovative. This new, revised, enlarged and expanded edition of "Dream Spectres" is presented in large-format and full-colour throughout. The Ukiyo-e Master Series: presenting seminal collections of art by the greatest print-designers and painters of Edo-period and Meiji-period Japan.
Intaglio printmaking involves engraving or incising a figure in stone or other hard material to obtain an impression from the subsurface design. In this thorough handbook, a noted printmaker and teacher offers complete up-to-date coverage of etching, engraving, drypoint, and other well-known intaglio techniques, as well as such less-familiar methods as tuilegraphs, collagraphs, and transfers.
The first part of the book is devoted to a thorough introduction to materials and tools, printing equipment, papers, presses--even how to set up your workshop for maximum safety and efficiency. In Part Two, the author proceeds to a detailed discussion of etching techniques, including formulas for grounds and inks, aquatint, white ground, hard ground, soft ground, sugar lift, and acids.
Once familiar with basic etching techniques, the student is then given precise illustrated instructions in printing techniques, including basic printing, double intaglio printing (the author's own method); color printing and embossing, the viscosity method, and viscosity and aquatint. For each procedure, clear, step-by-step directions cover the process itself, materials and equipment required, and cleanup. An especially helpful "what went wrong" section at the end of each chapter diagnoses problems and offers solutions.
In Part 4 Ms. Leaf details other mediums and methods: drypoint, notable for its characteristic velvety dark lines; engraving, one of the earliest forms of expression known to man, dating back to prehistoric times; collagraphs, plates made in the same way as collages and then printed; and the Blake Transfer Method, adapted from a technique developed by the English artist and poet William Blake (1757-1827).
A final Appendix treats such ancillary topics as framing and matting prints, storage, agents, and where to sell and show your work. Enhanced with over 220 illustrations, including works by Rembrandt, Callot, D rer, Goya, and Brueghel, and a wealth of illustrative figures and photographs, this precise and detailed manual belongs at the side of any serious printmaker, novice, or ink-stained veteran.
"Excellent, comprehensive . . . superbly organized." -- AB Bookman's Weekly.
The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination.For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.
Conveying the authors' love of the letterpress process and product, this book presents the technical, historical, aesthetic and practical information necessary for both students and instructors.
The 2nd edition of For the Love of Letterpress includes an updated gallery of contemporary images of letterpress printing, as well as a new chapter of letterpress assignments from the United States, United Kingdom and Europe. Both additions attest to the dynamic and continued relevance of the media.
The authors show how contemporary digital processes have expanded the boundaries of traditional letterpress. By writing with passion and experience, they indicate why a 15th century printing technology based upon crafting with one's hands, still has appeal and value to 21st century artists and designers.
Whether incorporated into an academic curriculum or used for self-study, For the Love of Letterpress is a must for students who wish to learn letterpress and instructors seeking inspiration and reference.
Meet your dream plate and fall in love with a faster, friendlier approach to printmaking.For artists and crafters who love the creative possibilities of monoprinting on gelatin but not the prep time, mess and inconvenience that comes with it, the Gelli Arts Gel Printing Plate is a dream come true It's durable, reusable, stored at room temperature, and ready to get creative whenever you are. Simply apply paint with a soft rubber brayer, make your marks and pull your print. It's that simple Wipe the plate down with a spritz of water and a paper towel, and you're ready to go again. In this premier guide, artist Joan Bess--inventor of the concept for the Gelli plate--unleashes the fun through more than 60 step-by-step techniques. Create intriguing patterns using tools like sponges, textured rollers and homemade combs. Learn how to incorporate stencils and rubber stamps. Experiment with metallic paint, dimensional paint and gel medium. Become a texture-hunter, creating a wide world of effects using embossed papers, natural objects, rubber bands, lace, corrugated cardboard, metal tape, die cut letters...anything goes Even beginners can enjoy immediate gratification--just grab a textured surface, smoosh it into your painted Gelli plate, and you'll have a stack of amazing prints in no time. For experienced printmakers, the inspirations in these pages will push you to experiment, adapt, combine and layer. It's easy, fun and totally addicting Printmaking just got easier - Expert tips from the creator of the Gelli plate
- 60+ awesome step-by-step techniques
- Ideas for incorporating stamps and stencils, using ghost prints, salvaging uninspired prints, and more
- 26-page gallery shows the many wonderful ways artists are incorporating Gelli printing into their work