One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the killing rage--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change. bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.
The twentieth century brought industrialization to Texas cities. For Mexican workers in the state, this meant worsening economic conditions, widespread discrimination, and an indifferent or at times hostile Anglo labor movement. Faced with such challenges, Mexicans often looked to each other or toward Mexico for support and inspiration in building a largely autonomous, occasionally trans-border labor movement. In this first book-length examination of the earliest organized efforts by Mexican-origin workers in Texas, Emilio Zamora challenges the usual, stereotypical depiction of Mexican workers as passive and hard to organize.Instead, working within the framework of the "new labor history," he looks beyond the conventional focus on trade unionism and collective bargaining to encompass the broader social experiences and culture of Mexicans as a national minority and a repressed segment of the working class. Through extensive use of Spanish-language archives in Mexico and the United States, Zamora examines workers' independent organizations--including mutual aid societies and cooperatives that functioned as unions--as well as spontaneous informal actions, including strikes, by Texas Mexican workers. He portrays the gradual yet increasing integration of those organizations into the mainstream labor movement and examines labor solidarity across ethnic lines. In addition, he discusses the special role Mexican labor played in bridging labor struggles across the international border and in challenging racial exclusion on the job in the predominantly Anglo labor federations and in the broader institutional life of South Texas. Although the early efforts at inter-ethnic unity failed to materialize fully, Zamora concludes, they nevertheless provided a legacy that tells much about the minority position of the Mexican community, the impressive organizing activity and bid for incorporation of Mexican workers, and the ambivalent response by organized and unorganized Anglo workers.
More than two million people are currently imprisoned in the United States, and the nation's incarceration rate is now the highest in the world. The dramatic rise and consolidation of America's prison system has devastated lives and communities. But it has also transformed prisons into primary sites of radical political discourse and resistance as they have become home to a growing number of writers, activists, poets, educators, and other intellectuals who offer radical critiques of American society both within and beyond the prison walls.In Forced Passages, Dylan Rodr guez argues that the cultural production of such imprisoned intellectuals as Mumia Abu-Jamal, Angela Davis, Leonard Peltier, George Jackson, Jos Solis Jordan, Ramsey Muniz, Viet Mike Ngo, and Marilyn Buck should be understood as a social and intellectual movement in and of itself, unique in context and substance. Rodr guez engages with a wide range of texts, including correspondence, memoirs, essays, poetry, communiqu s, visual art, and legal writing, drawing on published works by widely recognized figures and by individuals outside the public's field of political vision or concern. Throughout, Rodr guez focuses on the conditions under which imprisoned intellectuals live and work, and he explores how incarceration shapes the ways in which insurgent knowledge is created, disseminated, and received. More than a series of close readings of prison literature, Forced Passages identifies and traces the discrete lineage of radical prison thought since the 1970s, one formed by the logic of state violence and by the endemic racism of the criminal justice system. Dylan Rodr guez is assistant professor of ethnic studies at the University of California, Riverside.
An unforgettable firsthand account of a people's response to genocide and what it tells us about humanity.This remarkable debut book chronicles what has happened in Rwanda and neighboring states since 1994, when the Rwandan government called on everyone in the Hutu majority to murder everyone in the Tutsi minority. Though the killing was low-tech--largely by machete--it was carried out at shocking speed: some 800,000 people were exterminated in a hundred days. A Tutsi pastor, in a letter to his church president, a Hutu, used the chilling phrase that gives Philip Gourevitch his title. With keen dramatic intensity, Gourevitch frames the genesis and horror of Rwanda's genocidal logic in the anguish of its aftermath: the mass displacements, the temptations of revenge and the quest for justice, the impossibly crowded prisons and refugee camps. Through intimate portraits of Rwandans in all walks of life, he focuses on the psychological and political challenges of survival and on how the new leaders of postcolonial Africa went to war in the Congo when resurgent genocidal forces threatened to overrun central Africa. Can a country composed largely of perpetrators and victims create a cohesive national society? This moving contribution to the literature of witness tells us much about the struggle everywhere to forge sane, habitable political orders, and about the stubbornness of the human spirit in a world of extremity. We Wish to Inform You That Tomorrow We Will Be Killed with Our Families is the winner of the National Book Critics Circle Award for Nonfiction.
When did southern segregation begin? Students often assume that segregation was a natural outcome of Reconstruction. Even scholars cannot agree on which events at the end of the 19th century mark the beginning of American Apartheid. Each of the six selections in this volume addresses the question of segregation's origins, and amid the debate over when segregation began, revelations also emerge as to where and how it became the norm for relations between blacks and whites. Concentrating on the antebellum antecedents of segregation, the surprising fluidity of racial interaction in the postwar South, the relation between segregation and white supremacist doctrine, and the diversity of segregation practices among the states, the selections together demonstrate the evolution of southern segregation from a diverse array of local practices to a rigid, pervasive, legally sanctioned system of racial apartheid.
In 1997, this groundbreaking book made a powerful entrance into the national conversation on race. In a media landscape dominated by racially biased images of welfare queens and crack babies, Killing the Black Body exposed America's systemic abuse of Black women's bodies. From slave masters' economic stake in bonded women's fertility to government programs that coerced thousands of poor Black women into being sterilized as late as the 1970s, these abuses pointed to the degradation of Black motherhood--and the exclusion of Black women's reproductive needs in mainstream feminist and civil rights agendas.Now, some two decades later, Killing the Black Body has not only exerted profound influence, but also remains as crucial as ever--a rallying cry for education, awareness, and action on extending reproductive justice to all women.
Bestselling author Alex Kotlowitz is one of this country's foremost writers on the ever explosive issue of race. In this gripping and ultimately profound book, Kotlowitz takes us to two towns in southern Michigan, St. Joseph and Benton Harbor, separated by the St. Joseph River. Geographically close, but worlds apart, they are a living metaphor for America's racial divisions: St. Joseph is a prosperous lakeshore community and ninety-five percent white, while Benton Harbor is impoverished and ninety-two percent black. When the body of a black teenaged boy from Benton Harbor is found in the river, unhealed wounds and suspicions between the two towns' populations surface as well. The investigation into the young man's death becomes, inevitably, a screen on which each town projects their resentments and fears. The Other Side of the River sensitively portrays the lives and hopes of the towns' citizens as they wrestle with this mystery--and reveals the attitudes and misperceptions that undermine race relations throughout America.
With unequaled insight and brio, David Brooks, the "New York Times" columnist and bestselling author of "Bobos in Paradise, "has long explored and explained the way we live. Now, with the intellectual curiosity and emotional wisdom that make his columns among the most read in the nation, Brooks turns to the building blocks of human flourishing in a multilayered, profoundly illuminating work grounded in everyday life.
This is the story of how success happens. It is told through the lives of one composite American couple, Harold and Erica--how they grow, push forward, are pulled back, fail, and succeed. Distilling a vast array of information into these two vividly realized characters, Brooks illustrates a fundamental new understanding of human nature. A scientific revolution has occurred--we have learned more about the human brain in the last thirty years than we had in the previous three thousand. The unconscious mind, it turns out, is most of the mind--not a dark, vestigial place but a creative and enchanted one, where most of the brain's work gets done. This is the realm of emotions, intuitions, biases, longings, genetic predispositions, personality traits, and social norms: the realm where character is formed and where our most important life decisions are made. The natural habitat of" The Social Animal.
Drawing on a wealth of current research from numerous disciplines, Brooks takes Harold and Erica from infancy to school; from the "odyssey years" that have come to define young adulthood to the high walls of poverty; from the nature of attachment, love, and commitment, to the nature of effective leadership. He reveals the deeply social aspect of our very minds and exposes the bias in modern culture that overemphasizes rationalism, individualism, and IQ. Along the way, he demolishes conventional definitions of success while looking toward a culture based on trust and humility.
"The Social Animal" is a moving and nuanced intellectual adventure, a story of achievement and a defense of progress. Impossible to put down, it is an essential book for our time, one that will have broad social impact and will change the way we see ourselves and the world.