A daring memoir of love, magic, adventure, and miracles, Victor Villase or's Thirteen Senses continues the exhilarating family saga that began in the widely acclaimed bestseller Rain of Gold, delivering a stunning story of passion, family, and the forgotten mystical senses that stir within us all.
Thirteen Senses begins with the fiftieth wedding anniversary of the aging former bootlegger Salvador and his elegant wife, Lupe. When asked by a young priest to repeat the sacred ceremonial phrase to honor and obey, Lupe surprises herself and says. No, I will not say 'obey'. How dare you You don't talk to me like this after fifty years of marriage and I now knowing what I know After the hilarious shock of Lupe's rejection of the ceremony, the Villase or family is forced to examine the love that Lupe and Salvador have shared for so many years -- a universal, gut-honest love that will eventually energize and inspire the couple into old age.--Washington Post
One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the killing rage--the fierce anger of black people stung by repeated instances of everyday racism--finding in that rage a healing source of love and strength and a catalyst for positive change. bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.
In this rich ethnographic study, Kelly D. Alley sheds light on debates about water uses, wastewater management, and the meanings of waste and sacred power. On the Banks of the Ganga analyzes the human predicaments that result from the accumulation and disposal of waste by tracing how citizens of India interpret the impact of wastewater flows on a sacred river and on their own cultural practices.
Alley investigates ethno-semantic, discursive, and institutional data to flesh out the interplay between religious, scientific, and official discourses about the river Ganga. Using a new outward layering methodology, she points out that anthropological analysis must separate the historical and discursive strands of the debates concerning waste and sacred purity in order to reveal the cultural complexities that surround the Ganga. Ultimately, she addresses a deeply rooted cultural paradox: if the Ganga river is considered sacred by Hindus across India, then why do the people allow it to become polluted?
Examining areas of contemporary concern such as water usage and urban waste management in the most populated river basin in the world, this book will appeal to anthropologists and readers in religious, environmental, and Asian studies, as well as geography and law.
Kelly D. Alley is Associate Professor and Director of Anthropology at Auburn University. In addition to being a prolific writer, she has conducted research on public culture and environmental issues in northern India for over a decade. Alley is currently overseeing a project to ameliorate river pollution problems in India.
A "civil rights Hall of Fame" (Kirkus) that was published to remarkable praise in conjunction with the NAACP's Centennial Celebration, Lift Every Voice is a momentous history of the struggle for civil rights told through the stories of men and women who fought inescapable racial barriers in the North as well as the South--keeping the promise of democracy alive from the earliest days of the twentieth century to the triumphs of the 1950s and 1960s.
Historian Patricia Sullivan unearths the little-known early decades of the NAACP's activism, telling startling stories of personal bravery, legal brilliance, and political maneuvering by the likes of W.E.B. Du Bois, Mary White Ovington, Walter White, Charles Houston, Ella Baker, Thurgood Marshall, and Roy Wilkins. In the critical postwar era, following a string of legal victories culminating in Brown v. Board, the NAACP knocked out the legal underpinnings of the segregation system and set the stage for the final assault on Jim Crow.
A sweeping and dramatic story woven deep into the fabric of American history--"history that helped shape America's consciousness, if not its soul" (Booklist)--Lift Every Voice offers a timeless lesson on how people, without access to the traditional levers of power, can create change under seemingly impossible odds.
Minnesota is often associated with its Scandinavian heritage, but in fact Germans are the largest single immigrant group in Minnesota history and were the largest ancestry group in the 2000 census. Author Kathleen Neils Conzen tells the story of German Americans and their profound influence on Minnesota history and culture.
Conzen recounts their triumphs and struggles over the last 150 years in a clear and concise narrative. Landing in poverty, Germans transformed acres of wilderness into productive farms and brought to America their love of art, music, and sociability. Immigrants came to America intent on creating, in the words of one agent, "an earthly paradise of this Minnesota" and "a new Germany" soon rose in Stearns County. Conzen explores not only the well-known enclaves in Brown and Stearns Counties but also looks at the smaller communities of Winona, on the Iron Range, and along the North Shore, as well as in the Twin Cities.
In recent times, a renewed interest in German heritage can be seen in towns like New Ulm, home to the thirty-two-foot statue of Hermann the German, hero of the wars against the ancient Roman legions, and Heritagefest, the ethnic heritage festival that occurs every summer.
In 1997, this groundbreaking book made a powerful entrance into the national conversation on race. In a media landscape dominated by racially biased images of welfare queens and crack babies, Killing the Black Body exposed America's systemic abuse of Black women's bodies. From slave masters' economic stake in bonded women's fertility to government programs that coerced thousands of poor Black women into being sterilized as late as the 1970s, these abuses pointed to the degradation of Black motherhood--and the exclusion of Black women's reproductive needs in mainstream feminist and civil rights agendas.Now, some two decades later, Killing the Black Body has not only exerted profound influence, but also remains as crucial as ever--a rallying cry for education, awareness, and action on extending reproductive justice to all women.
"A rare combination of an author, Mike Davis is] Rachel Carson and Upton Sinclair all in one."--Susan Faludi
" Davis' writing is] perceptive and rigorous."--David Montgomery, The Nation
" Davis' work is] brilliant, provocative, and exhaustively researched."--The Village Voice
" Davis' work is] eloquent and passionate."--Tariq Ali
No One Is Illegal debunks the leading ideas behind the often violent right-wing backlash against immigrants.
Countering the chorus of anti-immigrant voices, Mike Davis and Justin Akers Chac n expose the racism of anti-immigration vigilantes and put a human face on the immigrants who risk their lives to cross the border to work in the United States.
Davis and Akers Chac n challenge the racist politics of vigilante groups like the Minutemen, and argue for a pro-immigrant and pro-worker agenda that recognizes the urgent need for international solidarity and cross-border alliances in building a renewed labor movement.
Writer, historian, and activist Mike Davis is the author of many books, including City of Quartz, The Ecology of Fear, The Monster at Our Door, and Planet of Slums. Davis teaches in the Department of History at the University of California at Irvine, and lives in San Diego. Davis is the recipient of the 2001 Carey McWilliams Award and the World History Association Book Award.
Justin Akers Chac n is professor of U.S. History and Chicano Studies in San Diego, California. He has contributed to the International Socialist Review and the book Immigration: Opposing Viewpoints (Greenhaven Press).